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Engqvist, Carl-Erik, Konstnärlig ledare
Biography [swe]

Carl-Erik Engqvist is a contemporary artist and the artistic director of Humlab in Umeå. Since 2006 he has been working with art related to artificial intelligence, robotics, nano-, and biotechnology, and virtual worlds. Investigating a meeting point between spirituality and high technology, both contemporary and speculative, has been of great importance in his process. At the moment he is also driven by a strong fascination of games and game development, primarily focusing on analogue ones. He is also interested in discerning the artistic use and risks involved in working with artificial intelligence.

Carl-Erik graduated with a MFA from the Umeå Academy of Fine Arts in 2009.

 

Publications (4 of 4) Show all publications
(2018). The Wise Eye. Umeå: Umeå Universitet, Humlab X
Open this publication in new window or tab >>The Wise Eye
2018 (English)Artistic output (Unrefereed)
Place, publisher, year, pages
Umeå: Umeå Universitet, Humlab X, 2018. p. 5
National Category
Literary Composition
Identifiers
urn:nbn:se:umu:diva-157425 (URN)978-84-948359-2-6 (ISBN)
Available from: 2019-03-19 Created: 2019-03-19 Last updated: 2019-03-20Bibliographically approved
Engqvist, C.-E. (2018). Yōkai: Obehagligheter på japanska. Tidningen Kulturen (2)
Open this publication in new window or tab >>Yōkai: Obehagligheter på japanska
2018 (Swedish)In: Tidningen Kulturen, ISSN 1654-1979, no 2Article in journal (Other (popular science, discussion, etc.)) Published
Place, publisher, year, edition, pages
Umeå: Bokförlaget h:ström - Text & Kultur, 2018
National Category
History of Religions Ethnology
Identifiers
urn:nbn:se:umu:diva-157424 (URN)
Available from: 2019-03-19 Created: 2019-03-19 Last updated: 2019-03-20Bibliographically approved
Engqvist, C.-E. (2010). The Sacredness of Performative Technology. Konsttidningen Esitys (4)
Open this publication in new window or tab >>The Sacredness of Performative Technology
2010 (English)In: Konsttidningen Esitys, ISSN ISSN 1797-500x, no 4Article in journal (Other (popular science, discussion, etc.)) [Artistic work] Published
Place, publisher, year, edition, pages
Helsingfors: , 2010
National Category
Visual Arts
Identifiers
urn:nbn:se:umu:diva-118078 (URN)
Available from: 2016-03-12 Created: 2016-03-12 Last updated: 2019-03-19
Hadji-Culea, A.-M. (2009). Tripping, ontological abstraction as hypersimulation. In: It's about time: ah, I like time : once I had a really good one : masters of fine arts graduating class of 2009, Academy of Fine Arts, Umeå University (pp. 22-27). Umeå: Umeå Academy of Fine Arts
Open this publication in new window or tab >>Tripping, ontological abstraction as hypersimulation
2009 (English)In: It's about time: ah, I like time : once I had a really good one : masters of fine arts graduating class of 2009, Academy of Fine Arts, Umeå University, Umeå: Umeå Academy of Fine Arts , 2009, p. 22-27Chapter in book (Other (popular science, discussion, etc.))
Place, publisher, year, edition, pages
Umeå: Umeå Academy of Fine Arts, 2009
National Category
Visual Arts
Identifiers
urn:nbn:se:umu:diva-118079 (URN)978-91-633-4537-1 (ISBN)
Note

Titel på textutdrag: 'Visions of a Wasted Virtuality'

Available from: 2019-03-20 Created: 2019-03-20 Last updated: 2019-07-05Bibliographically approved
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