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Rådström, Anna
Alternative names
Publications (10 of 30) Show all publications
Rådström, A. (2018). The Fakhouri file: traumatic memory in the work of Walid Raad. In: Ann Murray (Ed.), Constructing the memory of war in visual culture since 1914: the eye on war (pp. 165-176). New York: Routledge
Open this publication in new window or tab >>The Fakhouri file: traumatic memory in the work of Walid Raad
2018 (English)In: Constructing the memory of war in visual culture since 1914: the eye on war / [ed] Ann Murray, New York: Routledge, 2018, p. 165-176Chapter in book (Refereed)
Place, publisher, year, edition, pages
New York: Routledge, 2018
Keywords
Art, memory, archive, Walid Raad, Konst, minne, arkiv, Walid Raad
National Category
Art History
Research subject
History Of Art
Identifiers
urn:nbn:se:umu:diva-144491 (URN)978-1-138-50297-0 (ISBN)978-0-203-71138-5 (ISBN)
Available from: 2018-02-04 Created: 2018-02-04 Last updated: 2018-06-26Bibliographically approved
Rådström, A. (2017). A map of memory and a heritage of sorrow: on Katarina Pirak Sikku's art and archival research. In: Sandra Krizic Roban & Leonida Kovac (Ed.), Postmedia and non-institutional art practices since 1960s: (pp. 123-138). Zagreb: Institutza Povijest Umjetnosti
Open this publication in new window or tab >>A map of memory and a heritage of sorrow: on Katarina Pirak Sikku's art and archival research
2017 (English)In: Postmedia and non-institutional art practices since 1960s / [ed] Sandra Krizic Roban & Leonida Kovac, Zagreb: Institutza Povijest Umjetnosti , 2017, p. 123-138Chapter in book (Other academic)
Place, publisher, year, edition, pages
Zagreb: Institutza Povijest Umjetnosti, 2017
Keywords
Art, memory, archive, Katarina Pirak Sikku, Konst, minne, arkiv, Katarina Pirak Sikku
National Category
Art History
Research subject
History Of Art
Identifiers
urn:nbn:se:umu:diva-144490 (URN)978-953-7875-37-4 (ISBN)
Available from: 2018-02-04 Created: 2018-02-04 Last updated: 2018-06-09Bibliographically approved
Rådström, A. (2017). Upproret en gest utan slut [Review]. Västerbottenskuriren, 22-22
Open this publication in new window or tab >>Upproret en gest utan slut
2017 (Swedish)In: Västerbottenskuriren, ISSN 1104-0246, p. 22-22Article, book review (Other (popular science, discussion, etc.)) Published
Place, publisher, year, edition, pages
Umeå: , 2017
Keywords
Photography, montage, Didi-Huberman, Fotografi, montage, Didi-Huberman
National Category
Art History
Identifiers
urn:nbn:se:umu:diva-130614 (URN)
Note

Recension av utställningen Soulèvements/Uprisings, Jeu de Paume, Paris.

Publicerad i Västerbottens-Kuriren onsdag 4 januari 2017.

Available from: 2017-01-26 Created: 2017-01-26 Last updated: 2018-06-09Bibliographically approved
Rådström, A. (2016). Vad pekar de på?: om en fotografisk gest och Nguyen Trinh This Landscape Series # 1. Kulturella perspektiv - Svensk etnologisk tidskrift, 25(3–4), 51-62
Open this publication in new window or tab >>Vad pekar de på?: om en fotografisk gest och Nguyen Trinh This Landscape Series # 1
2016 (Swedish)In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, Vol. 25, no 3–4, p. 51-62Article in journal (Refereed) Published
Abstract [en]

This article engages in the photographical gesture of pointing. It departs from a personal memory made during a bus trip from the city of Hue to the former demilitarized zone of Vietnam. The tour guide on the bus said, “You cannot imagine”. What we, the passengers, could not imagine was the effects of Agent Orange spread during the American War (in the West generally known as the Vietnam War). As we travelled through the landscape the guide pointed at two plastic covered photographs meant to give evidence and provide material for our imaginations. The main focus of the article, however, is set on the Hanoi based artist Nguyen Trinh Thi’s Landscape Series No. 1 from 2013. This multimedia series presents Vietnamese press photographs collected from the internet. It addresses an archive of cultural memory while also accentuating the act of pointing at something which is hidden yet present. Nguyen investigates “landscapes as quiet witnesses to history.” When investigating this she comes across uncertainties as well as specificities. The overall shadowing specificity is the repetitive act of pointing. All the images she collects show people using the index finger to indicate something invisible but significant. It comes across as assertive and communicative but reveals little. The pointing gesture seems to suggest that something will always remain elsewhere.

Keywords
Contemporary Vietnamese art, archive, cultural memory, photographic gesture, montage, landscape, Samtida vietnamesisk konst, arkiv, kulturellt minne, fotografisk gest, montage, landskap
National Category
Art History
Identifiers
urn:nbn:se:umu:diva-129463 (URN)
Available from: 2016-12-29 Created: 2016-12-29 Last updated: 2018-06-09Bibliographically approved
Rådström, A. (2015). Bygger rum för fria konstnärliga utbyten. Västerbottens kuriren, pp. 22-22
Open this publication in new window or tab >>Bygger rum för fria konstnärliga utbyten
2015 (Swedish)In: Västerbottens kuriren, p. 22-22Article in journal, News item (Other (popular science, discussion, etc.)) Published
Keywords
Tran Luong, Contemporary Vietnamese Art, Tran Luong, samtida vietnamesisk konst
National Category
Art History
Identifiers
urn:nbn:se:umu:diva-111567 (URN)
Note

Artikeln publicerad tisdag 1 september 2015

Available from: 2015-11-16 Created: 2015-11-16 Last updated: 2018-06-07
Rådström, A. (2015). Konstnären säger hon är konstnär: om monologdialogen i Tracey Roses performance The Cunt Show. Tidskrift för Genusvetenskap, 36(1-2), 29-52
Open this publication in new window or tab >>Konstnären säger hon är konstnär: om monologdialogen i Tracey Roses performance The Cunt Show
2015 (Swedish)In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 36, no 1-2, p. 29-52Article in journal (Refereed) Published
Keywords
Tracey Rose, performance, linguistic embarrassment, feminist art, invitation politics, Global Feminisms, The Dinner Party, Waiting for God, Tracey Rose, performance, språklig genans, feministisk konst, inbjudningspolitik, Global Feminisms, The Dinner Party, Waiting for God
National Category
Art History
Identifiers
urn:nbn:se:umu:diva-107045 (URN)
Available from: 2015-08-17 Created: 2015-08-17 Last updated: 2018-06-07Bibliographically approved
Rådström, A. (2015). Leonor Finis teatrar: masken och mytens lockelser. Paletten (2), 49-54
Open this publication in new window or tab >>Leonor Finis teatrar: masken och mytens lockelser
2015 (Swedish)In: Paletten, ISSN 0031-0352, no 2, p. 49-54Article in journal (Other academic) Published
Keywords
Leonor Fini, masquerade, mask, Medusa, Hélène Cixous, Leonor Fini, maskerad, mask, Medusa, Hélène Cixous
National Category
Art History
Identifiers
urn:nbn:se:umu:diva-111564 (URN)
Available from: 2015-11-16 Created: 2015-11-16 Last updated: 2018-06-07Bibliographically approved
Rådström, A. (2014). From the family archive: generational history in the work of Zineb Sedira. ZIVOT UMJETNOSTI (95), 68-76
Open this publication in new window or tab >>From the family archive: generational history in the work of Zineb Sedira
2014 (English)In: ZIVOT UMJETNOSTI, ISSN 0514-7794, no 95, p. 68-76Article in journal (Refereed) Published
National Category
Art History
Identifiers
urn:nbn:se:umu:diva-100164 (URN)000348632300006 ()
Available from: 2015-04-28 Created: 2015-02-24 Last updated: 2018-06-07Bibliographically approved
Rådström, A. (2014). Inherited Histories: Approaching Zineb Sedira's Mother, Father and I Through Hélène Cixous' Geography of Genealogical Memory. In: Le Van Suu, Đông Vĩnh, Nguyễn Thanh Mai, Bùi Thị Thanh Mai (Ed.), Ké̂t nó̂i nghệ thuật và di sản = Connecting art and heritage: (pp. 142-155). Vietnam University of Fine Arts/The Gioi Publishers
Open this publication in new window or tab >>Inherited Histories: Approaching Zineb Sedira's Mother, Father and I Through Hélène Cixous' Geography of Genealogical Memory
2014 (English)In: Ké̂t nó̂i nghệ thuật và di sản = Connecting art and heritage / [ed] Le Van Suu, Đông Vĩnh, Nguyễn Thanh Mai, Bùi Thị Thanh Mai, Vietnam University of Fine Arts/The Gioi Publishers , 2014, p. 142-155Chapter in book (Refereed)
Place, publisher, year, edition, pages
Vietnam University of Fine Arts/The Gioi Publishers, 2014
Keywords
Zineb Sedira, Hélène Cixous, memory, photography, film, literature, Zineb Sedira, Hélène Cixous, minne, fotografi, film, litteratur
National Category
Art History
Research subject
History Of Art
Identifiers
urn:nbn:se:umu:diva-87829 (URN)978-604-77-0864-2 (ISBN)
Note

Antologin publicerad på vietnamesiska och engelska

Anthology published in Vietnamese and English

Available from: 2014-04-11 Created: 2014-04-11 Last updated: 2018-06-08Bibliographically approved
Täljedal, B., Andersson, C. & Anna, R. (2014). Inledning/Introduction. In: Brita Täljedal, Cecilia Andersson, Anna Rådström, Jonas Ellerström (Ed.), Leonor Fini: pourquoi pas? (pp. 10-23). Umeå: Bildmuseet
Open this publication in new window or tab >>Inledning/Introduction
2014 (Swedish)In: Leonor Fini: pourquoi pas? / [ed] Brita Täljedal, Cecilia Andersson, Anna Rådström, Jonas Ellerström, Umeå: Bildmuseet , 2014, p. 10-23Chapter in book (Other (popular science, discussion, etc.))
Place, publisher, year, edition, pages
Umeå: Bildmuseet, 2014
National Category
Visual Arts
Identifiers
urn:nbn:se:umu:diva-101077 (URN)978-917601-106-5 (ISBN)
Note

Utställningskatalog. Språk: Svenska och engelska

Available from: 2015-03-19 Created: 2015-03-19 Last updated: 2018-06-07Bibliographically approved
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