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Conceptually androgynous: The production and commodification of gender in Korean pop music
Umeå universitet, Samhällsvetenskapliga fakulteten, Umeå centrum för genusstudier (UCGS).
2019 (engelsk)Independent thesis Advanced level (degree of Master (Two Years)), 20 poäng / 30 hpOppgave
Abstract [en]

Stemming from a recent surge in articles related to Korean masculinities, and based in afeminist and queer Marxist theoretical framework, this paper asks how gender, with a specificfocus on what is referred to as soft masculinity, is constructed through K-pop performances, aswell as what power structures are in play. By reading studies on pan-Asian masculinities andgender performativity - taking into account such factors as talnori and kkonminam, andinvestigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for aqualitative research project. By conducting qualitative interviews with Swedish K-pop fans andperforming semiotic analysis of K-pop music videos, the thesis finds that although K-popmasculinities are perceived as feminine to a foreign audience, they are still heavily rooted in aheteronormative framework. Furthermore, in investigating the production of genderperformativity in K-pop, it finds that neoliberal commercialism holds an assertive grip overthese productions and are thus able to dictate ‘conceptualizations’ of gender and projectidentities that are specifically tailored to attract certain audiences. Lastly, the study shows thatthese practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized toconsume in order to show support for their idols – in which the concept of desire plays asignificant role.

sted, utgiver, år, opplag, sider
2019. , s. 45
Emneord [en]
Gender, masculinity, commercialism, queer, Marxism
HSV kategori
Identifikatorer
URN: urn:nbn:se:umu:diva-161973OAI: oai:DiVA.org:umu-161973DiVA, id: diva2:1341295
Utdanningsprogram
Master's Programme in Law, Gender and Society
Veileder
Examiner
Tilgjengelig fra: 2019-09-04 Laget: 2019-08-08 Sist oppdatert: 2019-09-04bibliografisk kontrollert

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