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'Adieu, remember me': the Hamlet canon in post-Soviet Russia
Stockholm University.
2017 (English)In: Translation in Russian contexts: culture, politics, identity / [ed] Brian James Baer, Susanna Witt, London: Routledge, 2017, p. 276-291Chapter in book (Refereed)
Abstract [en]

How would you translate a text that has already been translated about thirty times in your culture? How would you treat its canonical status in your new translation? What strategy would you choose to compete with the classic translation? How do you deal with the great burden of commentaries, interpretations, and adaptations of the text? These are just few questions that any translator or commentator is inevitably confronted with when facing Hamlet. 

Place, publisher, year, edition, pages
London: Routledge, 2017. p. 276-291
Series
Routledge advances in translation and interpreting studies
Keywords [en]
Shakespeare, translation, Hamlet, authorship, canon
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URN: urn:nbn:se:umu:diva-151916ISBN: 978-1-138-23512-0 (print)OAI: oai:DiVA.org:umu-151916DiVA, id: diva2:1248941
Available from: 2018-09-17 Created: 2018-09-17 Last updated: 2018-11-15Bibliographically approved

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Semenenko, Aleksei

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CiteExportLink to record
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  • apa
  • ieee
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