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In search of, the current and urgent, accompanied with our guiltless but potentially not agencies, we fight for the intelligence of reality. A zeitgeist that we try to ghostbust, that we hope to understand. A pandemonium circulated around the event, the now, the branches of time that flicker the possibilities and variations of expressions, that we as trajectories might solidify into a reality.

 "So, one can start from a simple question, at which one does not care to conclude  with an answer: "why do we mark/trace a surface? Or for that matter, sculpt, think,  animate etc." What is the inclination behind it? And more importantly, why do we  cling to a specific preference?"

In this essay I attempt a brief brush through from a number of familiar questions about art. And attempt to provide my own understanding, of art, creativity, society, and the ever newer intentions of the human expressive trajectories, that provide variations of possibilities and potentialities.