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  • 1. Andreeff, Alexander
    et al.
    Alexandersson, HenrikBünz, AnnikaGöteborgs universitet, Göteborg, Sverige.
    Med hjärta och hjärna: En vänbok till Elisabeth Arwill-Nordbladh2014Collection (editor) (Other academic)
  • 2.
    Bünz, Annika
    Institutionen för kulturvetenskaper, Göteborgs universitet, Göteborg, Sverige.
    Allas vår sjöman: En studie av hur karaktären sjöman framställs i maritima museers berättelser2018In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 101, no 1, p. 19-38Article in journal (Refereed)
  • 3.
    Bünz, Annika
    Institutionen för kulturvetenskaper, Göteborgs universitet, Göteborg, Sverige.
    Berättelser om galjonsbilder och galjonsbilder i berättelser: en studie av hur galjonsfigurer används i maritima museers iscensättningar2018In: Galjonsfigurens många öden och äventyr: studier av berättande-, minnes- och kunskapande praktiker / [ed] Annika Bünz, Nordic Academic Press, 2018, p. 97-148Chapter in book (Other academic)
  • 4.
    Bünz, Annika
    Götebors universitet, Göteborg, Sverige.
    Från nomad till bofast: en utställningsberättelse2014In: Med hjärta och hjärna: en festskrift till Elisabeth Arwill Nordbladh / [ed] Henrik Alexandersson; Alexander Andreeff; Annika Bünz, Göteborgs universitet , 2014, p. 655-667Chapter in book (Other academic)
  • 5.
    Bünz, Annika
    Institutionen för kulturvetenskaper, Göteborgs universitet, Göteborg, Sverige.
    Galjonsfigurens många öden och äventyr: studier av berättande-, minnes- och kunskapande praktiker2018Collection (editor) (Other academic)
  • 6.
    Bünz, Annika
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Galjonsfigurens vandringar genom rum och tid2020In: Havets bildspråk: galjonsfigurer och symboler / [ed] Kurt Almqvist; Svante Helmbaek Tirén, Stockholm: Bokförlaget Stolpe , 2020, p. 173-184Chapter in book (Other academic)
  • 7.
    Bünz, Annika
    Institutionen för kulturvetenskaper, Göteborgs universitet, Göteborg, Sverige.
    Gamla föremål, nya frågor: lite bakgrund och tidigare diskussioner2018In: Galjonsfigurens många öden och äventyr: studier av berättande-, minnes- och kunskapande praktiker / [ed] Annika Bünz, Nordic Academic Press, 2018, p. 13-41Chapter in book (Other academic)
  • 8.
    Bünz, Annika
    Institutionen för historiska studier, Göteborgs universitet, Göteborg, Sverige.
    Illustrerad evolution: en studie i rött och blått2012In: Bildligt talat: kvinnligt, manligt i 3,2 miljoner år / [ed] Maria Sjöberg, Makadam Förlag, 2012, p. 225-240Chapter in book (Other academic)
  • 9.
    Bünz, Annika
    Department of Historical Studies, Gothenburg University, Gothenburg, Sweden.
    Is it enough to make the main characters female?: an intersectional and social semiotic reading of the exhibition Prehistories 1 at the National Historical Museum in Stockholm, Sweden2012In: To tender gender: the pasts and futures of gender research in archaeology / [ed] Ing-Marie Back Danielsson; Susanne Thedéen, Stockholm University , 2012, p. 97-115Chapter in book (Other academic)
    Abstract [en]

    This paper discusses the permanent exhibition Prehistories 1 at the National Historical Museum in Stockholm, Sweden. It concludes that women to a greater extent than previously are included in the narratives of the exhibition. However, is it enough to make more characters female? Reading the museum narratives through intersectionality and social semiotics, it is suggested that numbers are not enough. A certain variety exists among both male and female characters in relation to class and to a certain degree to age. But, the exhibition’s descriptions of prehistory as a society advancing and becoming more and more complex are still representing male characters as older, more authoritative and powerful. In comparison, women’s roles appear visually underdeveloped and may thus be perceived as less important. Visually the exhibition displays a historical narrative of a journey from distant nature (woman) to familiar culture (man), replicating the grand narrative of human history and excluding the Sámi people as cultural Others, in particular Sámi women who are subject to exclusion at the intersection of ethnicity and gender. 

  • 10.
    Bünz, Annika
    Department of Historical Studies, Gothenburg University, Gothenburg, Sweden.
    Is it enough to make the main characters female?: an intersectional and social semiotic reading of the exhibition Prehistories 1 at the National Historical Museum in Stockholm, Sweden2017In: Museums and archeology / [ed] Robin Skeates, London: Routledge, 2017, p. 399-414Chapter in book (Other academic)
    Abstract [en]

    Scholars within a range of disciplines have shown that both museum exhibitions and the archaeological discipline to a great extent lean on the grand narratives of evolution, progress, development, and the rise of the West. In these narratives, the white Western man, physically and symbolically, heads the evolution from nature (woman) to culture (man). This chapter analyses the exhibition Prehistories 1 at the National Historical Museum in Stockholm, Sweden and particularly focuses on two parts of the exhibition, which are of specific significance for understanding the relation between Prehistories 1 and the representation of diversity. Museum exhibitions are created to communicate knowledge. The exhibition Prehistories 1 is displayed at the National Historical Museum in Stockholm, Sweden. The journey throughout the history made in Prehistories 1 starts with a female character represented as blending with nature and ends with a male character sitting on a throne.

  • 11.
    Bünz, Annika
    Institutionen för historiska studier, Göteborgs universitet, Göteborg, Sverige.
    Museet i landskapet och landskapet i museet: En studie av relationer mellan arkitektur, maritimt museum och omgivande miljö2016In: Nordisk Museologi, ISSN 1103-8152, no 1, p. 52-68Article in journal (Refereed)
    Abstract [en]

    This article studies the relationship between architecture, the museum, the surrounding environment, and narrative, using the example of the M/S Maritime Museum of Denmark (M/S Museet for Søfart). The museum is built underground, and it surrounds and traverses a dry dock. The conclusions are that the architecture creates an impression of being outside reality in a place where the laws of nature are abolished. Oblique angles and twisted shapes disturb one’s sense of balance and de-stabilize the full-body experience. Borders between reality and narrative, past and present are blurred. The museum architecture works as an unstraightening device, making the experience queer. Texts in the exhibits refer to a sailor as someone who is neither among the living nor the dead, and he is referred to as an icon for both hetero- and homosexual people. The narrative created in this M/S museum is a narrative about a queer sailor and a world outside reality. 

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  • 12.
    Bünz, Annika
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Museum, place, architecture and narrative: Nordic maritime museums’ portrayals of shipping, seafarers and maritime communities2022 (ed. 1)Book (Refereed)
    Abstract [en]

    A characteristic trait of the maritime museums is that they are often located in a contemporary and/or historical environment from which the collections and narratives originate. The museum can thereby be directly linked to the site and its history. It is therefore vital to investigate the maritime museums in terms of relationships between landscape, architecture, museum and collections. This volume unravels the kinds of worlds and realities the Nordic maritime museums stage, which identities and national myths they depict, and how they make use of both the surrounding maritime environments and the architectural properties of the museum buildings.

  • 13.
    Bünz, Annika
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Mötet mellan människa och hav på museum – två olika berättelser2022In: Ekokritik och museipedagogik i skuggan av antropocen / [ed] Carola Nordbäck; Avigail Rotbain, Stockholm, Göteborg: Världskulturmuseerna , 2022, p. 318-347Chapter in book (Other academic)
    Abstract [sv]

    Hur förhåller sig museibyggnaders arkitektoniskautformning till utställningarnas narrativ? Museologen Annika Bünz diskuterar detta i en jämförelse mellan maritima museer i Norge och Finland. Bünz identifierar både arkitektoniska uttryck för människans dominans och exempel som uttrycker ömsesidighet och beroende-förhållande mellan människa och hav. Intressant är ocksåatt uställningsdesign och arkitektur ibland kommunicerarolika berättelser – i ett och samma museum. Bünz analys visar att museibyggnader rymmer viktiga berättelser som dock sällan lyfts fram i ljuset.

  • 14.
    Bünz, Annika
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Sjömanstornet och Kvinna vid Havet2021In: Göteborg 400 år: platser med historia / [ed] Henrik Alexandersson; Maria Persson, Göteborg: Fornminnesföreningen i Göteborg , 2021, p. 45-54Chapter in book (Other (popular science, discussion, etc.))
  • 15.
    Bünz, Annika
    Umeå University, Faculty of Arts, Department of culture and media studies.
    The figurehead’s adventures through time and space2020In: The imagery of the sea: figureheads and symbols / [ed] Kurt Almqvist; Svante Helmbaek Tirén, Stockholm: Bokförlaget Stolpe , 2020, p. 173-184Chapter in book (Other academic)
  • 16.
    Bünz, Annika
    Department of Historical Studies, University of Gothenburg, Gothenburg, Sweden.
    Upplevelser av förhistorier: Analyser av svenska arkeologiska museiutställningar2015Book (Other academic)
    Abstract [en]

    This thesis studies the narratives conveyed in 36 Swedish archaeological exhibitions. The aim is to investigate using an intersectional perspective what kind of narratives, identities and meanings are created in the exhibitions. The analysis focuses on the visual, the material, the spatial and the corporeal experiences involved in creating meaning in narratives where the museum visitor’s physical presence and movements in the room are a vital part of the semiotic work. The study develops an analytical method that can be used as a tool to examine four-dimensional narrative worlds. The method is comprised of a combination of tools taken from three different theoretical fields: narrative theory, social semiotics and architectural analysis theory. The objective of the study’s method is to uncover different layers of parallel, intersecting, contradicting or concurrent meanings and narratives in texts, images, sound, material, light and space. The analyses show that there are many different layers of narratives in the exhibitions studied. A visitor can experience meanings with all senses and there is much information in the room that is not mentioned in the exhibition texts. The study’s results can to a great extent be accounted for as norms created by dualism. Some norms are produced in relation to that which is not the norm, while still others are created by the exclusion of alternatives. In the narratives, there is an absence of complexity and alternatives in terms of the big picture in the historical passage of events. The exhibition narratives naturalize notions of stereotypical identities, social groups, borders and hierarchies. The decisive categorization for a subject position in the narratives is gender which, on the one hand, results in two well-defined opposites man/woman. On the other hand, variations on the scale between the opposites are excluded and, thereby, made invisible. Other norms that are created are adult, fair-haired, fair-eyed, fair-skinned, heterosexual, healthy, undamaged and Christian. Another duality created in the narratives presents the Stone Age as nature and the Iron Age as culture, which is also intertwined with the woman as Stone Age and the man as Iron Age.

1 - 16 of 16
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  • nn-NO
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  • html
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