umu.sePublikasjoner
Endre søk
Begrens søket
1 - 22 of 22
RefereraExporteraLink til resultatlisten
Permanent link
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
Treff pr side
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sortering
  • Standard (Relevans)
  • Forfatter A-Ø
  • Forfatter Ø-A
  • Tittel A-Ø
  • Tittel Ø-A
  • Type publikasjon A-Ø
  • Type publikasjon Ø-A
  • Eldste først
  • Nyeste først
  • Skapad (Eldste først)
  • Skapad (Nyeste først)
  • Senast uppdaterad (Eldste først)
  • Senast uppdaterad (Nyeste først)
  • Disputationsdatum (tidligste først)
  • Disputationsdatum (siste først)
  • Standard (Relevans)
  • Forfatter A-Ø
  • Forfatter Ø-A
  • Tittel A-Ø
  • Tittel Ø-A
  • Type publikasjon A-Ø
  • Type publikasjon Ø-A
  • Eldste først
  • Nyeste først
  • Skapad (Eldste først)
  • Skapad (Nyeste først)
  • Senast uppdaterad (Eldste først)
  • Senast uppdaterad (Nyeste først)
  • Disputationsdatum (tidligste først)
  • Disputationsdatum (siste først)
Merk
Maxantalet träffar du kan exportera från sökgränssnittet är 250. Vid större uttag använd dig av utsökningar.
  • 1.
    Davis, Ann
    et al.
    University of Calgary.
    Smeds, KerstinUmeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Visiting the visitor: an enquiry into the visitor business in museums2016Collection/Antologi (Fagfellevurdert)
    Abstract [en]

    The study of the museum visitor has undergone radical transformation. Each author here has asked unfamiliar questions and responded with fresh answers. Some of these questions involve the visitor's identity, what she brings to her museum experience. Can we gain entry into this experience? Does more technology really increase access to the objects themselves? Others probe the very nature of museum going and exhibition making, demanding that we reexamine the traditional exhibition to reposition the visitor and her meaning-making at the centre. The volume provokes imaginative research and encourages new conclusions.

  • 2.
    Kerstin, Smeds
    Umeå universitet, Humanistiska fakulteten, Kultur och medier.
    Memento mori - kom ihåg att dö2003Collection/Antologi (Annet (populærvitenskap, debatt, mm))
  • 3.
    Kerstin, Smeds
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Muotoilu Maailmannäyttämöllä2008Inngår i: Suomalainenn muotoilu: Käsityöstä muotoiluun / [ed] Vihma, S., Ilonen, J., Kähönen, H., Peltonen, M., Salmi, H., Kotilainen, M., Kuosmanen, R, Porvoo, 2008Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 4.
    Kerstin, Smeds
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Om tingens mening och små museers bevarandestrategier2009Inngår i: Hembygd i fokus: Finlands svenska hembygdsförenings jubileumsskrift, Helsingfors: Finlands svenska hembygdsförbund , 2009Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 5.
    Kerstin, Smeds
    Umeå universitet, Humanistiska fakulteten, Kultur och medier.
    Vad är museologi?2007Inngår i: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, nr 2, s. 68-81Artikkel i tidsskrift (Fagfellevurdert)
  • 6.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Critical Museology in Scandinavia and Finland – a Basis of Change?2015Inngår i: / [ed] Delia Tzortzaki, 2015, Vol. xx, s. xx-, artikkel-id xxKonferansepaper (Annet vitenskapelig)
    Abstract [en]

    Museology has in most parts of the world been, and still is, perceived as a theory of the museum institution itself; the museum as social phenomenon; the museum’s role in society and learning, museum collections and management, etcetera. Parallel to this, particularly in East European countries, museology early came to cover much more. The concept grew larger and included other institutions from the field of heritage, living history and science. Today the concept of museology in these countries covers almost everything that has to do with man’s dealing with time, history, immaterial and material heritage, from large geographical eco-museums and heritage sites to the smallest private enterprise. The chair of museology at Umeå university, Sweden (courses started in 1981 but became a professorship in 1997), defines museology in this very broad sense. Our theoretical standpoint today is  also more critical and can be seen as a parallel to the emerging field of Critical Heritage.

    In this paper I will explore the development of museology in Scandinavia and Finland and its early influences from East Europe and France. I will also ponder the seemingly deep “iron curtain” between the Anglo-Saxon and the German-French speaking world of museological or museum research.

    In conclusion I will draw up some lines for the development of museology in order to create theoretical resources for museums and heritage enterprises to adapt in their work for a more sustainable future. Some seriously new lines of thinking are needed here.

  • 7.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Kultur och medier.
    Danse macabre i musernas hus: om museernas roll och villkor idag2004Inngår i: Nordisk Museologi, ISSN 1103-8152, nr 1, s. 3-10Artikkel i tidsskrift (Fagfellevurdert)
  • 8.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Kultur och medier.
    Drömsamhällets kulturarv: en allvarsam lek2005Inngår i: Kulturarvens dynamik: det institutionaliserade kulturarvets förändringar / [ed] Peter Aronsson & Magdalena Hillström, Norrköping: Tema Kultur och samhälle, Campus Norrköping, Linköpings universitet , 2005, s. 322-327Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 9.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Kultur och medier.
    Heimatmuseum: om territoriets gränser2005Inngår i: Ord i rättan tid: en festlig skrift om forskning och politik, makt och medier tillägnad Thorsten Nybom / [ed] Anders Björnsson, Martin Kylhammar & Åsa Linderborg, Stockholm: Carlssons , 2005, s. 83-106Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 10.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Here Comes Everybody!: The Visitor Business in Museums in Light of Existential Philosophy2013Inngår i: 35th Annual ICOFOM Symposium, Paris: International Committee for Museology of the International Council of Museums (ICOM/UNESCO) , 2013, s. 226-240Konferansepaper (Fagfellevurdert)
    Abstract [en]

    This paper will discuss some ideas on learning and "understanding" in a communicative process, particularly attached to objects in a museum setting. I will analyse our object relations and the idea of engagement, participation and collaboration in museums. A starting point is, on the one hand, today's individualization of society, with self-performative action as a result. On the other hand there is a "radical group-forming" tendency that goes along with new communication technologies that has created an "architecture" of participation. Museums have responded to these new tendencies in society in a variety of ways. I will bring up some hermeneutical aspects to the "visitor business" and "learning" and point out the social and phenomenological origin of identity, thought and cognition. I will take a look at the identity of the "radical" individual on the one hand and of the institution on the other, and point out some unsolved museological and paradigmatic problems in the interaction between these two. Finally I will discuss the very much overlooked question how do institutions think, and work?

  • 11.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Here comes everybody: the visitor business in museums in light of existential philosophy2016Inngår i: Visiting the visitor: an enquiry into the visitor business in museums / [ed] Ann Davis, Kerstin Smeds, Bielefeld: Transcript Verlag, 2016, s. 105-126Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    This paper will discuss some ideas on learning and "understanding" in a communicative process, particularly attached to objects in a museum setting. I will analyse our object relations and the idea of engagement, participation and collaboration in museums. A starting point is, on the one hand, today's individualization of society, with self-performative action as a result. On the other hand there is a "radical group-forming" tendency that goes along with new communication technologies that has created an "architecture" of participation. Museums have responded to these new tendencies in society in a variety of ways. I will bring up some hermeneutical aspects to the "visitor business" and "learning" and point out the social and phenomenological origin of identity, thought and cognition. I will take a look at the identity of the "radical" individual on the one hand and of the institution on the other, and point at out some unsolved museological and paradigmatic problems as forin the interaction between these two. Finally, I will discuss the very much overlooked question how institutions think, and work?

  • 12.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Holmöns Båtmuseum och tingens mening2012Inngår i: Utställningsestetiskt Forum, ISSN 2000-6934, Vol. 1Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 13.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper. ICOFOM International Committee for Museology.
    Metamorphoses of value in the battle between preservation and allowing decay: new museological perspectives2015Inngår i: New trends in museology: = Nouvelles tendances de la muséologie = Nuevas tendencias de la museología / [ed] Ann Davis, François Mairesse,, Paris: ICOM International Committee for Museology , 2015, Vol. 43b, s. 263-282Konferansepaper (Fagfellevurdert)
    Abstract [en]

    It seems that nothing that occurs in our society today may pass untouched by the hand of preservation, which treats every happening as a past in becoming. If preservation is a product of modernity, as I will argue, so is our multifaceted and complicated relationship to objects – our obsessive desire of consuming goods.

    Museums are bulging under the pressure of their enormous collections. Museum collection and heritage management require ever more funds; this has become a major political issue in the post-modern society. Experts together with politicians governed by economic rationalities, battle with the issue of what to preserve, and what to let go. At the same time, in another realm of reality, we are producing billions of tons of trash and refuse every year – material stuff, of which a large part ends up in the oceans, or in enormous landfills all over the world, tightly packed and, without question, very well preserved for coming generations of archaeologists to dig up.

    Museology is supposed to study – among other things – man's "specific relation" to reality, particularly the material reality, and to offer guidance in how to cope with heritage in the future. This paper presents a post-humanist approach to museums and preservation at the one end and our everyday material discards and destruction of value at the other.

  • 14. Smeds, Kerstin
    Museumsutställningen som identitet och språk2000Inngår i: Dugnad.Tidsskrift for etnologi, ISSN 0032-5784, nr 1/2Artikkel i tidsskrift (Fagfellevurdert)
  • 15.
    Smeds, Kerstin
    Umeå universitet, Humanistisk fakultet, Kultur och medier.
    Om forskning, fortsättning...2005Inngår i: DIK forum, nr 1Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 16.
    Smeds, Kerstin
    Umeå universitet, Humanistisk fakultet, Kultur och medier.
    Om forskning, än en gång...2005Inngår i: DIK forum, nr 3Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 17.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Kultur och medier.
    Om utställningars mening2005Inngår i: Museon Muisti: Ritva Wäreen juhlakirja / [ed] Tuukka Talvio, Helsinki: Taidehistorian seura - Föreningen för konsthistoria , 2005, s. 24-40Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 18.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Om utställningars sätt att tala2014Inngår i: Utställningsestetiskt forum, ISSN 2000-6934, nr 5, s. 10Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [sv]

    Under museernas vårmöte i Umeå i april anordnade UEForum ett seminarium om utställningsmediet. En av deltagarna var Kerstin Smeds, professor i museologi. Här publicerar vi hennes anförande där hon diskuterar tre sidor av utställningsmediet: 1) Utställningen som ”text”, 2) Texter i utställningar och 3) Berättelsens dilemma.

  • 19.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    On the Meaning of Exhibitions: Exhibition èpistèmes in a historical perspective2012Inngår i: Designs for Learning, ISSN 1654-7608, Vol. 5, nr 1-2, s. 50-72Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This essay aims at contributing to our understanding of the nature of exhibitions, namely how and why we make them, and what they – and the things in them – might symbolize. My focus will be on exhibitions of objects in classical museums of cultural history, archaeology and ethnology/ethnography. I will discuss how scientific epistemologies and discourses, as well as the history of ideas and ideologies, are reflected in the way museums and exhibitions are organized. Theoretically, I will lean on ideas of Michel Foucault presented in his work The Order of Things (Foucault, 1991) and Power/Knowledge (Gordon 1980), but also on Mieke Bal’s Double Exposures (1996), and a few others.

  • 20.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    On Thing's Thinghood - Do we Really Care?2015Konferansepaper (Annet vitenskapelig)
  • 21.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Rummet, tinget, utställningen och jag: en fenomenologisk betraktelse2017Inngår i: Museumsutstillinger: å forstå, skape og vurdere natur- og kulturhistoriske utstillinger / [ed] Hege Börrud Huseby, Pia Cederholm, Trondheim: Museumsforlaget AS, 2017, s. 11-38Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [sv]

    Den här artikeln handlar om utställningsmediet och dess kommunikativa aspekter, sett inte i första hand som en Berättelse utan som ett tredimensionellt landskap, ett "territorium" belamrat med materiella ting (föremål, montrar) och andra markörer för vår uppmärksamhet. Jag undersöker hur platsspecifik rumslighet och vårt "geografiska förnuft" samverkar med våra kroppars sinnen och tankar och därmed vårt sätt att orientera oss i detta landskap. Jag diskuterar vidare tingens roll i det hela och hur våra mycket komplexa, både kroppsliga och mentala relationer till tingen och rummet påverkar den kommunikativa situationen i en utställning. Kontentan är att den vanliga föreställningen om att föremålen tillsammans bildar en "berättelse" egentligen är helt felaktig.

     

  • 22.
    Smeds, Kerstin
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper. International Committee for Museology.
    The Escape of the Object?: Crossing territorial borders between collective and individual, national and universal2007Inngår i: Museology and techniques / [ed] Hildegard K. Vieregg, Munich/Germany: ICOFOM 2007 , 2007, nr 36, s. 172-178Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    In this paper I will discuss some consequences and challenges that information technology has brought about in the museum world, and the "nationality" versus "universality" of collections. My point of departure is a set of presuppositions. Firstly, that the museum, as well as museology, is engaged with the sense of Loss and with the problem of collective Experience (Erfahrung) of Time and Reality in western culture, ever since "modernity" entered the scene at the end of the 18th century. The museum is engaged with Absence. It is the House of Lack, seeking to regain and recreate our losses with the aid of objects. Secondly, today a final transition from ontological values – wie es eigentlich gewesen – to phenomenological values has occurred; life and world are explained as culturally and socially constituted phenomena, dependent on the subjective view of the interpreter. Thirdly, in a world that demands all things to be made available to individual experience, the museum institution faces serious challenges and difficulties to survive – to outlive the very historic (industrial) epoch that gave it birth, and which epoch we (the West) now have left behind. Science and technology have also left the territorial Nation State behind and are actively pursuing global virtual networks of knowledge. Human sciences and museums follow – out in the cyberspace, into the universe.

1 - 22 of 22
RefereraExporteraLink til resultatlisten
Permanent link
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf