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  • 1.
    Arvidsson, Alf
    et al.
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Ljuslinder, Karin
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Lundgren, Anna Sofia
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Nilsson, Bo
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Svens, Christina
    Umeå University, Faculty of Arts, Department of culture and media studies.
    För Sverige i tiden?2009In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, Vol. 18, no 2, p. 2-8Article in journal (Refereed)
  • 2.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Angela Rundquist: Fritz von Dardel. Han tecknade ett liv2016In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 4, p. 231-233Article, book review (Other academic)
  • 3.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    "Because he was a genius!": konst av Charles Rennie Mackintosh och Margaret Macdonald som varumärke och turistattraktion2010In: Regionernas bilder: estetiska uttryck från och om periferin / [ed] Heidi Hansson, Maria Lindgren Leavenwarth, Lennart Pettersson, Umeå: Institutionen för språkstudier, Umeå universitet , 2010, p. 152-161Chapter in book (Other academic)
  • 4.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Betraktandets känsla: reflexioner kring konstvetenskap och emotioner2011In: Att känna sig fram: känslor i humanistisk genusforskning / [ed] Annelie Bränström Öhman, Maria Jönsson, Ingeborg Svensson, Umeå: h:ström - Text & Kultur , 2011, p. 122-142Chapter in book (Refereed)
  • 5.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Evert Linkvist: Gotlands romanska stenskulptur. Visuella budskap i sten2015In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 2-3, p. 127-129Article, book review (Other academic)
  • 6.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Historiska porträtt som kunskapskälla. Samlingar, arikv och konsthistorieskrivning: Avhandlingsrecension2017In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 1, p. 43-46Article, book review (Other academic)
  • 7.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, History and Theory of Art.
    Iréne Winell-Garvén: Vägen till Parnassen: Kvinnovetenskaplig Tidskrift2005In: Kvinnovetenskaplig Tidskrift, ISSN 0348-8365, Vol. 26, no 4, p. 93-96Article, book review (Other academic)
  • 8.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Julfirandets ideologi och genus i svensk bildkonst från sekelskiftet 1900: Elsa Beskow, Carl Larsson och Jenny Nyström2013In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 4, p. 213-228Article in journal (Refereed)
    Abstract [en]

    On gender and the ideology of the celebration of Christmas in Swedish art turn of the century 1900: Elsa Beskow, Carl Larsson and Jenny Nyström

    Contemporary art is not depicting the Christmas celebration in the same way as during the turn of the century 1900. In Sweden artists as Elsa Beskow, Carl Larsson and Jenny Nyström made illustrations of Christmas that also became part of the celebration itself, through then new media such as Christmas cards and illustrated magazines. It was a modern, urban, middle-class audience that consumed the images, but the motifs were looking back to a rural past. Christmas turned both patriarchal in connecting the family father with Christmas presents, foods and material richness. It also turned nationalistic when a Swedish version of the Santa Clause was invented from the traditional ”tomte” (gnome) who originally was guarding and working at the farms. Especially in the work of Nyström the images of Christmas celebrations was both connected to a presumed historical past as well as a modern future. References to pagan past, present Christianity and modern lifestyles collaborates in making a typically Swedish Christmas. Even more interesting, these century-old images are still part of Swedish Christmas celebrations. In a time when family constellations are changing and Sweden is turning more multicultural, we hold on to a traditional ideal of how to make a perfect family Christmas. There is a timeless quality in Christmas celebrations and a sense of a global community when we imagine that everybody else in the nation or globally are doing the exact same thing as we do right now. There are few things experienced more normal and working normative than families and home life.

  • 9.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Kungens porträtt: mellan privat och offentligt2009In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, no 2, p. 7-14Article in journal (Refereed)
  • 10.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Lena Johannesson: Fougstedts. Familjen och sakligheten2017In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 4, p. 236-238Article, book review (Other academic)
  • 11.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Materiality, rhetoric and emotion in the Pietà: the Virgin Mary in images of piety in 15th century Sweden2016In: Scandinavian Journal of History, ISSN 0346-8755, E-ISSN 1502-7716, Vol. 41, no 3, p. 271-288Article in journal (Refereed)
    Abstract [en]

    This study focuses on the representation of materiality on wall paintings, as depicted objects functioned as triggers of emotion to convey meaning in images. In medieval aesthetics images were made to engage all the senses in the spectator so as to create a truthful experience. The material perspective combines well with medieval rhetoric in understanding this process, particularly the concepts of ekphrasis, enargeia and ductus. By doing close readings of images, and identifying materials, figures, objects, gestures and so on, in the same manner as one can close read texts, narratives of the images can be discovered. It is also a reading that helps in identifying emotive expressions and rhetorical gestures that together with material aspects of images and texts also help in identifying gender-related contents. During the 15th century the Pietà (the mourning Virgin Mary holding her dead son) was introduced in Sweden. The image is key in understanding the Marian cult as it was established alongside the expanding devotion to the Virgin in the Nordic countries. By fusing the material aspect and rhetoric in a close reading of the motif that focuses on gender and emotion this study aims to find alternative paths in analysing medieval art. 

  • 12.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, History and Theory of Art.
    Modernisterna Siri Derkert och Vera Nilsson2004In: Shaping space and history = Vormides ruumi ja ajalugu / [ed] Kristi Burman and Roland Spolander, Umeå: Umeå universitet , 2004, Vol. VIII, p. 103-110Chapter in book (Other academic)
  • 13.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, History and Theory of Art.
    Möten med bilder: Analys och tolkning av visuella uttryck2004In: Kvinnovetenskaplig tidskrift, ISSN 0348-8365, no 4Article in journal (Other academic)
  • 14.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Om betraktarens betydelse och känsliga omdömen / On the significance of the Viewer and Sensitive Assessments2012Other (Other (popular science, discussion, etc.))
    Abstract [sv]

    Konstutställningen I betraktarens ögon: Känslor och nakenhet i konsten samlade verk föreställande kvinnliga nakenakter. Katalogtexten visar på hur man sett på motivområdet historiskt, hur det diskuteras idag och hur det väcker känslor och varför.

  • 15.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Pietà - Jungfru Marias sorg och Kristi död i svensk medeltid2013In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, no 2, p. 14-19Article in journal (Refereed)
    Abstract [en]

    The Pietà was introduced in Swedish medieval art during the late fourteenth century and this article is focussing on its expressions of grief and death. The popularity of the Pietà can be explained by the historical context (the Black Death and the Hundred Years War), hard times that made death and despair extremely present, connected to sin, and a common experience for all no matter of social hierarchies. Virgin Mary is a vital part in the Pietà as she is both an intercessor for humans who wants forgiveness for their sins and the voice of her son’s message since he can speak no more. It is through her story, experience and grief that humans can both understand and find the merciful love Christ has promised after death that will guarantee eternal life in Heaven

  • 16.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, History and Theory of Art.
    Rummet som konstverk: om konstnärsparet Charles Rennie Mackintosh och Margaret Macdonald2003Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The present dissertation deals with the artistic collaboration of a married couple, Charles Rennie Mackintosh and Margaret Macdonald. Living in Glasgow at the turn of the century, theeå, Swedeny concentrated their work on interior design. However, artistic collaboration has been neglected by traditional art history, with its concentration on individual creativity. For the couple in question, this has meant that the work they created together has been mainly attributed to Mackintosh, thereby relegating Mac­donald to the role of spouse and assistant, rather than co-creator. The present disser­tation presents a different picture of the couple's collaboration, challenging and revi­sing our cultural perceptions about the creative abilities of the respective sexes.

    A selection of interiors created by the Mackintoshes is studied in order to shed light on their collaborative efforts. The analyses embark from the perspectives of «masculine» and «feminine» in order to show how the Mackintoshes created artistic wholeness in their interiors, while at the same time opening up the spaces for a mixture of actors, i.e. making the rooms accessible to men and women alike through their designs. During this epoch, the concepts of «masculine» and «feminine» were employed as natural points of reference in an attempt to explain social and cultural phenomena scientifically. The Mackintoshes made use of the era's conventions when creating interiors in the accepted division of masculine (hallways, dining rooms, libraries) and feminine (bedrooms, salons) spaces. However, with time they began to combine these accepted gender forms in order to create something new and modern. Just as the Mackintoshes could create more powerful works of art by combining their respective artistic talents, their spaces could accrue greater significance through the combination of masculine and feminine principles.

  • 17.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Virgin, Mother, Queen, and Bride: Visual Representations of the Virgin Mary in Wall Paintings by Passionsmästaren of Gotland2015In: Words and Matter: The Virgin Mary in Late Medieval and Early Modern Parish Life / [ed] Jonas Carlquist, Virginia Langum, Stockholm: Sällskapet Runica et Mediævalia , 2015, p. 18-40Chapter in book (Refereed)
  • 18.
    Eriksson, Ann-Catrine
    et al.
    Umeå University, Faculty of Arts, History and Theory of Art.
    Pettersson, Lennart
    Umeå University, Faculty of Arts, History and Theory of Art.
    En skål för Sveriges Qvinnor: Om Konstnärsgillet och kvinnorna1999In: Konst, bildning och föreningsliv i 1800-talets norden / [ed] Lennart Pettersson, Umeå: Umeå universitet , 1999, p. 93-107Conference paper (Other academic)
  • 19.
    Pettersson, Lennart
    et al.
    Umeå University, Faculty of Arts, History and Theory of Art.
    Eriksson, Ann-Catrine
    Umeå University, Faculty of Arts, History and Theory of Art.
    Konstvetenskaplig bulletin: institutionsrapporter1999Report (Other academic)
1 - 19 of 19
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  • ieee
  • modern-language-association-8th-edition
  • vancouver
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  • en-US
  • fi-FI
  • nn-NO
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