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  • 1.
    Anders, Johansson
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Critica obscura: litteraturkritiska essäer2012Book (Other academic)
  • 2. Brännström, Leila
    et al.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Rider, Sharon
    Rönnblom, Malin
    Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    What is the state of critique today?: A conversation with Anders Johansson, Sharon Rider and Malin Rönnblom2011In: Eurozine, ISSN 1684-4637, no 2011-10-12Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    Is what is taken for critique today genuinely self-questioning or merely the confirmation of the moral consensus? In the neoliberal culture of the audit, has critique been deprived of its role as check on ideology? And does preference for impact-oriented research produce political compliance rather than independent critical thought?

  • 3.
    Hästbacka, Elisabeth
    et al.
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Johansson, Anders E.Mittuniversitetet.Johansson, Anders S.Umeå University, Faculty of Arts, Department of culture and media studies. Mittuniversitetet.
    Subjekt Södergran: om jagen i Edith Södergrans poesi2016Collection (editor) (Other academic)
  • 4.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Aesthetics of evil: Adorno vs. the ethical turn2008In: Framing evil: portraits of terror and the imagination / [ed] Nancy Billias & Agnes B Curry, Oxford: Inter-Disciplinary Press , 2008, p. 3-12Chapter in book (Other academic)
    Abstract [en]

    The outset for the paper is the widespread notion that literature is better suited than philosophy for understanding and relating experiences of evil. A problem with this supposedly post-metaphysical notion, exemplified by an essay written by María Pía Lara, is that it implies a metaphysical conception of an inherent goodness in literature. To find a more critical approach, the paper turns to Theodor W. Adorno and his comments on poetry after Auschwitz. From his perspective evil is just as present in the interior of every artwork, as in society in general - literature is no less evil than anything else. Due to its material character, however, every artwork does harbour a possibility of understanding and reconciliation that philosophical thinking lacks. Finally, two examples are used to illustrate Adorno’s points: Michael Haneke’s film Funny Games, and the Swedish novel Äldreomsorgen i övre Kågedalen by Nikanor Teratologen. Both could be seen as two extremely cruel narrations of evil, totally lacking all reconciliation. The point is that a reconciliation can be found in the interior of the works, however. In that way, the two works demonstrate a sensibility of the immanent violence of their own form.

  • 5.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Att göra skillnad på människor: EU och världsordningen bekräftar SD:s världsbild2014In: Aftonbladet, ISSN 1103-9000Article in journal (Other (popular science, discussion, etc.))
  • 6.
    Johansson, Anders
    Litteraturvetenskapliga institutionen, Göteborgs universitet.
    Avhandling i litteraturvetenskap: Adorno, Deleuze och litteraturens möjligheter2003Doctoral thesis, monograph (Other academic)
  • 7.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Commodification and subjectivization: toward a critique of the authorship discourse2014In: Nordic Journal of Aesthetics, ISSN 2000-1452, E-ISSN 2000-9607, no 47, p. 125-142Article in journal (Refereed)
    Abstract [en]

    What does it mean that the author increasingly turns into a commodity? The article contains a discussion of some academic responses – taken from celebrity studies and autofiction studies – to this tendency. The texts discussed share an effort to rethink authorship, but nonetheless the implicit result is a reinforcement of a traditional, romantic notion of the author. Above all there is a lack of reflection on subjectivity in the authorship discourse, where concepts like “author”, “subject”, “self” often are treated as synonymous. In that sense the academic responses are part of the commodification they ought be studying. On another level this commodification could be understood as an expression of a more general crisis of subjectivity: there is a need of stories about autonomous subjects just because of a more extensive desubjectivation. Finally the article turns to Theodor W. Adorno and Jacques Rancière in order to find a more dynamic and apt understanding of subjectivity.

  • 8.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Det konventionella jaget2012In: Arena, ISSN 1652-0556, no 2, p. 57-57Article, book review (Other (popular science, discussion, etc.))
  • 9.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    'Det är bara en lek.': Adorno och sportens lekfullhet2011In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, ISSN 1102-7908, Vol. 20, no 2, p. 43-46Article in journal (Refereed)
    Abstract [en]

    There’s a saying that sport is just a game, meaning that it’s not that important if you lose. Although it is easy to dismiss this as a false statement, the essay argues, with the German philosopher Theodor W Adorno, that it is the fact that sport is a game, a play, that gives it a critical potential. Like all games sport has the power to reveal that what we regard as real and necessary could be different. Sport has the potential to release rationality itself from its forced instrumentality – in that sense it resembles art. However, since sport is captive in a larger instrumental project this potential can’t be realized. In Adorno’s perspective, a child’s play is different in that sense: it opens itself to a “beyond” in the most mundane things, which thus disclose a dangerous promise that everything might be different.

  • 10.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    DN och griseknoen2012In: AftonbladetArticle in journal (Other (popular science, discussion, etc.))
  • 11.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Dumhetens rum i bildningens mitt2013In: Arbetaren, ISSN 0345-0961, no 2013-04-25, p. 10-11Article in journal (Other (popular science, discussion, etc.))
  • 12.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Dårpippi som fördummar: Twitter och andra sociala medier gör den offentliga debatten slö2013In: AftonbladetArticle in journal (Other (popular science, discussion, etc.))
  • 13.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Farväl, eviga tilväxt2013In: AftonbladetArticle in journal (Other (popular science, discussion, etc.))
  • 14.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Förlorare: fria ordet: Mediehändelser döljer det verkliga hotet mot yttrandefriheten2012In: AftonbladetArticle in journal (Other (popular science, discussion, etc.))
  • 15.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Förord2015In: Proust och tecknen / [ed] Gilles Deleuze (författare), Göteborg: Glänta produktion, 2015, p. 7-15Chapter in book (Other academic)
  • 16.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Förord / Preface2013In: Vissa dagar känns det mesta ganska meningslöst. Ibland känns det precis  tvärtom / [ed] Upphovsman: Patrick Nilsson, Uppsala: Fistofobia förlag , 2013Chapter in book (Other (popular science, discussion, etc.))
  • 17.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Göra ont: litterär metafysik2010Book (Other academic)
  • 18.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Hans skrik hörs ända från förorten: hyllade Yahya Hassans versala poesiattack kan läsas på tre sätt2014In: Aftonbladet, ISSN 1103-9000Article in journal (Other (popular science, discussion, etc.))
  • 19.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Huu!...sby: Anders Johansson om svartmålande medier i förortsdjungeln2013In: AftonbladetArticle in journal (Other (popular science, discussion, etc.))
  • 20.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Individen och subjektet: Adorno och kritikens premisser2014In: Kris och kritik, ISSN 2001-7278, no 2/3, p. 62-69Article in journal (Other academic)
  • 21.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    ‘It’s Been Edifying, Don’t You Say?’: The Dialectic of Evil in Lars von Trier’s Dogville 2011In: Constructing Good and Evil / [ed] Laura Torres Zuñiga, Isabel Mª Andrés Cuevas, Oxford: Inter-Disciplinary Press , 2011, 1, p. 127-134Chapter in book (Other academic)
    Abstract [en]

    The article is an attempt to show that Lars von Trier’s film Dogville (2003) may be understood as an effort to break down the pact of goodness between the viewer and the film. Every work of art, the author argues, implies a silent contract between the subject (the viewer, reader, etc.) and the object (the film, book, etc.), saying that no matter how horrible the story depicted is, the aesthetic experience is ethically edifying to the subject. Drawing on the French philosopher Alain Badiou, the author contends that this implicit ethics is reactive and nihilist: the goodness of art depends on a more fundamental idea of evil. The discussion circulates primarily around a crucial moment in the end of the film, when the whole setting is turned around, and the merciful victim becomes a cold blooded executioner. One way to understand this moment is to say that von Trier rips the ethical contract, with a very confusing result. What von Trier tells us is, in a way, that we’re all stuck in a rudimentary fiction of goodness, which is kept up by contrasting narratives of evil. 

  • 22.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Klasshatet är ingen smaklöshet - det har orsaker2012In: AftonbladetArticle in journal (Other (popular science, discussion, etc.))
  • 23.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Krossa kolumnismen2012In: AftonbladetArticle in journal (Other (popular science, discussion, etc.))
  • 24.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Kärleksförklaring: subjektiveringens dialektik2015 (ed. 1)Book (Other academic)
  • 25.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Likgiltiga liberaler2014In: Aftonbladet, ISSN 1103-9000Article in journal (Other (popular science, discussion, etc.))
  • 26.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Litteratur ifred2013In: Kritiker, ISSN 1104-196x, no 27, p. 10-17Article in journal (Other academic)
  • 27.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Lyriska fallgropar: Världens mest kommenterade diktsamling för första gången i komplett svensk översättning2015In: AftonbladetArticle, book review (Other (popular science, discussion, etc.))
  • 28.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Magdalena Ribbing-etik: om Konstnären som fetisch och ett stycke Uppdrag granskning för mellanstadiet2014In: Aftonbladet, ISSN 1103-9000Article in journal (Other (popular science, discussion, etc.))
  • 29.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Materialism och biografism: utkast till en kritik av två litterära tendenser2011In: Aiolos, ISSN 1400-7770, Vol. 42, no 3, p. 69-74Article in journal (Other academic)
  • 30.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Monstret och människan2011In: Lychnos, ISSN 0076-1648, p. 288-292Article, book review (Refereed)
  • 31.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Nonfiction2008Book (Other academic)
  • 32.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Okritisk kritik: om filmrecensenternas ensidiga hyllning av Återträffen2014In: Aftonbladet, ISSN 1103-9000Article in journal (Other (popular science, discussion, etc.))
  • 33.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Ondskans återkomst, Akademikern i Rwanda, Godhetens tråkighet, Berättande eller machetehugg...2013In: Bøygen : Organ for nordisk språk og litteratur, ISSN 0806-8623, E-ISSN 0809-5000, Vol. 25, no 2, p. (24)-(144)Article in journal (Other (popular science, discussion, etc.))
  • 34.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Postengagemanget: om subjektivering och reifiering på sociala medier2015In: Digital politik: sociala medier, deltagande och engagemang / [ed] Eric Carlsson, Bo Nilsson, Simon Lindgren, Göteborg: Daidalos, 2015, p. 19-38Chapter in book (Other academic)
  • 35.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Projektifieringen: Litteraturvetenskapen som vara2014In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 3-4, p. 53-61Article in journal (Refereed)
  • 36.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    [recension av] Jag är den jag är. Från bekännelser till bloggar, red. Boel Hackman & Maria Wahlström2016In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 2, p. 89-92Article, book review (Other academic)
  • 37.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Recension av: Ulf Olsson, Silence and Subject in Modern Literature. Spoken Violence2014In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 44, no 1, p. 86-88Article, book review (Other (popular science, discussion, etc.))
  • 38.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Självskrivna män: subjektiveringens dialektik2015 (ed. 1)Book (Other academic)
  • 39.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    The Necessity of Over-interpretation: Adorno, the Essay and the Gesture of Aesthetic Experience2013In: Estetika, ISSN 0014-1291, Vol. 50, no 2, p. 149-168Article in journal (Refereed)
    Abstract [en]

    This article is a discussion of Theodor W. Adorno's comment, in the beginning of 'The Essay as Form', that interpretations of essays are over-interpretations. I argue that this statement is programmatic, and should be understood in the light of Adorno's essayistic ideal of configuration, his notion of truth, and his idea of the enigmatic character of art. In order to reveal how this over-interpreting appears in practice, I turn to Adorno's essay on Kafka. According to Adorno, the reader of Kafka is caught in an aporia: Kafka's work cannot be interpreted, yet every single sentence calls for interpretation. This paradox is related to the gestures and images in Kafka's work: like Walter Benjamin, Adorno means that they contain sedimented, forgotten experiences. Instead of interpreting these images, Adorno visualizes the experiences indirectly by presenting images of his own. His own essay becomes gestural.

  • 40.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Till tumrullandets försvar2011In: Glänta, ISSN 1104-5205, no 3-4, p. 5-12Article in journal (Other academic)
  • 41.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Touched by style2009In: The hand of the interpreter: Essays on meaning after theory / [ed] G. F. Mitrano & E. Jarosinski, Bern: Peter Lang , 2009, p. 41-60Chapter in book (Other academic)
  • 42.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Tänk nytt – och våga vara onyttig: Hotad humaniora djärvast när den används tvärtom2013In: AftonbladetArticle in journal (Other (popular science, discussion, etc.))
  • 43.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Tänkandet och arbetet: utkast till en kritik av akademisk reifiering2013In: Ord och bild, ISSN 0030-4492, E-ISSN 1402-2508, no 4, p. 35-41Article in journal (Other academic)
  • 44.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Varför Marx har fel - även om han hade rätt2012In: AftonbladetArticle in journal (Other (popular science, discussion, etc.))
  • 45.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Vi är kåta på kulturmannen: Mediespelet bakom Knausgård och Zlatan2015In: AftonbladetArticle in journal (Other (popular science, discussion, etc.))
  • 46.
    Johansson, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Vilka är vi?: Terrordådet i Paris förvandlade journalistkåren till chauvinister2015In: AftonbladetArticle in journal (Other (popular science, discussion, etc.))
  • 47.
    Johansson, Anders
    et al.
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Beddari, Carina Elisabeth
    Universitetet i Bergen.
    Ta det gode med det onde2010In: Prosopopeia, ISSN 0804-8592, Vol. 17, no 2-3, p. 26-28Article in journal (Other (popular science, discussion, etc.))
  • 48.
    Johansson, Anders
    et al.
    Mittuniversitetet.
    Jönsson, MariaUmeå University, Faculty of Arts, Department of culture and media studies.
    Du ska inte tro att du är något: om Jantelagens aktualitet2017Collection (editor) (Other academic)
    Abstract [sv]

    Att det har gått över åttio år sedan Aksel Sandemose formulerade Jante­lagen hindrar inte att den fortfarande är ett gångbart namn på kollek­tivismens avigsidor: den svenska avundsjukan, småsintheten, det dåliga självförtroendet och så vidare. I denna antologi vrider och vänder åtta forskare på vårt förhållande till denna "lag". Utifrån litteraturvetenskapliga, filosofiska, medieveten­skapliga och etnologiska perspektiv diskuterar de huruvida de återkom­mande hänvisningarna till Jantelagen i själva verket säger mer om den individualism som utger sig för att vara lagens motsats än om lagen själv. Finns det rent av något i Jantelagen att bejaka i en tid när den liberala individualismen alltmer framstår som en återvändsgränd och subjektets autonomi blir alltmer diffus?

  • 49.
    Johansson, Anders
    et al.
    Mittuniversitetet.
    Jönsson, Maria
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Inledning2017In: Du ska inte tro att du är något: om Jantelagens aktualitet / [ed] Anders Johansson och Maria Jönsson, Umeå: Bokförlaget h:ström - Text & Kultur, 2017, p. 7-15Chapter in book (Other academic)
  • 50.
    Johansson, Anders
    et al.
    Umeå University, Faculty of Arts. Umeå University, Faculty of Arts, Department of culture and media studies.
    Martinson, MattiasTeologiska institutionen, Uppsala universitet.
    Efter Adorno2003Collection (editor) (Other academic)
12 1 - 50 of 51
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