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  • 151.
    Hendrick, Stephanie Faye
    Umeå University, Faculty of Arts, Humlab.
    Social identity in action: a mediated discourse analysis of pseudonymous blogging2011In: Tracking discourses: politics, identity and social change / [ed] Annika Egan Sjölander & Jenny Gunnarsson Payne, Lund: Nordic Academic Press, 2011, p. 225-255Chapter in book (Other academic)
    Abstract [en]

    This article will deconstruct the social identity pseudonymous blogger through the mapping of identity elements in the presentation posts of two bloggers, and compare these identity elements to a sample of the mass media's presentation of the same two bloggers. I begin this chapter by setting the discourses of diary writing and journalism in historical contexts and relate these contexts to the practice of blogging. I will then argue that the two discourses inform the categories cultural projections and societal currents in Norris' (2004) multimodal framework. I then use Scollon and Scollon's (2004) nexus analysis and Norris' (2004) multimodal framework in order to examine the blogs BitchPhd and Belle de Jour. The aim is to examine the construction of pseudonymous social identities in action, and to map the construction of pseudonymous social identities in action, and how these constructions dictate, and are dictated by, social practices.

  • 152.
    Hendrick, Stephanie
    et al.
    Umeå University, Faculty of Arts, Modern Languages. Umeå University, Faculty of Arts, Humlab.
    Örnberg, Therese
    Umeå University, Faculty of Arts, Modern Languages. Umeå University, Faculty of Arts, Humlab.
    The Weblog as an Immersive Space: Moblogging Jokkmokk 20042004In: BlogTalks 2.0: The European Conference on Weblogs, 2004Conference paper (Other academic)
  • 153. Hossein Abbasi, Mohammad
    et al.
    Barrett, James
    Umeå University, Faculty of Arts, Humlab. Royal College of Art, Stockholm.
    Dzokic, Ana
    Grahamsdaughter, Antonie
    Gunnar, Barbro
    Jones, Heather
    Lang, Peter
    Hedenström Ljung, Martin
    Lundberg, Adam
    Neelen, Marc
    Robertson, Ing-Gerd
    Saltas, Emelie
    Schmitz, Helene
    Zhang, Gary
    Zyto, Adela
    Gunnar, Barbro (Editor)
    Lundberg, Adam (Editor)
    Saltas, Emelie (Designer)
    Schmitz, Helene (Photographer)
    Hedenström Ljung, Martin (Illustrator)
    Grahamsdaughter, Antonie Maria (Viedographer)
    Zhang, Gary (Viedographer)
    Hossein Abbasi, Mohammad (Viedographer)
    Haunted by shadows of the future: ARTEFACTS2014Other (Other (popular science, discussion, etc.))
    Abstract [en]

    Haunted by Shadows of the Future: ARTEFACTS identifies objects from the late 1960’sto late 1970’s that have personal or familial relationship with the people and thecommunities who lived during this era, and that embody a specific sense of belonging,a desire of being part of the modern Swedish society TAKING shape at that time. THEresult of this collective search is an assembly of artefacts, customs and domestic tropes,intertwined with rich personal stories and discoveries. These include the briefcase ofan insurance salesman, the reel-to-reel tape recorder that captured a popular talkshow’sevening broadcasts, audio of a Somali literary exile, the early launch of plastictoys, vacation slide shows, postcard collections and super 8 films, Pop textile prints andclothing patterns, local green plantings, supermarket anti-consumer campaigns, therevolutionary “du” reform, and other contemporary references, like a Swedish feministmanifesto and a popular oil heater from Iran. The City Museum’s model apartment inTensta, located at Kämpingebacken 13, serves here as a time capsule that unfolds anentire universe behind these UTMOST everyday objects.

  • 154. Houltz, Anders
    et al.
    Snickars, Pelle
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Arts, Humlab.
    Modellers biografiska liv: om Tekniska museet och det mekaniska alfabetet2019In: Digitala modeller: teknikhistoria och digitaliseringens specificitet / [ed] Jenny Attemark-Gillgren & Pelle Snickars, Lund: Mediehistoria, Lunds universitet , 2019, p. 191-256Chapter in book (Refereed)
  • 155.
    Hutchings, Tim
    Umeå University, Faculty of Arts, Humlab.
    Contemporary religious community and the online church2011In: Information, Communication and Society, ISSN 1369-118X, E-ISSN 1468-4462, Vol. 14, no 8, p. 1118-1135Article in journal (Refereed)
    Abstract [en]

    'Online churches' are Internet-based Christian communities, seeking to pursue worship, discussion, friendship, support, proselytism and other key religious practices through computer-mediated communication. This article introduces findings of a four-year ethnographic study of five very different 'online churches', focusing on the fluid, multi-layered relationship between online and offline activity developed by Christian users of blogs, forums, chatrooms, video streams and virtual worlds. Following a review of online church research and a summary of methods, this article offers an overview of each of the five groups and identifies clear parallels with earlier television ministries and recent church-planting movements. A new model of online and offline activity is proposed, focused on two pairs of concepts, familiarity/difference and isolation/integration, represented as the endpoints of two axes. These axes frame a landscape of digital practice, negotiated with great care and subtlety by online churchgoers. These negotiations are interpreted in light of wider social changes, particularly the shift from bounded community towards 'networked individualism'.

  • 156.
    Hutchings, Tim
    Umeå University, Faculty of Arts, Humlab.
    Mediating Faiths: Religion and Socio-cultural Change in the Twenty-First Century2013In: Information, Communication and Society, ISSN 1369-118X, E-ISSN 1468-4462, Vol. 16, no 9, p. 1527-1528Article, book review (Other academic)
  • 157.
    Hutchings, Timothy
    Umeå University, Faculty of Arts, Humlab.
    Online christian churches: three case studies2010In: Australian Religion Studies Review, ISSN 1031-2943, E-ISSN 1744-9014, Vol. 23, no 3, p. 243-260Article in journal (Other academic)
    Abstract [en]

    Online churches are Internet-based Christian communities, pursuing worship, proselytism and other ecclesial activities through digital media. This article is based on three case studies of online churches: i-church, the Anglican Cathedral of Second Life, and LifeChurch.tv Church Online. Seven key themes emerge from these case studies and are used here as a framework for comparative analysis: mass appeal, spiritual experience, community, reliance on the familiar, local church attendance, internal control and external oversight.

  • 158.
    Hutchings, Timothy
    Umeå University, Faculty of Arts, Humlab.
    The politics of familiarity: visual, liturgical and organisational conformity in the online church2010In: The Heidelberg Journal of Religions on the Internet, ISSN 1861-5813, Vol. 4, no 1, p. 63-86Article in journal (Other academic)
    Abstract [en]

    “Online churches” are Internet-based Christian communities, pursuing worship, education, support, proselytisation and other religious goals through computer-mediated communication. This paper draws on three years of participant observation and 50 interviews to investigate reliance on the familiar in the aesthetics and sensory experience of online religion, a trend that previous researchers have noticed but not fully explained. I use two ethnographic studies to explore the range of motivations that can guide this common strategy and consider visual design, use of sound, avatar gestures, awareness of co-presence and the physical activity of the computer user. Key factors include the desire to “frame” participant expectations, “ground” online experience, demonstrate theological “authenticity” and encourage participatory leadership, and these achievements are used to validate experimentation in other areas. This strategy is not uncontested, however: “outsiders” are frequently deterred by styles that “insiders” consider “normal”, and both churches have begun to explore new forms of architecture, ritual and communication with no clear offline parallels. New blends of familiarity and innovation are emerging, indicating some of the future directions of online churchmanship.My two case studies, the Anglican Cathedral of Second Life and LifeChurch.tv Church Online, reflect two key trends among online churches: the proliferation of small-scale independent congregations and the increasing involvement of wealthy institutions. The empirical and theoretical dimensions of this paper are innovative and timely, drawing attention to the professionalization and domestication of online religion and the rise of the “online campus”, key developments that deserve considerable scholarly attention.

  • 159. Hyvönen, Mats
    et al.
    Snickars, Pelle
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Arts, Humlab.
    Vesterlund, Per
    Efterord2015In: Massmedieproblem. Mediestudiets formering / [ed] Mats Hyvönen, Pelle Snickars & Per Vesterlund, Lund: Mediehistoriskt arkiv , 2015, p. 397-405Chapter in book (Refereed)
  • 160.
    Hyvönen, Mats
    et al.
    Mittuniversitetet.
    Snickars, PelleUmeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Arts, Humlab.Vesterlund, PerHögskolan i Gävle.
    Massmedieproblem: Mediestudiets formering2015Collection (editor) (Refereed)
    Abstract [sv]

    Under 1960-talet blev begreppet massmedia ett nytt modeord i svenskt samhällsliv. Med televisionens intåg, populärkulturens uppsving, och häftiga debatter runt filmpolitiken kom behovet av kunskap om medier att framstå som akut. De så kallade massmedieproblemen turnerades ständigt i den allmänna diskussionen. Boken Massmedieproblem. Mediestudiets formering handlar om hur den svenska medieforskningen etablerades. Det skedde i hög grad i ett tämligen diffust gränsland mellan bransch, politik och akademi – detta är en av bokens centrala tankar. De expanderande massmedierna tycktes erbjuda såväl löften som ständiga problem. Perioden mellan 1960 och 1980 var en tid som utmärktes av en stark tilltro till politiska lösningar på olika samhällsproblem, och den gryende medievetenskapen och det offentliga utredningsväsendet kom därför tidigt att vävas samman. I boken fokuserar forskare ur flera generationer och från olika discipliner den svenska kunskapsproduktionen kring medier under 1960- och 1970-talen. Historien kastar emellertid långa skuggor framåt i tiden; den svenska medievetenskapens förflutna präglar fortsatt mediestudiets formering. Om 1960-talets medieforskning drevs fram i en tidsanda – artikulerad i samhällsdebatt och i samhällsstyrning av medier i samverkan med akademi – är frågan hur det egentligen är ställt numera. Går dagens medieforskning i takt med sin tid?

  • 161.
    Hyvönen, Mats
    et al.
    Mittuniversitetet, Fakulteten för naturvetenskap, teknik och medier, Avdelningen för medie- och kommunikationsvetenskap.
    Snickars, Pelle
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Arts, Humlab.
    Vesterlund, Per
    Högskolan i Gävle.
    Mediestudiets formering: en introduktion2015In: Massmedieproblem: mediestudiets formering / [ed] Mats Hyvönen, Pelle Snickars & Per Vesterlund, Lund: Mediehistoriskt arkiv , 2015, p. 13-52Chapter in book (Refereed)
  • 162.
    Ineland, Jens
    et al.
    Umeå University, Faculty of Social Sciences, Department of Social Work.
    Gelfgren, Stefan
    Umeå University, Faculty of Arts, Humlab.
    Cocq, Coppélie
    Umeå University, Faculty of Arts, Humlab. University of Helsinki, Department of Cultures.
    Negotiating Authority: Disability, Interactions and Power Relations on Twitter2019In: Scandinavian Journal of Disability Research, ISSN 1501-7419, E-ISSN 1745-3011, Vol. 21, no 1, p. 238-249Article in journal (Refereed)
    Abstract [en]

    Social media is often seen as an arena for negotiation of power, where marginalized voices can be given influence in the public debate. This study focuses the use of Twitter for discussions related to disabilities and disability policy in Sweden. The empirical material is gathered through the hashtag (#) “funkpol”, the primary hashtag used to discuss such topics. Empirical data was gathered using a scripted Google spreadsheet. Over a period of 6 months, approximately 10.000 tweets were retrieved. Our findings show nine different categories of twitterers. According to patterns visible in the study, the most active twitterers – the private twitterers – reached out to the established power (advocacy organizations, politicians and media). However, these instances did not respond as much as they were addressed – at least not directly on Twitter. The article shows how private actors are active but not picked up in the public debate. Instead, established power structures prevailed.

  • 163.
    Jarlbrink, Johan
    et al.
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Lundell, Patrik
    Snickars, Pelle
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Arts, Humlab.
    Mediernas historia: från big bang till big data2019Book (Refereed)
    Abstract [sv]

    Idag upplever många att medier genomsyrar allt fler delar av vardag och samhälle. Men vår samtid delar denna erfarenhet med människor som levt under tidigare perioder. För att hitta en tid då medier inte satte sin prägel på liv och samhälle måste vi gå mycket långt tillbaka i historien. Mediehistoriska perspektiv kan anläggas på de flesta historiska fenomen. Det förflutna är nämligen endast tillgängligt i medierad form – om det så gäller antikt klotter, runstenar, dammiga arkiv­ dokument, sönderfallande tidningslägg, muntliga berättelser eller förra årets Youtubeklipp. I Mediernas historia. Från big bang till big data skildras en mycket lång mediehistoria. Att mäta medievanor genom big data är idag vanligt – men även urknallen big bang är ett medialt fenomen vars kosmiska bakgrundsstrålning inte kan studeras utan att först registreras. Med en disposition i 44 avsnitt betonar boken olika mediekulturers särprägel, samtidigt som den lyfter fram hur ett myller av medier har interagerat – från beständiga lertavlor över predikstolar och tidigmodern visuell kommunikation till strömmande medier. Istället för att framhäva mediehistoriska brott och revolutioner synlig­ gör boken kontinuiteter ifråga om hur medier har etablerats, använts och förändrats fram till vår egen tid. Relationen mellan vår samtids sociala medier och traditionella mass­ medier utgör här endast ett exempel på den komplexa väv av sinsemellan hopflätade kommunikationsformer som historien består av.

  • 164.
    Jenna, Ng
    Umeå University, Faculty of Arts, Culture and Media. Umeå University, Faculty of Arts, Humlab.
    “The handheld digital camera aesthetics of the Blair Witch Project and Cloverfield (via Strange Days)”2009In: 16:9, ISSN 1603-5194, Vol. 7, no 32Article in journal (Other academic)
    Abstract [en]

    This article critically interprets the  aesthetics of the handheld digital camera—whereby the entire film consists of  “footage” shot by its characters in the style of a home video—using The Blair Witch Project (1999) and Cloverfield (2008) as case studies.  Riffing off the science-fiction technology of SQUID in Kathryn Bigelow’s film, Strange Days (1995), the aesthetics of  the handheld digital camera are analysed from three aspects: mobility,  omnivoyance and spectatorship.

  • 165.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    Att skapa sig själv genom psykiatrin: ett etnologiskt perspektiv på självskadares identitetskonstruktioner2011In: Socialmedicinsk Tidskrift, ISSN 0037-833X, Vol. 88, no 3, p. 240-248Article in journal (Refereed)
    Abstract [en]

    This article is about the production of meaning and identity in relation to self-harm. It focuses on the ways in which online self-harm communities are created and used, as well as on the categorisations and distinctions inherent in the construction of community. The critical framing of psychiatry, strongly normative in this context, is of particular interest here. It is suggested that such a construction of psychiatry should be understood as a means for constructing identity and for strengthening the sense of community on online message boards.

  • 166.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab. Umeå University, Faculty of Arts, Department of culture and media studies.
    Constituting "real" cutters: a discourse theoretical analysis of self-harm and identity2011In: Tracking discourses: politics, identity and social change / [ed] Annika Egan Sjölander & Jenny Gunnarsson Payne, Lund: Nordic Academic Press, 2011, p. 197-224Chapter in book (Other academic)
  • 167.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    Ett vackert lidande2004In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, no 4, p. 31-41Article in journal (Refereed)
  • 168.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    Hybrid embodiment: doing respectable bodies on YouTube2013In: Hybrid media culture: sensing place in a world of flows / [ed] Simon Lindgren, London: Routledge, 2013, p. 16-33Chapter in book (Other academic)
  • 169.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    Kroppar, dislokationer och politiska praktiker på YouTube2012In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, no 3-4Article in journal (Refereed)
  • 170.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    Kön, känslor och känslouttryck i berättelser om självskada2010In: Nätverket Kulturforskning i Uppsala, ISSN 1651-0593, E-ISSN 1651-0593, Vol. 16, p. 24-28Article in journal (Other academic)
  • 171.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    ”Låt dom aldrig slå ner dig.”: Bloggen som arena för patientaktivism2013In: Socialvetenskaplig tidskrift, ISSN 1104-1420, no 3-4, p. 203-221Article in journal (Refereed)
    Abstract [sv]

    Sociala medier kan innebära nya möjligheter för psykiatriska patienter att föra fram sina perspektiv. I denna artikel analyseras ett svenskt bloggforum där patienter förenas i kampen för en bättre psykiatrivård. Syftet är att undersöka hur bloggmediet kan användas för att utmana och/eller reproducera normer och maktförhållanden i relationen mellan patient och psykiatri.

  • 172.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    Makt och motstånd?: om patienter, psykiatri och sociala medier2014In: Thule: Kungl. Skytteanska samfundets årsbok, 2014 [årg 27] / [ed] Roger Jacobsson, Umeå: Kungl. Skytteanska Samfundet , 2014, p. 75-84Chapter in book (Other academic)
  • 173.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    Politisering av det personliga: om sociala medier och mobiliseringen kring psykiatriska frågor2015In: Digital politik: sociala medier, deltagande och engagemang / [ed] Carlsson, Eric; Nilsson, Bo; Lindgren, Simon, Göteborg: Daidalos, 2015, p. 67-89Chapter in book (Other academic)
  • 174.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    Postfeministisk störning på nätet?: Om digitaliserad sjuklighet och unga femininiteter2013In: Finsk tidskrift : kultur, ekonomi, politik, ISSN 0015-248X, no 7-8, p. 55-64Article in journal (Other academic)
  • 175.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    Rakbladsflikkor: Om kvinnlig självskada som identitet och symbolspråk2005In: Nätverket Kulturforskning i Uppsala, ISSN 1651-0593, E-ISSN 1651-0593, Vol. 14, p. 100-114Article in journal (Refereed)
  • 176.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    Självskada och berättelser om psykiatrin2010In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, no 2Article in journal (Refereed)
  • 177.
    Johansson, Anna
    et al.
    Umeå University, Faculty of Arts, Humlab.
    Lundgren, Anna Sofia
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Social Sciences, Centre for Demographic and Ageing Research (CEDAR). Centre for Demographic and Ageing Research (CEDAR)/Ageing and Living Conditions programme.
    Fantasies of scientificity: ethnographic identity and the use of QDA software2016In: Research methods for reading digital data in the digital humanities / [ed] Griffin, G. & Hayler, M., Edinburgh: Edinburgh University Press, 2016, p. 148-164Chapter in book (Other academic)
  • 178.
    Johansson, Anna
    et al.
    Umeå University, Faculty of Arts, Humlab.
    Sjöstedt Landén, Angelika
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Berättelsen om det svenska ironiska 1990-talet2014In: Skratt som fastnar: Kulturella perspektiv på skratt och humor / [ed] Lars-Eric Jönsson, Fredrik Nilsson, Lund: Lund universitet , 2014, p. 61-86Chapter in book (Refereed)
  • 179.
    Johansson, Anna
    et al.
    Umeå University, Faculty of Arts, Humlab.
    Sternudd, Hans T
    Iconography of suffering in social media: images of sitting girls2015In: World suffering and quality of life / [ed] Anderson, Ronald E., Dordrecht: Springer Science+Business Media B.V., 2015, p. 341-355Chapter in book (Refereed)
  • 180.
    Johansson, Anna
    et al.
    Umeå University, Faculty of Arts, Humlab.
    Sternudd, Hans T.
    Linnaeus University.
    Ridiculing Suffering on YouTube: Digital Parodies of Emo Style2014Conference paper (Refereed)
  • 181.
    Johansson, Anna
    et al.
    Umeå University, Faculty of Arts, Humlab.
    Sternudd, Hans T.
    Linnéuniversitetet, Institutionen för musik och bild (MB).
    Ridiculing suffering on YouTube: digital parodies of emo style2016In: Blunt traumas: negotiating suffering and death / [ed] Nate Hinerman, Holly Lynn Baumgartner, Oxford: Inter-Disciplinary Press , 2016, p. 31-40Chapter in book (Other academic)
    Abstract [en]

    Numerous YouTube videos represent and comment on self-injury, as evidenced by a search for this term, which produces about 123,000 results (6 June 2014). In previous studies, we have explored how suffering, the body, and gender are performed in such personal videos. During our YouTube study, we have also encountered a specific category of video clips that merits further discussion: videos that in different ways attempt to parody or make fun of self-injury and mental distress. What most of them have in common is that they focus on self-injury as part of the so-called emo subculture or emo style. The purpose of this chapter is to discuss what such videos tell us about cultural conceptions of suffering and gender. Our analysis builds on a small sample of three YouTube videos in which emo culture and mental distress are parodied and ridiculed through exaggeration. We demonstrate that the parodies revolve around two main points: emo as a stylised performance of suffering, and emo as queer masculinity. The chapter concludes by suggesting that this ridiculing of emo culture builds upon discourses of hegemonic masculinity and normative heterosexuality which are also likely to have consequences for the understanding of mental suffering, emotional sensitivity, and gender in a broader context.

  • 182.
    Johansson, Anna
    et al.
    Umeå University, Faculty of Arts, Humlab.
    Österholm, Maria Margareta
    Rum för flickor2013In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 2-3, p. 3-4Article in journal (Other academic)
  • 183.
    Johansson, Anna
    et al.
    Umeå University, Faculty of Arts, Humlab.
    Österholm, Maria Margareta
    Tema Flickor2013Collection (editor) (Refereed)
  • 184.
    Júlíusson, Árni Daníel
    et al.
    Department of History, University of Iceland.
    Lárusdottir, Birna
    Árni Magnússon Institute for Icelandic Studies.
    Lucas, Gavin
    University of Iceland.
    Pálsson, Gísli
    Umeå University, Faculty of Arts, Department of historical, philosophical and religious studies, Environmental Archaeology Lab. Umeå University, Faculty of Arts, Humlab.
    Episcopal Economics: Property and Power in Post-Reformation Iceland2019In: Scandinavian Journal of History, ISSN 0346-8755, E-ISSN 1502-7716Article in journal (Refereed)
    Abstract [en]

    It has been common to view the Icelandic economy either from the perspective of the individual farm in terms of its productivity or at the national scale in terms of trade and the role of imports/exports. Given the fact that the economy was largely a tenant-based system with a small number of landowners, there is an important middle ground between the household economics of individual farms and the state-sanctioned trade structures that needs to be explored. The objective of this paper is to examine this middle ground and the way the economy was structured in relation to property ownership and tenancy using the case study of the bishopric of Skálholt during the 17th and 18th centuries. Adopting a modified system of provision approach, three scales of analysis are adopted: the settlement itself, the immediate environs and finally the wider regional property network. Tracing the connections outward at successive scales reveals the complex nature of the economic infrastructure behind one of the largest landowners in Iceland at this time.

  • 185.
    Liliequist, Marianne
    et al.
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Cocq, Coppélie
    Umeå University, Faculty of Arts, Humlab.
    Inledning2017In: Samisk kamp: kulturförmedling och rättviserörelse / [ed] Marianne Liliequist och Coppélie Cocq, Umeå: Bokförlaget h:ström - Text & Kultur, 2017, p. 7-15Chapter in book (Refereed)
  • 186.
    Liliequist, Marianne
    et al.
    Umeå University, Arctic Research Centre at Umeå University. Umeå University, Faculty of Arts, Department of culture and media studies.
    Cocq, Coppélie
    Umeå University, Faculty of Arts, Humlab.
    Samisk kamp för kulturell överlevnad2014In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, ISSN 1102-7908, Vol. 23, no 1, p. 2-4Article, review/survey (Refereed)
    Abstract [en]

    This special issue focuses on the Sami struggle for cultural survival. The articles deal with strategies and initiatives going on in Sápmi today during a time of threats and challenges - a time that is also marked by resistance and mobilization. During the fall of 2013, the Swedish government has been criticized both by the United Nations’ Committee on the Elimination of all Forms of Racial Discrimination, and by the Swedish Discrimination Ombudsman for its actions against the Sami population. The UN criticism was directed against a planned mine in Rönnbäcken, in the region of Västerbotten. Exploitation in Northern Sweden, not least the mining boom, is among of the biggest challenges in Sápmi today. Sami identity markers such as reindeer herding, land, language and oral traditions are examples of expressions that are highlighted in the battle to claim rights to land and water, to language, and to participation in decision making.

  • 187.
    Lindgren Leavenworth, Maria
    et al.
    Umeå University, Faculty of Arts, Modern Languages. Umeå University, Faculty of Arts, Department of language studies.
    Örnberg Berglund, Therese
    Umeå University, Faculty of Arts, Modern Languages. Umeå University, Faculty of Arts, Humlab.
    Utmaningar och möjligheter med nätbaserat lärande2008In: Utsikter, insikter, avsikter: universitetspedagogisk konferens i Umeå 27 – 28 februari 2007 / [ed] Mohammad Fazlhashemi och Thomas Fritz, Umeå: Universitetspedagogiskt Centrum, Umeå universitet , 2008, p. 283-292Conference paper (Other academic)
    Abstract [sv]

    När det hösten 2002 beslutades att införa en helt nätburen kurs i engelska sågs tre aspekter som särskilt utmanande. Man misstänkte att det kunde vara svårt att ge goda förutsättningar för studenterna att utveckla sin analytiska förmåga, att träna upp den muntliga kommunikativa kompetensen och att känna grupptillhörighet. I detta paper diskuteras hur dessa tre utmaningar med relativt enkla medel kunnat mötas, liksom hur den nya pedagogik som utvecklats för de nätburna kurserna i sin tur också influerat den traditionella campusundervisningen.

  • 188.
    Lindgren, Simon
    et al.
    Umeå University, Faculty of Social Sciences, Department of Sociology.
    Cocq, Coppélie
    Umeå University, Faculty of Arts, Humlab.
    Turning the inside out: social media and the broadcasting of indigenous discourse2017In: European Journal of Communication, ISSN 0267-3231, E-ISSN 1460-3705, Vol. 32, no 2, p. 131-150Article in journal (Refereed)
    Abstract [en]

    This article analyses what happens on social media (Twitter) when a local issue specific to a certain Indigenous group spreads out to a wider network of actors. We look closer at the process where emic (inside) discourses are enabled, through social media, to reach a broader audience and become part of translocal debates. In a case study of information sharing, network building and support on Twitter in relation to a series of Sámi anti-mining protests in 2013, we address questions about the dynamics, flows and process of Indigenous communication on Twitter. First, we analyse in what ways and to what extent the posts are used for inreach communication or outreach communication. Second, we analyse the role of tweets that contain links to web resources for broadcasting Indigenous concerns to a wider, more diverse audience. Finally, we assess how different types of actors interact in order to shape the circulation of content. Our analysis shows even though communication went beyond the core community, Sámi actors still appeared to own and control the discourse and agenda on the issue in social media. Obviously, online communities are not secluded communities. For geographically localized groups and for marginalized communities, the use of global social media does not only enable communication with actors in more distant groups and places; social media also makes visible common interests and goals on a global scale. The possibility of addressing multiple audiences at the same time increases the potential of reaching an audience outside one’s set of 'followers' or one's tight-knit communities of like-minded people.

  • 189.
    Lindgren, Simon
    et al.
    Umeå University, Faculty of Social Sciences, Department of Sociology.
    Palm, Fredrik
    Umeå University, Faculty of Arts, Humlab.
    Textometrica: Service Package for Text Analysis2011Other (Other (popular science, discussion, etc.))
  • 190.
    Lindgren, Simon
    et al.
    Umeå University, Faculty of Social Sciences, Department of Sociology.
    Åberg, Ida
    Umeå University, Faculty of Social Sciences, Department of Sociology.
    Lundström, Ragnar
    Umeå University, Faculty of Social Sciences, Department of Sociology.
    Johansson, Anna
    Umeå University, Faculty of Arts, Humlab.
    Vi deltar!: Utvärdering av Arvsfondens satsning på ungdomar och demokrati 2009-20122012Report (Other (popular science, discussion, etc.))
  • 191.
    Lindhé, Cecilia
    Umeå University, Faculty of Arts, Humlab.
    "A visual sense is born in the fingertips": towards a digital ekphrasis2013In: Digital Humanities Quarterly, ISSN 1938-4122, E-ISSN 1938-4122, Vol. 7, no 1Article in journal (Refereed)
    Abstract [en]

    In this article, the significance of the rhetorical and modern definitions of ekphrasis will be discussed through the lens of digital literature and art. It attempts to reinscribe the body in ekphrastic practice by adding touch to the abstracted visualism of the eye, and emphasize defining features of the ancient usage: orality, immediacy and tactility. What I call the digital ekphrasis with its emphasis on enargeia, its strong connections with the ancient definition, and on the bodily interaction with the work of art, conveys an aesthetic of tactility; digitalis=finger. By tracing and elucidating a historical trajectory that takes the concept of ekphrasis in the ancient culture as a starting point, the intention is not to reject the theories of the late 1900s, but through a reinterpretation of ekphrasis put forward an example of how digital perspectives on classic concepts could challenge or revise more or less taken-for-granted assumptions in the humanities. In this context 'the digital' is not only a phenomenon that could be tied to certain digital objects or used as a digital tool, but as an approach to history, with strong critical potential. The aim is to show that one of the most important features of our digital culture is that it offers new perspectives – not only on current technology – but also on literary, cultural and aesthetic historical practices.

  • 192.
    Lindhé, Cecilia
    Umeå University, Faculty of Arts, Humlab.
    ’Bildseendet föds i fingertopparna’: Om en ekfras för den digitala tidsåldern2010In: Bøygen : Organ for nordisk språk og litteratur, ISSN 0806-8623, E-ISSN 0809-5000, no 2, p. 171-175Article in journal (Refereed)
  • 193.
    Lindhé, Cecilia
    Umeå University, Faculty of Arts, Humlab.
    Bildseendet föds i fingertopparna: om en ekfras för den digitala tidsåldern2010In: Ekfrase: Nordisk Tidsskrift for Visuell Kultur, ISSN 1891-5752, E-ISSN 1891-5760, no 1, p. 4-16Article in journal (Refereed)
    Abstract [en]

    This article aims at rethinking the concept of ekphrasis with a special focus on how digital technology shapes, transforms and reconfigures the dynamic relationship between word and image. According to Ruth Webb in her Ekphrasis, Imagination and Persuasion in Ancient Rhetorical Theory and Practice (2009), the ancient and rhetorical practice of ekphrasis and the concept used in modern literary criticism belong to fundamentally different systems. The ancient definition emphasizes enargeia and the impact on the listener. The visual referent is less important. The modern definition of the term, developed for the analysis of written texts, engages with the visual mainly as referent. In this article the significance of the ancient definition of ekphrasis is re-examined through digital art and electronic literature. It is argued that the ekphrasis of the digital age, with its emphasis onenargeia and on the viewer/reader/user-bodily interaction with the work of art convey an aesthetic of tactility. Also discussed is how deeply rooted the notion of ekphrasis is in print based texutality.

  • 194.
    Lindhé, Cecilia
    Umeå University, Faculty of Arts, Humlab.
    Christina Ljungberg, Creative Dynamics. Diagrammatic Strategies in Narrative2014In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871Article, book review (Refereed)
  • 195.
    Lindhé, Cecilia
    Umeå University, Faculty of Arts, Humlab.
    Evolution = the action of reading2014In: Evolution / [ed] Johannes Heldén, Stockholm: OEI , 2014Chapter in book (Other academic)
  • 196.
    Lindhé, Cecilia
    Umeå University, Faculty of Arts, Humlab.
    Medieval Materiality through the Digital Lens2015In: Between Humanities and the Digital / [ed] David Theo Goldberg, Patrik Svensson, MIT Press, 2015, p. 193-204Chapter in book (Refereed)
  • 197.
    Lindhé, Cecilia
    Umeå University, Faculty of Arts, Humlab.
    Pekandets arkeologi2015In: Universitetet som medium / [ed] Matts Lindström & Adam Wickberg Månsson, Lund: Mediehistoria, Lunds universitet , 2015, p. 57-77Chapter in book (Refereed)
  • 198.
    Lindhé, Cecilia
    Umeå University, Faculty of Arts, Humlab. Litteraturvetenskapliga institutionen, Historisk-filosofiska fakulteten, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Uppsala universitet .
    Romanen är en seglivad, randig och fläckig bastard: Om överskridandets estetik hos Kerstin Ekman2005In: Ord i rättan tid: En festlig skrift om forskning och politik, makt och medier tillägnad Thorsten Nybom / [ed] Anders Björnsson, Martin Kylhammar och Åsa Linderborg, Stockholm: Carlsson Bokförlag, 2005, p. 354-Chapter in book (Other academic)
  • 199.
    Lindhé, Cecilia
    Umeå University, Faculty of Arts, Humlab.
    The image as a site of aesthetic renegotation in Kerstin Ekman's City of Light2012In: Forum for World Literature Studies, ISSN 1949-8519, E-ISSN 2154-6711, Vol. 4, no 2, p. 276-290Article in journal (Refereed)
  • 200.
    Lindhé, Cecilia
    et al.
    Umeå University, Faculty of Arts, Humlab.
    Ingvarsson, Jonas
    Digitalisering och poetisk form2012In: Litteraturens nätverk: Berättande på internet, Lund: Studentlitteratur, 2012, p. 97-109Chapter in book (Other academic)
1234567 151 - 200 of 336
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