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  • 51.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    Hillarp2009In: Litteraturens historia i Sverige / [ed] Bernt Olsson, Ingemar Algulin m.fl., Stockholm: Norstedts , 2009, 5, p. 423-425Chapter in book (Other academic)
  • 52.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    Hillbäck, Erixon, Larsson och Nyström2009In: Litteraturens historia i Sverige / [ed] Bernt Olsson, Ingemar Algulin m.fl., Stockholm: Norstedts , 2009, 5, p. 425-426Chapter in book (Other academic)
  • 53.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Hör husen och böckerna!2011In: Västerbottens-Kuriren, ISSN 1104-0246, no 28.4, p. 30-Article, book review (Other (popular science, discussion, etc.))
  • 54.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Kultur och konsten att sköta en tillväxtmotor: En lektion i verbal olydnad2014In: Västerbottens-Kuriren, ISSN 1104-0246, no 12.2Article in journal (Other (popular science, discussion, etc.))
  • 55.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Kvinnlig kamouflerad vrede2014In: Västerbottens-Kuriren, ISSN 1104-0246Article, book review (Other (popular science, discussion, etc.))
  • 56.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    ’Kära systrar i det putmagade eländet’!: om Elsa Graves livmodersförbannelser2008In: Dikten som mötesplats: festskrift till Eva Lilja / [ed] Sissel Furuseth & Lisbeth Stenberg, Göteborg: Kabusa , 2008, p. 95-105Chapter in book (Other (popular science, discussion, etc.))
  • 57.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Kärlek och andra laglösa känslor2011In: Att känna sig fram: känslor i humanistisk genusforskning / [ed] Annelie Bränström Öhman, Maria Jönsson, Ingeborg Svensson, Umeå: h:ström - Text & Kultur , 2011, 1, p. 143-167Chapter in book (Refereed)
  • 58.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    "kärlek! och någonting att skratta åt! dessutom": Sara Lidman och den kärleksfulla blicken2008Book (Other academic)
  • 59.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Lillvattnet – Svartvattnet tur och retur: om Sara Lidmans och Kerstin Ekmans platser2006In: Provins, ISSN 0280-9974, no 3Article in journal (Other academic)
  • 60.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    Lisbeth Salanders grav och andra flickgravar2016In: Att konstruera en kvinna: berättelser om normer, flickor och tanter / [ed] Karin Lövgren, Lund: Nordic Academic Press, 2016, p. 99-113Chapter in book (Other academic)
  • 61.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Marilyns egna ord vibrerar av liv och sårbarhet2011In: Västerbottens-Kuriren, ISSN 1104-0246, Vol. 9.21, p. 35-35Article in journal (Other (popular science, discussion, etc.))
  • 62.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Med lätt hand om allvarsamma ting2011In: Västerbottens-Kuriren, ISSN 1104-0246, Vol. 29.7Article, book review (Other (popular science, discussion, etc.))
  • 63.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Med mod om livets vadmalsfaktor2011In: Västerbottens-Kuriren, ISSN 1104-0246, no 126, p. 39-39Article, book review (Other (popular science, discussion, etc.))
  • 64.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Modig resa tillbaka till framtiden som var2011In: Västerbottens-Kuriren, ISSN 1104-0246, Vol. 8.3, no 54Article, book review (Other (popular science, discussion, etc.))
  • 65.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Mormor - eller kampen om tiden2011In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, Vol. 20, no 1, p. 38-46Article in journal (Refereed)
  • 66.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Mytologi eller mytografi?: om platsens magi i Sara Lidmans och Kerstin Ekmans Norrlands-romaner2010In: Regionernas bilder: estetiska uttryck från och om periferin / [ed] Heidi Hansson, Maria Lindgren Leavenworth, Lennart Pettersson, Umeå: Institutionen för språkstudier , 2010, p. 118-126Chapter in book (Other academic)
  • 67.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Nalta eljest eller lite annorlunda2013In: Västerbottens-Kuriren, ISSN 1104-0246, no 16 juli, p. 22-22Article in journal (Other (popular science, discussion, etc.))
  • 68.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Nina Lykke: genusforskning - en guide till feministisk teori, metodologi och skrift2010In: Tidskrift för genusvetenskap, ISSN SSN 1654-5443, no 1-2, p. 167-169Article, book review (Refereed)
  • 69.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    November, åt vilket håll ska vi gå?2011In: Västerbottens-Kuriren, ISSN 1104-0246, no 8 november, p. 26-26Article in journal (Other (popular science, discussion, etc.))
  • 70.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    Paradigmskiftets primat2008In: Kulturella perspektiv: svensk etnologisk tidskrift, ISSN 1102-7908, Vol. årg 17, no 2Article in journal (Other academic)
  • 71.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Recension av Anna Williams, Till verklighetens stränder. Agnes von Krusenstjernas liv och diktning i Samlaren. Tidskrift för forskning om svensk och annan nordisk litteratur2014In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 135Article, book review (Other academic)
  • 72.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Recension doktorsavhandling: om Freja Rudels I berättandets makt. Om tre romankroppar hos P O Enquist)2017In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 138, p. 189-193Article, book review (Other academic)
  • 73.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Salanders teorem: Lisbeth Salander som Millennium-trilogins gåta2013In: Millennium: Åtta genusvetenskapliga läsningar av den svenska välfärdsstaten genom Stieg Larssons Millennium-trilogi / [ed] Siv Fahlgren, Anders Johansson, Eva Söderberg, Sundsvall: Forum för genusvetenskap, Mittuniversitetet , 2013, p. 67-84Chapter in book (Refereed)
  • 74.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Sara Lidman från Missenträsk och världen: en guide till författarskapet och till miljöer i Jernbanesviten2007In: Västerbotten: berättarnas län: en guide till litteraturen, Umeå: ARCIV (Artist Resource Center in Västerbotten) i samarbete med Länsbiblioteket i Västerbotten , 2007Chapter in book (Other (popular science, discussion, etc.))
  • 75.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Comparative Literature and Scandinavian Languages.
    Sara Lidman och kärlekens mirakel2005In: Thule: Kungl. Skytteanska Samfundet Årsbok 2005, Kungl. Skytteanska Samfundet, Umeå , 2005, p. 127-134Chapter in book (Other academic)
  • 76.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Sara Lidman och "sam-vettets" ekologiska rum2018In: Norrlandslitteratur: Ekokritiska perspektiv / [ed] Peter Degerman, Anders E. Johansson, Anders Öhman, Stockholm: Makadam Förlag, 2018, p. 114-134Chapter in book (Refereed)
  • 77.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    "Show some emotion!": Om emotionella läckage i akademiska texter och rum2008In: Tidskrift för genusvetenskap, ISSN 1654-5443, no 2Article in journal (Refereed)
  • 78.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Sinnenas arkeologi2013In: Västerbottens-Kuriren, ISSN 1104-0246, no 21 september, VK Kultur - Del 2, p. 58-58Article, book review (Other (popular science, discussion, etc.))
  • 79.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Svindeln i språket: Annelie Bränström Öhman läser Karin Widerberg2013In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 1, p. 77-80Article in journal (Refereed)
  • 80.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Särartad filosofi enligt Sara2014In: Västerbottens-Kuriren, ISSN 1104-0246, no 29.3, p. 56-57Article in journal (Other (popular science, discussion, etc.))
  • 81.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    The making of an academic quilt: Om stil och politik i feministiskt akademiskt skrivande2009In: Bøygen. Litterært tidskrift, ISSN 0860-8623, no 2, p. 34-41Article in journal (Other academic)
  • 82.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Tystnaden måste få sitt2013In: Västerbottens-Kuriren, ISSN 1104-0246, no 12.11Article in journal (Other (popular science, discussion, etc.))
  • 83.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Vad jag har lärt mig om folkbildning av Sara Lidman2013In: Västerbottens-Kuriren, ISSN 1104-0246, no 30 maj, VK Kultur - Del 2, p. 36-37Article in journal (Other (popular science, discussion, etc.))
  • 84.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Vilda flickors vapendragare2013In: Västerbottens-Kuriren, ISSN 1104-0246, no 3 september, p. 26-26Article in journal (Other (popular science, discussion, etc.))
  • 85.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Våldets närvaro är inte fiktion2013In: Västerbottens-Kuriren, ISSN 1104-0246, no 8 mars, VK Kultur - Del 2, p. 38-38Article, book review (Other (popular science, discussion, etc.))
  • 86.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    Wine2009In: Litteraturens historia i Sverige / [ed] Bernt Olsson, Ingemar Algulin m.fl., Stockholm: Norstedts , 2009, 5, p. 426-427Chapter in book (Other academic)
  • 87.
    Bränström Öhman, Annelie
    Umeå University, Faculty of Arts, Department of culture and media studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    Ärret i handflatan2008In: Lyrikvännen: tidskrift för poesi, ISSN 0460-0762, Vol. årg 55, no 4Article in journal (Other (popular science, discussion, etc.))
  • 88.
    Bränström Öhman, Annelie
    et al.
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Livholts, Mona
    Genus och det akademiska skrivandets former2007Collection (editor) (Other academic)
  • 89.
    Burman, Christo
    Umeå University, Faculty of Arts, Department of culture and media studies.
    I teatralitetens brännvidd: Om Ingmar Bergmans filmkonst2010Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The aim of this dissertation is to discuss and exemplify the use of theatre and theatricality in the film aesthetics of Ingmar Bergman (1918-2007). The main primary material of the study consists of a selection of Bergman’s films: the nine commercials made for Bris soap (1951-1953) and the feature films Sawdust and Tinsel (1953), Smiles of a Summer Night (1955), The Seventh Seal (1957), The Magician (1958), Through a Glass Darkly (1961), Winter Light (1963), The Silence (1963), Persona (1966), The Ritual (1969), Scenes from a Marriage (1973), Fanny and Alexander (1983) and Saraband (2003). The dissertation also includes several other examples from Bergman’s rich intermedial oeuvre, and features theatre, film, radio and television productions. The interart approach is also applied on material from the Ingmar Bergman archives and to the author’s unique interviews that were carried out with Bergman in the fall of 2004 (some of his last interviews).

    After an introduction in the first chapter, the second chapter discusses the history, aesthetics and terminology of theatricality. The term has accumulated an extraordinary variety of meanings, making it denote everything from an act to excess in the broadest possible sense, from a style to a semiotic system and from a medium to a message. In this dissertation theatricality is seen as a reference to a performance that is directed outwards; an act of showing, which reveals the relationship between the medium and the observer. A prerequisite for this is that the object is manifested with a parallel consciousness of the observer’s gaze, which is used as a part of the staging, thereby involving the observer in the work while making her realize that the author is aware of her gaze. This self-consciousness is illustrated in the three following analytical chapters.

    The third chapter looks at the depiction and use of space, framing and long shot-composition, reveries, character entrances, movement and tracking shots in Bergman’s films.

    The main foci of the fourth chapter are masks and Bergman’s famous close-ups, where the emphasis lies on the importance of the actor. In scenes where Bergman lets the actor face and speak directly into the camera, theatricality is characterized by oscillation; that is, it forms an act of showing that breaks the cinematic illusion, while simultaneously involving the observer in the film. The chapter also examines the use of photographs in Bergman’s films.

    The fifth chapter focuses on some of the meta-aspects created by Bergman’s theatrical film aesthetics, for instance when the characters in the films visit theatres. The chapter also analyzes the play-within-the play structure of Bergman’s works and the "indirect" address from Bergman in his films, which is accomplished through the intervention of his voice and cameo appearances.

    The sixth and last chapter of this dissertation consists of a brief summary and conclusions on the subject of cinematic style that show how ideas concerning theatricality have been a part of Ingmar Bergman’s film art.

  • 90.
    Burman, Christo
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Martyrologion: Dagböcker 1970-19862012Collection (editor) (Other (popular science, discussion, etc.))
    Abstract [en]

    The collected diaries of Andrei Tarkovsky (1932-1986), for the first time published in Swedish. They cover the director's life, work and the increasing difficulties he encountered in the Soviet Union and the time of his exile in Western Europe. Internationally Tarkovsky's diaries were widely reviewed and considered to be a valuable addition to the Tarkovsky canon. They are professional and personal: thoughts on film sit alongside household chores, notes about friends and family. The diaries have been translated from its Russian original by Håkan Lövgren. This Swedish edition of the diaries is the most complete edition to date.

  • 91.
    Burman, Christo
    Umeå University, Faculty of Arts, Department of culture and media studies.
    På spaning efter den populärkulturelle Bergman: Om att vända på bilden av en filmskapare2010In: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, Vol. 19, no 4, p. 2-14Article in journal (Refereed)
    Abstract [en]

    Ingmar Bergman’s name is virtually synonymous with intellectual European films and high culture but lately scholars have been trying to show that Bergman worked in a variety of fields, including popular culture, and that his work often was commercial, popular and more easily accessible than his auteur image would suggest. This article explores some of the soap commercials that Bergman made in the early 1950s, which still remain a little known part of his oeuvre. The focus also lies on the publication of Bergman’s scripts as serial “filmnovels” in the weekly women’s magazine Allers Familjejournal (1959–1967) and on the transformation of the image of Bergman by his popular later works Scenes from a Marriage (1973) and Fanny and Alexander (1982) and through famous images that reappear throughout the spectrum of popular culture, most notably the image of Death from The Seventh Seal (1957).

  • 92.
    Burman, Christo
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Teaterhistoria III: Ny Svensk Teaterhistoria. Band 3: 1900-talets teater2009In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 2, p. 92-93Article, book review (Other academic)
  • 93.
    Burman, Kristi
    Umeå University, Faculty of Arts, History and Theory of Art.
    Escaping contours: reading Hélène Cixous2004In: Shaping space and history = Vormides ruumi ja ajalugu / [ed] Kristi Burman and Roland Spolander, Umeå: Umeå universitet , 2004, Vol. VIII, p. 174-189Chapter in book (Other academic)
  • 94.
    Bülow, Monica
    Umeå University, Faculty of Arts, Department of language studies.
    The emotional dialogue between Wide Saragasso Sea and Jane Eyre: How hate comes alive in Wide Saragasso Sea and love comes alive in Jane Eyre2012Student thesis
  • 95.
    Carlquist, Linnea
    Umeå University, Faculty of Arts, Department of culture and media studies.
    "Mig finner ingen, ingen jag finner": En studie av identitetsmarkörer i Almqvists roman Drottningens Juvelsmycke2010Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 96.
    Carlsson, Petter
    Umeå University, Faculty of Arts, Department of historical, philosophical and religious studies.
    Review of: The Totalitarian Experiment in Twentieth-Century Europe: Understanding the Poverty of Great Politics, by David D. Roberts2008In: European Review of History, ISSN 1350-7486, E-ISSN 1469-8293, Vol. 15, no 2, p. 223-224Article, book review (Other academic)
  • 97.
    Chivungu, Vimbai
    Umeå University, Faculty of Arts, Department of language studies.
    Beneath the Surface: An Examination of Masculinity and Femininity in Dennis Lehane's Mystic River2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    On the surface, Dennis Lehane’s novel Mystic River appears quite fascinated and occupied with macho ideals and ideas of heroism, vengeance, vigilantism, violence, and blind loyalty. The novel might even be said to paint a picture of a world ultimately ruled and controlled by men, who are expected to set the terms and encouraged to take charge. This points to an overt message stating that attributes such as strength, cold practicality, efficiency, action, decisiveness, and rationality – all stereo-typically masculine values – ultimately pay off and are rewarded. However, such an initial analysis may be meaningfully countered, overturned, and distrusted. Making use of feminist deconstruction, this essay argues that Mystic River’s superficial praise of stereotypical gender ideals is in fact undermined by tensions and contradictions beneath the surface of the text. This undermining in turn serves to criticize binary hierarchies at the very core of patriarchal ideology.

  • 98.
    Choi, Sun-Kyoung
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Kraften att älska, makten att tjäna: religion, emancipation och den kvinnliga skapande kraften i Jeanna Oterdahls sagor 1908–19272017Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation studies the Swedish author Jeanna Oterdahl (1879–1965), and the fairy tales and stories she wrote in the period 1908–1927. Oterdahl was a well-known Christian public intellectual in her day. Besides being an author, she worked as a teacher and a lecturer, and was importantly involved in a number of organizations for societal development, such as the Association of the Christian Social Life [Förbundet för kristet samhällsliv] and the Settlement Movement [Hemgårdsrörelsen].

    The purpose of this study is to investigate the religious elements in her fairy tales and stories, and to study how these elements relate to the ideology of the early Swedish women’s emancipation movement. This movement rejected the conservative Christian faith of the Lutheran State Church, and aligned itself with the liberal form of Christianity that, to a greater extent, recognized the equality of men and women before God.

    Part I deals with the Christian message of love and its relation to emancipatory elements in Otherdahl’s stories. The point of departure for the analysis is Bremer’s interpretation of the Virgin Mary’s response to God’s calling, "Behold, the Lord’s servant" [Se, Herrens tjänarinna] and its emancipatory meaning. The women of Oterdahl’s stories take the role of servants of the Lord – not Lords [Herrens tjänarinna, inte herrarnas]

    Part II studies the female characters’ quest for their true (female) selves and their true home where alienation between the sexes will cease to exist and a spiritual kinship can take its place. This true home need not necessarily be a physical place; it can be in the form of an idea or a faith in something higher – such as God – where the self can live and reach its full personal potential. Part II analyzes Oterdahl’s understanding of the female characters’ quest against the background of Emilia Fogelklou’s interpretation of the role of Eve in the Genesis creation narrative (presented in her work “Two fairy tales” [Två sagor]), and against the background of one of Oterdahl’s own lectures, “How We Create a Home” [Hur vi skapa ett hem].

    The study ends with a discussion of how the concepts of freedom and power figure in Oterdahl’s stories. “Freedom” in Oterdahl’s stories is not a pursuit of power, but has to do with the use of one’s special gifts and with service to others. Freedom, in other words, means to take on responsibilities not only in the private home, but also in the community. Fogelklou describes this as a “human cause” [människosak] – something for women and men to strive for together.

    By examining how the Christian message of love is expressed through the emancipatory efforts of the female protagonists in Oterdahl’s stories, the dissertation highlights a new dimension in her work, and puts in question the common description of her stories as reactionary. Reinterpreted against the background of the Christian concept of calling/vocation and the ideology of the early emancipationist movement, the seemingly reactionary stories can be understood as emphasizing the importance of women in a changing society.

  • 99.
    Cocq, Coppélie
    Umeå University, Faculty of Arts, Department of language studies.
    Johan Turi i paradoxernas skog: samisk litteratur som kulturell beväpning2009In: Provins - norrländskt magasin, ISSN 0280-9974, no 1, p. 41-48Article in journal (Other (popular science, discussion, etc.))
  • 100.
    Cocq, Coppélie
    Umeå University, Faculty of Arts, Humlab.
    Tuulikki Kurki & Kirsi Laurén (guest eds.), Folklore. Electronic Journal of Folklore, vol. 52, 2012, Borders and Life-Stories, ISSN 14060949, 144 pp: Review.2013In: Journal of Northern Studies, ISSN 1654-5915, Vol. 7, no 1, p. 98-100Article, book review (Other academic)
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