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  • 51.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    From the Árran to the Internet: Sami Storytelling in Digital Environments2013Inngår i: Oral Tradition, ISSN 0883-5365, E-ISSN 1542-4308, Vol. 28, nr 1Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    By examining instances of adaptation of Sami tales and legends to digital environments, this essay investigates new premises and challenges for the emergence of traditional narratives. The Internet is approached as a place of creation and negotiation for traditional storytelling, and this study illustrates how the potential of the Internet must be nuanced and interpreted in relation to offline practices regarding such materials and traditions.

  • 52.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Från berättare till författare: Johan Turis skrifter om landet i norr2017Inngår i: Sápmi i ord och bild: en antologi. 2 / [ed] Kajsa Andersson, Västra Frölunda: On Line , 2017, s. 528-543Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 53.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Indigenous voices on the web: folksonomies and endangered languages2015Inngår i: Journal of American Folklore, ISSN 0021-8715, E-ISSN 1535-1882, Vol. 128, nr 509, s. 273-285Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Examining categories created by Sami users on Twitter, this article investigates the advantages and limits of global social media for a small localized group. Folksonomies illustrate the empowering potential of Twitter as a site of performance for continuity of cultural practices, vernacular expressions, and "artistic communication in small groups" (Ben-Amos 1971).

  • 54.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Kampen om Gállok: Platsskapande och synliggörande2014Inngår i: Kulturella perspektiv - Svensk etnologisk tidskrift, ISSN 1102-7908, Vol. 23, nr 1, s. 5-12Artikkel i tidsskrift (Fagfellevurdert)
  • 55.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Mobile technology in indigenous landscapes2016Inngår i: Indigenous people and mobile technologies / [ed] Laurel Evelyn Dyson, Stephen Grant and Max Hendriks, New York: Routledge, 2016, s. 147-159Kapittel i bok, del av antologi (Fagfellevurdert)
  • 56.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Qaluyaarmiuni Nunamtenek Qanemciput / Our Nelson Island Stories:Meanings of Place of the Bering Sea Coast. Translated by AliceRearden. Edited by Ann Fienup-Riordan: Review2011Inngår i: Journal of Folklore Research ReviewsArtikkel, omtale (Annet vitenskapelig)
  • 57.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Reading small data in indigenous contexts: ethical perspectives2016Inngår i: Research Methods for Reading Digital Data in the Digital Humanities / [ed] Gabriele Griffin and Matt Hayler, Edinburgh: Edinburgh University Press, 2016, s. 111-125Kapittel i bok, del av antologi (Fagfellevurdert)
  • 58.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Recension: Atlantic Currents. Essays on Lore, Literature and Language. Red: Bo Almqvist och Liam Mac Mathuna. 2013. Dublin: University College Dublin Press.2014Inngår i: Arv. Scandinavian Yearbook of Folklore, ISSN 0066-8176, Vol. 70, s. 179-181Artikkel, omtale (Annet vitenskapelig)
  • 59.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Samiskt berättande2014Inngår i: Västerbotten, ISSN 0346-4938, Vol. 2, s. 3-7Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 60.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Savoirs traditionnels et traditions de recherche. Le folklore comme instrument politique et arme idéologique.2013Inngår i: L’image du Sápmi 2 / [ed] Kajsa Andersson, Örebro: Örebro Universitet , 2013Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 61.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Sámi storytelling as a survival strategy2012Inngår i: Rethinking Cultural Transfer and Transmission: Reflections and New Perspectives / [ed] Broomans, Petra; van Voorst, Sandra, Groningen: Barkhuis , 2012, s. 33-48Kapittel i bok, del av antologi (Fagfellevurdert)
  • 62.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    The hybrid emergence of Sámi expressive culture2013Inngår i: Hybrid media culture: sensing place in a world of flows / [ed] Simon Lindgren, London: Routledge, 2013, s. 51-66Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 63.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Traditionalisation for Revitalisation: Tradition as a Concept and Practice in Contemporary Sámi Contexts2014Inngår i: Folklore, ISSN 1406-0957, E-ISSN 1406-0949, Vol. 57, s. 80-100Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article investigates the use of ‘tradition’ as a concept in indigenous discourses and as a label of practices within revitalisation processes, using the case of the Sámi in Sweden as an example. By approaching emic applications of the concept, the article aims at emphasising processual and consequential aspects of ‘tradition’.

    This study illustrates how traditionalisation takes place through the processes of negotiation of identities, globalisation and authority, as well as through the institutionalisation of vernacular practices. It is a double-edged process, including and excluding, which is balanced with creative initiatives striving for keeping traditions alive rather than frozen in time.

  • 64.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Traditionella kunskaper och forskningstraditioner: samisk folklore som politiskt verktyg och ideologiskt vapen2015Inngår i: Sápmi i ord och bild: en antologi. 1 / [ed] Andersson, Kajsa, Västra Frölunda: On Line , 2015, s. 540-553Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 65.
    Cocq, Coppélie
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Tuulikki Kurki & Kirsi Laurén (guest eds.), Folklore. Electronic Journal of Folklore, vol. 52, 2012, Borders and Life-Stories, ISSN 14060949, 144 pp: Review.2013Inngår i: Journal of Northern Studies, ISSN 1654-5915, Vol. 7, nr 1, s. 98-100Artikkel, omtale (Annet vitenskapelig)
  • 66.
    Cocq, Coppélie
    et al.
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Heinerud, Jans
    Västerbottens Museum.
    Larsson, Thomas B
    Umeå universitet, Humanistiska fakulteten, Institutionen för idé- och samhällsstudier.
    Lindgren-Hyvönen, Britta
    Västerbottens Museum.
    Rock art in Sápmi: images and stories = guvvieh jïh soptsestidie = bilder och berättelser2014Bok (Annet (populærvitenskap, debatt, mm))
  • 67.
    Cocq, Coppélie
    et al.
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Lindgren, Eva
    Umeå universitet, Humanistiska fakulteten, Institutionen för språkstudier.
    Belancic, Kristina
    Umeå universitet, Humanistiska fakulteten, Institutionen för språkstudier.
    Vannar, Ingegerd
    Samiskt språkcentrum.
    Sparrok, Sylvia
    Samiskt språkcentrum.
    Förstudie: kartläggning av de samiska språken2015Rapport (Annet (populærvitenskap, debatt, mm))
  • 68. Cronqvist, Marie
    et al.
    Lundell, Patrik
    Snickars, Pelle
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper. Umeå universitet, Humanistiska fakulteten, Humlab.
    Inledning2014Inngår i: Återkopplingar / [ed] Marie Cronqvist, Patrik Lundell & Pelle Snickars, Lund: Lunds universitet , 2014, s. 9-28Kapittel i bok, del av antologi (Fagfellevurdert)
  • 69.
    Cronqvist, Marie
    et al.
    Lunds universitet.
    Lundell, PatrikLunds universitet.Snickars, PelleUmeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper. Umeå universitet, Humanistiska fakulteten, Humlab.
    Återkopplingar2014Collection/Antologi (Fagfellevurdert)
    Abstract [sv]

    Det bedrivs alltför lite mediehistorisk forsk­ning i Sverige. Mediehistoria kan – och bör – skrivas på många olika sätt. En ambition inom den kulturhistoriska medieforskning som presenteras i den kommande boken, Återkopplingar, är att genom ett breddat mediebegrepp och historisk sensi­bilitet uppdatera mediestudiet. Förnyelsen sker inte sällan i skärningspunkten mellan den ofta teknikdeterministiska mediearkeologin och den historiskt lika anspråksfulla som problematiska medialiseringsteorin.

    I denna bok presenteras 19 mediehistoriska texter som behandlar medieformer som skrivbord, papper, affischer, kassetter, fisheye­ linser, radio, telegraf, film, smarta telefoner, litografier, dagstidningar, mikrofilm, begagna­ de mp3­-filer, krigsbyten, biblioteksbyggnader och ölkrus. I boken presenteras en rad sam­tida perspektiv på förflutna medier – allt i form av en icke-­linjär växelverkan mellan nu och då – därav titeln: Återkopplingar.

  • 70. Degerstedt, Lars
    et al.
    Snickars, Pelle
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper. Umeå universitet, Humanistiska fakulteten, Humlab.
    More Media, More People—On Social & Multimodal Media Intelligence2017Inngår i: Human IT, ISSN 1402-1501, E-ISSN 1402-151X, Vol. 13, nr 3, s. 54-84Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The purpose of this article is to address some challenges facing media intelligence in general, and competitive intelligence in particular within an altered information landscape. To understand this new situation, the notion of social and multimodal media intelligence are introduced. With cases taken primarily from the Swedish media intelligence sector, we argue that data driven media intelligence today needs to pay increasing attention to new forms of (A.) crowd-oriented and (B.) multimedia-saturated information. As a subcategory of media intelligence, competitive intelligence refers to the gathering of publicly available information about an organisation or a company’s competitors—using it to gain business advantages. Traditionally such intelligence has implied a set of techniques and tools that transforms numerical or textual data into useful information for business analysis. Today, however, we argue that such techniques need to consider media alterations in both a social and multimodal direction. Our analysis hence offers a conceptual understanding of a rapidly evolving field, were methods used within media intelligence need to change as well. By presenting some findings from the so called CIBAS-project, we describe how Swedish organisations and companies rely on social networking structures and individual decision making as a means to increase rapid response and agile creativity. If competitive intelligence was traditionally based on insights gleaned from statistical methods, contemporary media analytics are currently faced with audiovisual data streams (sound, video, image)—often with a slant of sociality. Yet, machine learning of other media modalities than text poses a number of technical hurdles. In this article we use fashion analytics as a final case in point, taken from a commercial sector where visual big data is presently in vogue.

  • 71.
    Drucker, Johanna
    et al.
    University of California at Los Angeles.
    Svensson, Patrik
    Umeå universitet, Humanistiska fakulteten, Humlab.
    The Why and How of Middleware2016Inngår i: Digital Humanities Quarterly, ISSN 1938-4122, E-ISSN 1938-4122, Vol. 10, nr 2Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The presentation, publication and research platforms used for scholarly work in the Digital Humanities embody argument structures that are not always explicitly acknowledged. This article examines these platforms, and their protocols, as "middleware" that includes such purpose-designed projects as Omeka, and Scalar, and general purpose ones such as Drupal and PowerPoint, to ask how they embody rhetorical assumptions at every level of production (from back-end assumptions about what constitutes the smallest unit of discourse, to the front-end modes of presentation and organization of display). It extends the concept of middleware to include physical and social presentation spaces, activities (such as witnessing), to ask how these, also, perform the rhetorical activity of enunciation, positionality, and other discursive modalities.

  • 72.
    Edlund, Lars-Erik
    et al.
    Umeå universitet, Humanistiska fakulteten, Institutionen för språkstudier.
    Palm, Fredrik
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Diabas – nordisk ordgeografisk databas2012Annet (Annet (populærvitenskap, debatt, mm))
    Abstract [en]

    Diabas – North Germanic geolexical database

    Online database to explore, visualize words in North Germanic dialects with dynamic maps, tables etc. Login required, contact Authors for permission

  • 73.
    Efimova, Lilia
    et al.
    Novay.
    Hendrick, Stephanie F.
    Umeå universitet, Humanistiska fakulteten, Institutionen för språkstudier. Umeå universitet, Humanistiska fakulteten, Humlab.
    In search for a virtual settlement: an exploration of weblog community boundaries2004Konferansepaper (Fagfellevurdert)
    Abstract [en]

    This article suggests an alternative, non-linear approach to identifying traces of community in weblog networks. Further, this paper addresses the ethnographic problem of participation observation as one author was a member of the community and one was not. Significant differences in the reading of artifacts were addressed in relation to this problem. It was concluded in this paper that weblogs form networks with large periphery membership and a strong thematically-based core with ‘fuzzy’ or fluid boundaries. These fluid boundaries allow for membership in the periphery to incorporate bloggers who blog about similar themes, while maintaining a strong reciprocal thematically linked core.

     

  • 74.
    Ek, Sverker R
    et al.
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Ek, Marianne
    Palm, Fredrik
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Hjalmar Bergman: korrespondenser 1900-19302012Annet (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    Hjalmar Bergman (19/9 1883-1/1 1931) är en framträdande och särpräglad författarprofil i svensk litteratur under förra hälften av 1900-talet. Hans rika produktion omfattar inte bara romaner, noveller och dramer utan även sagor, filmmanuskript, radiopjäser och översättningar. Bergman var också en tämligen flitig brevskrivare. Hans korrespondens finns till stora delar bevarad på olika arkiv och bibliotek i in- och utlandet. Här har publicerats enbart breven till vänner och samtida kulturpersonligheter (se nedan). De presenteras digitalt som en samlad textcorpus. Samtliga brevformer som vykort, telegram, visitkort har medtagits. I de fall där originalbreven saknar angivelser av avsändningsort och/eller datum har dessa uppgifter tentativt kompletterats inom klammer.

    Publiceringen syftar till att vara en digital forskningsresurs där breven kan lokaliseras på flertal olika sätt. Dessutom sätts brev i kontext då man enkelt kan se vilka verk, personer m.m. som förekommer i varje brev.

    För att orientera sig i materialet finns ett antal ingångar:

    1. Utforska breven utifrån adressater
    2. Utforska breven utifrån vilka personer som förekommer i breven
    3. Utforska utifrån vilkav erk som är omnämnda i breven
    4. Utforska utifrån breven utifrån verkens genrer
  • 75.
    Ele, Carpenter
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Strategy and tactics of curating2009Inngår i: Time at work: CECAC 2008, Milan: Post Media Books , 2009Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 76.
    Engqvist, Carl-Erik
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Sanctum2018Inngår i: The Death Book / [ed] Micael Norberg, Umeå: Umeå Academy of Fine Arts , 2018, 1Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 77.
    Engqvist, Carl-Erik
    Umeå universitet, Humanistiska fakulteten, Humlab.
    The Sacredness of Performative Technology2010Inngår i: Konsttidningen Esitys, ISSN ISSN 1797-500x, nr 4Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 78.
    Eriksson, Maria
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper. Umeå universitet, Humanistiska fakulteten, Humlab.
    A Different Kind of Story Tracing the Histories and Cultural Marks of Pirate Copied Film2016Inngår i: Tecnoscienza: Italian Journal of Science & Technology Studies, ISSN 2038-3460, E-ISSN 2038-3460, Vol. 7, nr 1, s. 87-108Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Pirate copied objects are fiery artifacts that have caused much anxiety and debate. This article explores the cultural biographies of one particular type of such objects; digital pirate copied films. More specifically, it traces two neglected aspects of such object's life histories: their entanglement in systems of standardization and quality control, and the ways in which new types of aesthetics and narratives are inscribed (or added to) pirated audiovisual content. Paying close attention to the layered and multifaceted dimensions of digital pirate copied film, the paper approaches the act of pirate copying as a form of transfiguration, and suggests that pirated objects are much more than plain replications. By housing a multiplicity of material identities and by carrying (and being surrounded by) alternative narratives of production, the article argues that these objects intervene, disorient, and disrupt the power dynamics of cinematic circulation and ultimately serve to queer commodity spheres.

  • 79.
    Eriksson, Maria
    et al.
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Fleischer, Rasmus
    Stockholms Universitet, Institutionen för Ekonomisk historia och Internationella relationer.
    Johansson, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Snickars, Pelle
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper.
    Vonderau, Patrick
    Department of Media and Communication Studies, Martin Luther University Halle, Germany..
    Spotify teardown: inside the black box of streaming music2019Bok (Fagfellevurdert)
    Abstract [en]

    An innovative investigation of the inner workings of Spotify that traces the transformation of audio files into streamed experience. Spotify provides a streaming service that has been welcomed as disrupting the world of music. Yet such disruption always comes at a price. Spotify Teardown contests the tired claim that digital culture thrives on disruption. Borrowing the notion of "teardown" from reverse-engineering processes, in this book a team of five researchers have playfully disassembled Spotify's product and the way it is commonly understood. Spotify has been hailed as the solution to illicit downloading, but it began as a partly illicit enterprise that grew out of the Swedish file-sharing community. Spotify was originally praised as an innovative digital platform but increasingly resembles a media company in need of regulation, raising questions about the ways in which such cultural content as songs, books, and films are now typically made available online. Spotify Teardown combines interviews, participant observations, and other analyses of Spotify's "front end" with experimental, covert investigations of its "back end." The authors engaged in a series of interventions, which include establishing a record label for research purposes, intercepting network traffic with packet sniffers, and web-scraping corporate materials. The authors' innovative digital methods earned them a stern letter from Spotify accusing them of violating its terms of use; the company later threatened their research funding. Thus, the book itself became an intervention into the ethics and legal frameworks of corporate behavior.

  • 80.
    Eriksson, Maria
    et al.
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper. Umeå universitet, Humanistiska fakulteten, Humlab.
    Johansson, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    "Keep Smiling!": Time, Functionality and Intimacy in Spotify’s Featured Playlists2017Inngår i: Cultural Analysis, ISSN 1537-7873, E-ISSN 1537-7873, Vol. 16Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    As one of the world’s largest online music providers, the streaming service Spotify has a profound capacity to shape everyday realities through digital technology. This article explores how both openness and control are embedded in Spotify’s ways of delivering recommended playlists to users. After analyzing over 500 pre-designed playlists, we argue that Spotify’s music recommendations evoke individual freedoms and flexibilities, at the same time as they prescribe normative temporalities, neoliberal subjectivities, functional approaches to music, and monetizations of intimacy. Such tensions between freedom and control speak of the dual inheritance of the digital and its potential to both liberate and constrain human action.

  • 81.
    Eriksson, Maria
    et al.
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper. Umeå universitet, Humanistiska fakulteten, Humlab.
    Johansson, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Tracking Gendered Streams2017Inngår i: Culture Unbound. Journal of Current Cultural Research, ISSN 2000-1525, E-ISSN 2000-1525, Vol. 9, nr 2, s. 163-183Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    One of the most prominent features of digital music services is the provision of personalized music recommendations that come about through the profiling of users and audiences. Based on a range of “bot experiments,” this article investigates if, and how, gendered patterns in music recommendations are provided by the streaming service Spotify. While our experiments did not give any strong indications that Spotify assigns different taste profiles to male and female users, the study showed that male artists were highly overrepresented in Spotify’s music recommendations; an issue which we argue prompts users to cite hegemonic masculine norms within the music industries. Although the results should be approached as historically and contextually contingent, we argue that they point to how gender and gendered tastes may be constituted through the interplay between users and algorithmic knowledge-making processes, and how digital content delivery may maintain and challenge gender relations and gendered power differentials within the music industries. Seen through the lens of critical research on software, music and gender performativity, the experiments thus provide insights into how gender is shaped and attributed meaning as it materializes in contemporary music streams.

  • 82. Fickers, Andreas
    et al.
    Snickars, Pelle
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper. Umeå universitet, Humanistiska fakulteten, Humlab.
    Williams, Mark J.
    Editorial Special Issue Audiovisual Data in Digital Humanities2018Inngår i: View : Journal of European Television History and Culture, E-ISSN 2213-0969, Vol. 7, nr 14, s. 1-4Artikkel i tidsskrift (Fagfellevurdert)
  • 83. Fleischer, Rasmus
    et al.
    Snickars, Pelle
    Umeå universitet, Humanistiska fakulteten, Institutionen för kultur- och medievetenskaper. Umeå universitet, Humanistiska fakulteten, Humlab.
    Discovering Spotify – A Thematic Introduction2017Inngår i: Culture Unbound. Journal of Current Cultural Research, ISSN 2000-1525, E-ISSN 2000-1525, Vol. 9, nr 2, s. 130-145Artikkel i tidsskrift (Fagfellevurdert)
  • 84.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Deconstructing Oedipus: Woody Allen's Mighty Aphrodite and the classical tradition2017Inngår i: The reception of ancient virtues and vices in modern popular culture: beauty, bravery, blood and glory / [ed] Eran Almagor and Lisa Maurice, Leiden and Boston: Brill Academic Publishers, 2017, 11, s. 167-186Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    The chapter examines the philosophical dichotomy between Hellenism and Hebraism in order to show how Mighty Aphrodite may be seen as a contemporary example of merging cultural identities, previously thought in contradiction to one another. Allen's reiteration of Oedipal references may be read as a dismantling of Classical Hellenic culture and a rearrangement intended for a 21st century New York setting. Allen constructs a fictional tragic space that is embedded in the main plot and that manifests itself in the form of tragic dramaturgy and scenic conventions.

    Against this backdrop, Allen's overall use of classical tradition may be considered self-referential: it points out to the director's own understanding of classical culture as a twenty first century Jewish New York film director. Ancient cultural forms mingle with contemporary film and mirror 'the two way relationship between the source text or culture and the new work and receiving elements'. Abort of their original context of antiquity, ritual, drama and myth, tragedy and the very figure of Oedipus are (paradoxically) cinematically deconstructed as humorous, and are granted a place within contemporaneity, finding a specific leeway of expression in classical Hollywood film narratives. The film is a commentary on the potentials of reinstating dominant structures of classical reception per se: Oedipus may become Anti-Oedipus, tragedy may turn into comedy and binary structures such as Hellenism and Hebraism may mingle together in perfect harmony.

  • 85.
    Foka, Anna
    Umeå universitet, Samhällsvetenskapliga fakulteten, Umeå centrum för genusstudier (UCGS). Umeå universitet, Humanistiska fakulteten, Humlab.
    (Digital) Bread and Circuses: Reframing Ancient Spectacle for Different Screens2014Inngår i: Digital Humanities Australasia 2014: Expanding Horizons / [ed] Paul Arthur, The University of Western Sydney Linda Barwick, University of Sydney Craig Bellamy, University of Melbourne Katherine Bode, Australian National University Erik Champion, Curtin University Arianna Ciula, EADH, London, UK Hugh Craig, Newcastle University Jenni Harrison, University of Western Australia Brett D Hirsch, University of Western Australia Jane Hunter, University of Queensland John Hartley, Curtin University Jo Hawkins, The University of Western Australia Philip Mead, The University of Western Australia Renee Newman-­‐Storen, Edith Cowan University Ian Johnson, University of Sydney Nagasaki Kiyonori, The University of Tokyo, Japan Gavan McCarthy, University of Melbourne Sydney Shep, Victoria University Wellington, NZ Tim Sherratt, National Museum of Australia Harold Short, Kings College London, UK James Smithies, University of Canterbury, NZ Nick Thieberger, The University of Melbourne Deb Verhoeven, Deakin University, Perth, Western Australia, 2014Konferansepaper (Fagfellevurdert)
    Abstract [en]

    It is commonplace that screen-based communication – i.e. TV, cinema, computer screens and ubiquitous devices is continuously mediating cultures (Galloway 2004, Giaccardi et al. 2012). Digital reconstruction is the process of graphically representing ideas and objects (Wileman: 1993). This process, however, requires a conceptual picture to be transferred to in a graphical medium. This paper focuses on the potentials of a conceptual digital construction of a Roman Amphiteatre for multiple screens. I argue that while current ‘historically accurate’ digital depictions of Roman amphitheatres are limited to lifeless and sanitized aerial 3D models, a more innovative, multisensory and participatory reconstruction of entertainment sites for multiple screens can elucidate our understanding of historically and geographically remote social and cultural concepts.

    I propose new methodological tools for generating discourses that add layers of understanding to our contemporary knowledge of the Roman spectacle. A participatory (embodied- tangible computing) and multisensory (sound and vision) digital recreation of a Roman amphitheatre (along the lines of Betts: 2009, Drucker: 2009, and Favro: 2006) can engineer deeper and constructive analyses of the dynamics and systemic operations regarding [ancient and current] popular entertainment. It can generate questions about the cultural and emotional context of ancient spectacle as well as the potentials and limitations set by our current technological grasp. It can further be applicable in research and education in order to anchor both ’traditional’ research questions, as well as the importance of multiplicity within institutional material infrastructure

  • 86.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Gender subversion and the early Christian East: reconstructing the Byzantine comic mine2015Inngår i: Laughter, humor, and the (un)making of gender: historical and cultural perspectives / [ed] Anna Foka and Jonas Liliequist, New York: Palgrave Macmillan, 2015, s. 66-83Kapittel i bok, del av antologi (Fagfellevurdert)
  • 87.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Introduction: Part I : Laughter, humor, and misogyny : reconsiderations and new perspectives2015Inngår i: Laughter, humor, and the (un)making of gender: historical and cultural perspectives / [ed] Anna Foka and Jonas Liliequist, New York: Palgrave Macmillan, 2015, s. 7-12Kapittel i bok, del av antologi (Fagfellevurdert)
  • 88.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Material Girls: Humor and Female Professional Seduction in Greek Literature and Culture2014Inngår i: Eugesta: Journal of Gender Studies in Antiquity, ISSN 2156-2253, Vol. 4Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Current scholarship typically views the ancient Greek prostitute/ courtesan figure as an artificially manipulated, sexualized body motivated by material profit. By examining fragments of Middle Comedy and their echoes in post-classical antiquity, this article proposes an alternative view of courtesans and prostitutes as professionals of emotional labor. Through narrative analysis, I show that the Greek comic portrayal of courtesans is multifaceted and not sufficiently illuminated by discussions of their subjectivity, aesthetic modifications, and greed but also extends to the realm of their emotions. Intersecting gender and humor theories with the concept of Emotional Labor (Hochschild 1983), I then argue that these figures can be seen to comically modify their appearance and behavior in order to reflect contemporary ideological and cultural standards of female sexual conduct. Viewing humor as a communicative tool for social hierarchies consequently facilitates a more complex analysis of attitudes towards the commercialization of bodies and emotions in Greek literature and culture.

  • 89.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab. Umeå universitet, Humanistiska fakulteten, Institutionen för idé- och samhällsstudier. Umeå universitet, Samhällsvetenskapliga fakulteten, Umeå centrum för genusstudier (UCGS).
    Queer heroes and action heroines: gender and sexuality in Spartacus2015Inngår i: Spartacus in the television arena: essays on the Starz Series / [ed] Michael G. Cornelius, Jefferson, North Carolina: McFarland, 2015, s. 1-220Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    Spartacus, the Thracian gladiator turned rebel leader, endures as a near-mythic hero who fought for the oppressed against a Roman oligarchy built on the backs of slave labor. The image of Spartacus as a noble if doomed avenger is familiar and his story has been retold through history as a cautionary tale about social injustice.The television series Spartacus takes a different view, with a violent depiction of the man and his times and a focus on the archetype of the gladiator—powerful, courageous and righteous. This collection of new essays studies the series as an exploration of masculinity.In the world of Spartacus, men jockey for social position, question the nature of their lives, examine their relationships with women and with each other, and explore their roles in society and the universe. The series also offers a compelling study of the composite nature of historical narrative in television and film, where key facts from original sources are interwoven with period embellishments, presenting audiences with a history and a fiction whose lines remain blurred by a distant yet all-too-familiar past.

  • 90.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Redefining Gender in Sword and Sandal: The New Action Heroine in Spartacus (2010-13)2015Inngår i: The Journal of popular film and television, ISSN 0195-6051, E-ISSN 1930-6458, Vol. 43, nr 1, s. 39-49Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Abstract: Spartacus (2010-13), although belonging to a genre comprised primarily of male-centered narratives about gladiators, redefines the genre's definition of heroism. Female characters in the TV series evolve from objectified females to strong and brave action heroines, thus marking the evolution of the perception of ancient female sexuality in popular culture.

  • 91.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Remixing Classics for the Screen: Woody Allen and the Classical Tradition2015Inngår i: Studia Oliveriana, ISSN 0562-2964, Vol. 1, s. 55-76Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Several films by Woody Allen (Interiors, Oedipus Wrecks, Match Point and Mighty Aphrodite) contain elements of classical tradition that have been neglected or oversimplified by film scholarship as references to the director’s personal engagement with psychoanalysis. Using Mighty Aphrodite (1995) as illustration, I argue that these films convey the expression of contemporary social issues through a complex and multi-layered reception of classical culture that goes beyond pure psychoanalysis. In Mighty Aphrodite, specifically, Allen deploys the strict formalism of tragedy and the myth of Oedipus as film mechanisms for contemporary societal discourse. Via evaluation of film and narrative, I demonstrate that Allen’s classical reception is self-reflexive as it refers back to the very processes of performative arts. Furthermore, Allen utilizes the classical tradition as a form of expression in contemporary classical Hollywood narratives and creates a rich cultural experience for his audience; a cinematic treatise on cultural remix, dramatic formalism and classical reception per se.  

     

  • 92.
    Foka, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    The digital aesthetic in 'Atlantis: the evidence' (2010)2018Inngår i: Ancient Greece on British television / [ed] Fiona Hobden and Amanda Wringley, Edinburgh, Scotland: Edinburgh University Press, 2018, s. 187-202Kapittel i bok, del av antologi (Fagfellevurdert)
    Fulltekst tilgjengelig fra 2021-05-31 11:09
  • 93.
    Foka, Anna
    et al.
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Arvidsson, Viktor
    Umeå universitet, Samhällsvetenskapliga fakulteten, Institutionen för informatik. Umeå universitet, Samhällsvetenskapliga fakulteten, Umeå centrum för genusstudier (UCGS).
    Digital gender: a manifesto: report on the research workshop: digital gender: theory, methodology, and practice2014Rapport (Annet vitenskapelig)
    Abstract [en]

    While early day Internet research often hailed “Cyberspace” as an arena where individuals would be liberated from the social shackles of their biological gender, a growing body of research makes evident the exaggerations present within these romanticized claims. Though the online gender divide is rapidly eroding, the Internet remains rooted in society at large. While digital technologies can challenge normative views, they therefore often maintain status quo. Consequently, there is a need to revisit old claims and challenge traditional notions of ”Digital Gender”. In this vein, this manifesto reports and synthesizes findings and discussions from an international workshop titled ”Digital Gender: Theory, Methodology and Practice”, held at Umeå University, Sweden, in early 2014. Against this backdrop, we chart out a new agenda for research on how the digital intermingle with the social in the production of gender. In particular, we argue that scholars must move past the idea of Internet as a separate – virtual – realm and direct attention to the increasingly complex ways that digital technologies permeate social practices, altering the very fabric of society itself. On the one hand, we stress the need for research that focuses on how particular Internet technologies help maintain as well as challenge normative views of gender. On the other hand, we stress the need to uncover how particular material properties of digital technology affect the (un)making of such views. Overall, we also stress the need for scholars of gender to move beyond binary oppositions and to be appreciative of intersectionality in their analyses of digital gender construction.

  • 94.
    Foka, Anna
    et al.
    Umeå universitet, Humanistiska fakulteten, Humlab. Umeå universitet, Humanistiska fakulteten, Institutionen för idé- och samhällsstudier.
    Arvidsson, Viktor
    Swedish Center for Digital Innovation. Department of Informatics, University of Oslo.
    Experiential Analogies: A Sonic Digital Ekphrasis as a Digital Humanities Project2016Inngår i: Digital Humanities Quarterly, ISSN 1938-4122, E-ISSN 1938-4122, Vol. 10, nr 2, artikkel-id UNSP 24Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Humanistic uses of digital technologies have opened up new ways to think about, communicate, and discuss historical research. The common use of digital tools to visually represent ancient cultures and sites, however, has also introduced new issues. For example, critics have argued that digital visualisations, largely synonymous with reconstruction in 3D models, often attempt to represent a photorealistic-artificial vision of the past, and may often prove to be a way to communicate history to a large(r) audience [Forte and Siliotti 1997]. Against this backdrop, this article will discuss precisely how technology may help immerse researchers into historically situated life, and radically advance historical research. Adding to related criticisms of ocularcentric traditions of knowledge production, we contribute to this stream of research by arguing that contemporary visual representations of the past often concentrate on visual representations and seemingly maintain antiquity as a sanitised historio-cultural ideal [Westin 2012] [Tziovas 2014]. More specifically, this article seeks to demonstrate the potential of digital humanities to move beyond mere representations on screen and to mobilize other senses (specifically sound) as a historically situated component for research. For this purpose, we focus on the abstract principles and overall methodology for a recreation of the experience of sounds in the Roman amphitheatre.

  • 95.
    Foka, Anna
    et al.
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Katerelou, Amalia
    Kelaidis, Katherine
    Xekalaki, Georgia
    Digital Archaeology? Greece on Focus: Tools, methodologies and trends2017Annet (Fagfellevurdert)
    Abstract [en]

    Archaeology is an interdisciplinary science, as it is a scholarly study of past processes that often combines space, place, natural science, materials and texts in its interpretation. Presently, the majority of practicing archaeologists include digital tools in their work (e.g. data keeping, digital mapping, visualization tools). And recently, digital visualization is trending beyond 3D modelling and landscape reconstruction and into the interactive, scientific visualization of data in order to render relations between geographies and cultures, sensory properties (Betts 2011, Betts 2017, Foka and Arvidsson 2016), external /internal networks and aerial visualizations. On an international level, we have come to speak of the notion of “cyber-archaeology” (Forte 2015): archaeological methods that utilize participatory technology to interact with past artefacts and spaces and to understand the past through reflection and cooperative efforts. Current digital tools and methodologies help capture and display knowledge about the past. While there is considerable room for improvement, both in terms of tools and of methodologies, from composing plain databases to visualizations intended for wider museum audiences, we address here the current progress within Greek archaeological practice and emphasize the importance of sustainable and updated digital research infrastructures in order to enhance access to materials for researchers and laypeople alike.

  • 96.
    Foka, Anna
    et al.
    Umeå universitet, Humanistiska fakulteten, Humlab. Umeå universitet, Humanistiska fakulteten, Institutionen för idé- och samhällsstudier. Umeå universitet, Samhällsvetenskapliga fakulteten, Umeå centrum för genusstudier (UCGS).
    Liliequist, JonasUmeå universitet, Humanistiska fakulteten, Institutionen för idé- och samhällsstudier. Umeå universitet, Samhällsvetenskapliga fakulteten, Umeå centrum för genusstudier (UCGS).
    Laughter, humor and the (un)making of gender: historical and cultural perspectives2015Collection/Antologi (Annet vitenskapelig)
    Abstract [en]

    A fresh look at longstanding questions, across a temporal range (classical antiquity to the early modern) and a geographical range (Asia to Europe, Islam to Christendom). The optimistic investigators find gender subversion, women's agency, and men's self-criticism in comic forms from high (Homer) to low (folklore, burlesque, jokes, cartoons), imagining a complex audience.

    Humor is the tendency of particular cognitive experiences to provoke laughter and provide amusement. Throughout history, it has played a crucial role in defining gender roles and identities. This collection offers an in-depth thematic examination of this relationship between humor and gender, spanning a variety of historical and cultural backdrops. Bringing together a medley of case studies diachronically and across cultures, the book examines gendered humorous expressions from classical antiquity to the late eighteenth century and across visual culture, literature and performance in both European and Asian premodern contexts.

  • 97.
    Foka, Anna
    et al.
    Umeå universitet, Humanistiska fakulteten, Humlab. Pufendorf Institute, Lund University, Sweden.
    Misharina, Anna
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Arvidsson, Viktor
    Gelfgren, Stefan
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Beyond humanities qua digital: Spatial and material development for digital research infrastructures2018Inngår i: Digital Scholarship in the Humanities, ISSN 2055-7671, E-ISSN 2055-768X, Vol. 33, nr 2, s. 264-278Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Universities around the world have increasingly turned to digital infrastructures as a way to revamp the arts and humanities. This article contributes a fresh understanding by examining the material development of HumlabX, a research laboratory for digital humanities at Umeå University, Sweden. Specifically, we approach the empirical case as a timeline of research funding, projects, events, and deliverables to examine how the research laboratory as an organizational and material space developed and evolved in relation to new technology investments. Based on our analysis, we argue that while digital research infrastructures can, indeed, stimulate innovation in and around research, aimed to produce new knowledge, digital technologies carry social and material implications that affect organizational processes. We show that while knowledge production processes at HumlabX were highly influenced by the infrastructural legacy of the past, they indeed directed scholars toward innovation. By discussing these implications in detail, we move beyond the debate of humanities qua digital, and demonstrate the need for scholars of digital humanities to engage in the development of policies for digital research infrastructures. Using a Swedish case study, we argue that research laboratories for the digital humanities must be scrutinized and should be fully exposed as socio-material organizations that develop, and should develop, over time. In particular, we stress the need to ensure that digital humanities laboratories are sustainable and open for redevelopment.

  • 98.
    Frangos, Mike
    Umeå universitet, Humanistiska fakulteten, Humlab.
    The future of disillusionment: Rushdie's Fury and the politics of time2013Inngår i: Journal of Commonwealth Literature, ISSN 0021-9894, E-ISSN 1741-6442, Vol. 48, nr 2, s. 237-252Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article reads the sense of futurity pervading Rushdie's Fury, particularly the depiction of a pre-9/11 New York in which the future is said to have already arrived, by placing Rushdie's depiction of globalization at the turn of the century in dialogue with theories of neoliberalism and space-time compression. Both in Fury and in his non-fiction works from this period (collected in Step Across This Line), Rushdie critiques neoliberal globalization as a utopian inflation of human expectations tinged with the foreboding sense of a coming catastrophe. In both Fury and the contemporaneously written New York Times opinion piece Two Crashes, the July 2000 crash of Concorde Flight 4590 illustrates not only the neoliberal drama of expectation and disappointment, but also the acceleration of daily life resulting from instantaneous and ubiquitous global media. Fury's meticulous and frenzied account of pre-9/11 New York may be read as an attempt to develop aesthetic strategies to capture a moment not only of increasing acceleration but also of the premonition of impending catastrophe. However, what distinguishes Fury from the attempt in previous novels such as Midnight's Children to poke holes in the utopian promises of nationalist ideologies is a sense of disillusionment with the aesthetic as an autonomous space from which to unmoor the subject's fixed coordinates in time and space. Instead, Fury is Rushdie's greatest creative risk (as he has described it in interview) precisely because of the sense of extreme close-up wherein the novel attempts to match neoliberalism's politics of time with its own aesthetics of speed, while at the same time losing the distance necessary for aesthetic reflection. From this point of view, the article reads Fury's conclusion as an ambivalent return to the literal and the secular in contrast to the utopian and apocalyptic.

  • 99.
    Frangos, Mike
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Transmedia Beckett: Come and Go and the Social Media Archive2013Inngår i: Adaptation, ISSN 1755-0637, E-ISSN 1755-0645, Vol. 6, nr 2, s. 215-229Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Becketts late works for film, theatre, and television approach the condition of installation pieces, minimalistic and iterative texts that resemble instruction manuals more than theatre. At the same time, these works are preoccupied with archival themes: personal and public memory, history, documents and their technical media. While his works interrogate the condition of archives, Becketts own archive is characterized by the increasing visibility in Becketts later texts of elaborate instructions, maps, and charts, as in the diagrams that fill the text of Quad. Yet, Becketts authorial control over his works became known for its insistence on media specificity, the reluctance to translate a work from one medium to another. Becketts extraliterary texts (as Gontarski and Chris Ackerly have described them) strive to become their own archive, not as a definitive version recorded in film or technical media, but as sets of instructions to be repeated, and thus capable of producing their own series of iterations. These iterations, in fact, characterize contemporary media archives, as they become organized according to the modular logic of a database over and against the temporal logic of the traditional archive. This essay conceptualizes the archive of Becketts works in a transmedia context in which concepts of work and author no longer function to authorize discrete versions of Becketts extraliterary texts.

  • 100.
    Garrison, Thomas G.
    et al.
    Umeå universitet, Humanistiska fakulteten, Humlab.
    Chapman, Bruce
    Houston, Stephen
    Roman, Edwin
    Garrido Lopez, Jose Luis
    Discovering ancient Maya settlements using airborne radar elevation data2011Inngår i: Journal of Archaeological Science, ISSN 0305-4403, E-ISSN 1095-9238, Vol. 38, nr 7, s. 1655-1662Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This report presents the results of using NASA/JPL airborne synthetic aperture radar data (AIRSAR) to detect ancient Maya settlements beneath jungle canopy in Guatemala. AIRSAR stands out from previous applications of radar remote sensing in the Maya lowlands because of its canopy-penetrating capabilities. The authors offer an overview of the AIRSAR technology, followed by a case study in which the AIRSAR data receive testing in the field. Reconnaissance in the region around the Maya site of El Zotz led to the discovery of two new sites, including the medium-sized settlement of La Avispa. AIRSAR also aided archaeologists in detecting zones of residential settlement around the site core of El Zotz. This research will serve as a guide for future applications of radar remote sensing in Maya archaeology. (C) 2011 Elsevier Ltd. All rights reserved.

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