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  • 701.
    Sisask, Florence
    Umeå University, Faculty of Arts, Department of language studies.
    Canon littéraire et exclusion: l'inscription des femmes écrivains du XIXe siècle dans les programmes scolaires littéraires français contemporains2010In: The literary Canon Approaches to teaching Literature in different Contexts / [ed] Florentina Samihaian, Bucuresti: Editura universitatii din Bucuresti , 2010, p. 31-36Conference paper (Other academic)
  • 702.
    Sisask, Florence
    Umeå University, Faculty of Arts, Department of language studies.
    Des cloisons tombent, des murailles se fortifient: Effets du décloisonnement sur la place des femmes écrivains dans les manuels de français des années 20002013In: Pour une histoire genrée des littératures romanes / [ed] Annette Keilhauer, Lieselotte Steinbrügge, Tübingen: Gunter Narr Verlag, 2013, p. 37-54Chapter in book (Other academic)
  • 703.
    Sisask, Florence
    Umeå University, Faculty of Arts, Department of language studies.
    Le canon littéraire en question: quelques réflexions comparatives2010In: Actes du XVIIe congrès des romanistes scandinaves / Actas del XVII congreso de romanistas escandinavos / [ed] Havu Jukka , Klippi Carita, Hakulinen Soili, Jacob Philippe, Santisteban Fernández José, Tampere: Tampere University Press , 2010, p. 1185-1198Conference paper (Other academic)
  • 704.
    Sisask, Florence
    Umeå University, Faculty of Arts, Department of language studies.
    Vers une redécouverte?: Petite enquête sur la place des femmes poètes du XIXe siècle dans l’histoire littéraire de la France2010In: Femmes poètes du XIXe siècle: une anthologie / [ed] Christine Planté, Lyon: Presses universitaires de Lyon , 2010, 2, p. 321-327Chapter in book (Other academic)
  • 705.
    Sjöstedt Wirén, Peter
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Ett litterärt experiment på temat maktspråk och härskarteknik2019Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Denna uppsats handlar om maktspråk och härskartekniker och hur de kan illustreras i en skönlitterär text. Syftet med uppsatsen är att prova hur maktspråk och härskartekniker kan uttryckas i skönlitterär text och hur det kan uppfattas av läsare.

    Experimentet består av två texter som handlar om utövande av maktspråk och härskartekniker. Huvudingredienserna i experimentet består i att skriva fram en kvinnlig karaktär som använder maktspråk och härskartekniker samt att skriva fram en karaktär som får läsarens sympati trots användandet av maktspråk och härskartekniker. Därefter provas texterna på ett antal läsare och deras reaktioner inhämtas genom en så kallad semistrukturerard intervju. Utöver experimenttexterna finns ett faktavsnitt och en analysdel.

    Resultatet av experimentet är i det första avsnittet positivt – den kvinnliga karaktären upplevs som trovärdig av läsarna. Resultatet av det andra avsnittet är negativt – karaktären får inte läsarnas sympati. Däremot upplevs karaktären i huvudsak som trovärdig.

  • 706.
    Solander, Tove
    Umeå University, Faculty of Arts, Department of language studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    "Creating the Senses": Sensation in the work of Shelley Jackson2013Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This monograph on the œuvre of contemporary American author and multimedia artist Shelley Jackson addresses the question of how literary works employ language to evoke sense impressions. Gilles Deleuze’s notion of aesthetic percepts is drawn on to develop a theory of literary phantom sensations which is then tested on the work of Jackson and related authors.  Although imperceptible as such, it is argued that percepts are made perceptible in art in sense-specific forms as phantom sensations. “Phantom” is not meant to indicate a pale shadow of real sensations but the intensely perceived realness of phantom limb phenomena, in accordance with Deleuze’s understanding of the virtual as real but not actual. For the sake of clarity, literary phantom sensations are divided into phantom smells, tastes, touches, sights and sounds, with a chapter devoted to each in turn. It is found that different phantom sensations serve different functions in Jackson’s work, correlated to the cultural history of the senses as outlined by recent sensory scholarship.  Phantom smells are associated with Deleuze’s concept of becoming due to their liminality. Phantom tastes contribute to an aesthetics of distaste in which shades of disgust are cultivated and drawn upon for literary effect. Phantom touch creates conceptual intimacy and invites the reader to handle words like toys in a game. Phantom sight is turned back upon itself in an anatomy of the eye. Phantom hearing is associated with forms of ventriloquism in which it is unclear who is speaking through whom and in which language itself throws its voice. However, it is also found that all phantom sensations similarly serve to create a material and affective connection between the body of the reader and the body of the text. Throughout the dissertation, Jackson’s work is read against and alongside that of other writers such as Djuna Barnes, Neil Bartlett, Brigid Brophy and Leonora Carrington. Together these form a trajectory termed minor writing for queers to come, which is meant to indicate that aesthetic and sexual-political  radicalism go hand in hand.  Furthermore, Jackson’s work is described as a form of body writing informed by feminist body art and écriture féminine. Specifically, Jackson takes her cue from early modern anatomical blazons and describes living bodies in pieces.  Her work is also described as object writing: a literary equivalent to surrealist object art.  A central method for making words more like things is to arrange her texts spatially rather than temporally, as exemplified by her electronic hypertexts.

  • 707.
    Solander, Tove
    Umeå University, Faculty of Arts, Department of language studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    Queerblivanden: försök till en queer-Deleuziansk litteraturläsning2012In: Queera Läsningar / [ed] Katri Kivilaakso, Ann-Sofie Lönngren och Rita Paqvalén, Hägersten: Rosenlarv förlag , 2012, p. 42-63Chapter in book (Refereed)
  • 708.
    Solander, Tove
    Umeå University, Faculty of Arts, Department of language studies. Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (UCGS).
    Signature scents: perfume and characterization in the contemporary novel2010In: The Senses & Society, ISSN 1745-8927, E-ISSN 1745-8935, Vol. 5, no 3, p. 301-321Article in journal (Refereed)
    Abstract [en]

    Perfume critique is an underdeveloped academic field and this includes considerations of perfume as a theme within other art forms such as literature. In this article, Angela Carter’s Wise Children and Monika Fagerholm’s Wonderful Women by the Sea are read alongside perfume blogs in order to analyze the significance of perfume references in the novels. It is demonstrated that the authors’ choice of perfumes for their characters plays a crucial part in their characterization, especially in relation to the theme of identity change. Using Alfred Gell’s analysis of perfume use as bound up with “the transcendence of the sweet life,” it is argued that female characters use perfume to become someone else, sometimes a past self. Furthermore, the use of perfume as a literary device in these novels is shown serve as the vehicle for a feminist critique of the division between “masculine” “high” and “feminine” “low” culture.

  • 709.
    Sperens, Jenny
    Umeå University, Faculty of Arts, Department of language studies.
    My Friend Is the Man: Changing Masculinities, Otherness and Friendship in The Good Soldier and Women in Love2017Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    This essay explores how masculinity is portrayed in The Good Soldier (Ford Madox Ford) and Women in Love (D.H Lawrence), and how Victorian and Edwardian masculinity ideals impact the friendships between the characters John Dowell and Edward Ashburnham and Rupert Birkin and Gerald Crich. The novels portray how hegemonic masculinity in Edwardian Britain changed from one type of masculinity, based on physical dominance, to include another, which drew on expert knowledge, capitalism and rationalism. In the texts, these masculinities are buttressed by the comparison to a male Other. In The Good Soldier, Edward Ashburnham stands for the ideals connected to dominance through his roles as landlord and soldier, and he is depicted as the “manlier” character in comparison to John Dowell. The same kind of coupling is found in Women in Love, where Gerald Crich represents both older ideals of dominance and newer ideals of expertise and rationality and Rupert Birkin is the relational opposite. Both Rupert Birkin and John Dowell are categorized as “not man” in the texts in order to emphasize that Edward Ashburnham and Gerald Crich are the “real” men. However, when the “manlier” characters have died both John Dowell and Rupert Birkin perpetuate masculine ideals, either by emulating hegemonic ideals or by redefining them. Furthermore, the Victorian and Edwardian conceptions of masculinity and male friendship inhibit the characters from forming emotionally close friendships. In both texts, emotional intimacy is portrayed as precarious and a more impersonal from of friendship that entails loyalty to a group or cause, camaraderie, is preferred. 

  • 710.
    Spurr, Tanja
    Umeå University, Faculty of Arts, Department of language studies.
    Fallible Fathers in Jane Austen's Mansfield Park and Pride and Prejudice2019Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Using Mansfield Park and Pride and Prejudice by Jane Austen, this essay will show how Sir Thomas and Mr Bennet fail in their role as fathers, related to expectations in the social context, and how their failure is necessary for the eventual marriages of the heroines, Fanny Price and Elizabeth Bennet. The fathers’ failure also leads to the elopement of Maria Bertram and Lydia Bennet. Sir Thomas and Mr Bennet’s failure is the result that comes from their need to counteract the overindulgence of Mrs Norris and Mrs Bennet. Judith Butler’s theory of gender performance will be used in this essay to show how Sir Thomas and Mr Bennet do not conform to their gender, as is shown through their repeated actions in the novels. The gender performance of these characters reveals the need for fluid gender roles for the happy ending. 

  • 711.
    Stoor, Krister
    Umeå University, Faculty of Arts, Centre for Sami Research. Department of language studies. Samiska studier.
    Sami Literature in 20072008In: Scandinavian Newsletter: A Literary and Cultural magazine, ISSN 0921-8653, no 12, p. 1-Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    High-quality Sami literature includes works published in any of the Sami languages. The Sami publishing houses cannot publish books without special grants or political support. Norway is most generous to provide cultural sponsorship. Sadly, Sweden is at the bottom of this list. However, one of the most interesting book in 2007 was published in Sweden by Ann-Helén Læstadius SMS från Soppero, which describes the second generation of children to the "escaped parents" who tried to hide their own ethnicity by moving south, leaving the Sami area.

  • 712.
    Strand, Karin
    Umeå University, Faculty of Arts, Comparative Literature and Scandinavian Languages.
    Känsliga bitar: Text- och kontextstudier i sentimental populärsång2003Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The dissertation is a study of a song type that was popular during the whole of the twentieth century: the sentimental schlager. As a sub-genre of the dance and high-spirited mainstream schlager these songs are characterized by nostalgia and sentimentality. In the tension between audience and critics they have come to represent a particular kind of popularity, regarded as attractive and moving by a broad and devoted public, but dismissed as ”kitsch” and in bad taste by the educated élite. The sentimentality itself as a mood and narrative form seems to constitute the watershed of valuation.

    The major question is what the ”sentimentality” really consists of in these songs. In order to answer this the text motifs, formal strategies and performance conditions of songs from the break-through of the sound media in the middle of the 1920s until the end of the 1950s are analyzed. The repertoires of three artists are studied, artists who – at various times and in different ways – worked within the genre: Sven-Olof Sandberg (1905-74), Bertil Boo (1914-96), and Gösta ”Snoddas” Nordgren (1926-81).

    Sven-Olof Sandberg was the singer and text-writer who introduced the sentimental schlager in Sweden. His emotional songs are analyzed with regard to four different spheres of motifs and topics that seem to have been particularly productive for the sentimental mood: the home of one’s childhood, the mother, existential reflections, and dreamy romanticism. The treatment of these motifs in the songs is analyzed, and they are historicized in relation to older forms of literature.

    The repertoires of Bertil Boo and ”Snoddas’” are clearly akin to that of Sandberg but their performances were very different from his urbane, bourgeois artist persona. Both appear in a post-war climate, when ”nature singers” and ”amateurs” became fashionable in the entertainment industry – a development by which they were not only favoured, but to which – to a great extent – they themselves contributed. In various ways these singers personify organic relationships with the landscape and the forest.

    In time, with growing modernization, we witness a sharpened nostalgia in the sentimental genre, now extended to the artist as representing a threatened lifestyle. This intensification occurs in parallel with important demographic changes and the spread of modern youth culture in the 1950s. Towards the end of the decade the sentimental schlager gradually disappeared from the mainstream of the soundscape. The music and its moods, however, continue to attract people

  • 713.
    Sundlöf, Sten-Ove
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Stilstudie - Katherine Mansfield och Stephen King2019Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    In this essay I will present a stylestudy of he New Zeeland born author Katherine Mansfield, 1888 - 1923 and american master of horror, Stephen King, born 1947. The main focus is to analyze how they use the literary tools of time, place and focalisation and to make a literary experiment where I practise the learnings I have made.  I will try to answer how the authors use time, place and focalisation in the novels? In my literary experiment, can I find the differences and similarities?

    I have studied two shortstorys: Katherine Mansfields The Garden Party and from Stephen King, 1922.I read my first short story from Mansfield and King more than twenty years ago and over the years they have stayed in my memory as strong and positive experiences of reading. My aim is to learn more about the author's style with special attention to time, place and focalisation.  The tools for this is studies of their works in connection to these three concepts and a literary experiment where I try to mimic the authors.

    In this my work I have found similarities and differencies between the two authors. Differencies coming from the different times when they write: Mansfield from early 1900  modernism and romanticism and King contemporary literature and horror. I have deepened my understanding of place and time and captured new knowledge about focalization, a term that was new to me as I started the course. Both authors write chronologically over different timespace (one day and a decade). They use dialogue, both internal and external. They switch between external nd internal/varied internal focalization wich makes the novels fascinating and intriguing. I have found that is is possible to cross the style of the tho authors and create a credible story.

  • 714.
    Svens, Christina
    Umeå University, Faculty of Arts, Comparative Literature and Scandinavian Languages. Drama-Teater-Film.
    Befrielsen är nära2006In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 36, no 3-4, p. 211-214Article, book review (Other academic)
  • 715.
    Svensson, Anette
    Umeå University, Faculty of Arts, Department of language studies.
    Samtiden enligt Jane Austen2013In: Västerbottenskuriren, ISSN 1104-0246, no 29 maj, p. 39-39Article in journal (Other (popular science, discussion, etc.))
  • 716.
    Swanstrom, Elizabeth
    Umeå University, Faculty of Arts, Humlab.
    Capsules and nodes & ruptures and flows: circulating subjectivity in Neal Stephensons's Snow Crash2010In: Science-fiction studies, ISSN 0091-7729, E-ISSN 2327-6207, Vol. 37, no 1, p. 54-80Article, book review (Other (popular science, discussion, etc.))
    Abstract [en]

    This article considers persistent tensions between encapsulation and penetration in the network systems of Neal Stephenson's Snow Crash (1993) that contribute to a networked sense of self, especially in relation to the role of the hacker, who has literal access to the human mind in the novel. The network structures depicted in Snow Crash offer a compelling way to think of subjectivity in circulation: neither completely tied to the Cartesian model (which describes identity as an indivisible soul or mind encapsulated within a physical body) nor to an excessively open model that treats subjectivity as a mass of societal affiliations with no roots or grounding. A subject in circulation is instead a complex, distributed network of embodied systems who exists in a state of perpetual flux of encapsulations, enclosures, ruptures, and flows.

  • 717.
    Söderberg, Eva
    Umeå University, Faculty of Arts, Comparative Literature and Scandinavian Languages.
    Askunge, madonna eller feminist?: kontextuella läsningar av Martha Sandwall-Bergströms Kulla-Gullasvit2004Doctoral thesis, monograph (Other academic)
  • 718. Söderberg, Eva
    et al.
    Österlund, MiaFormark, BodilUmeå University, Faculty of Arts, Department of historical, philosophical and religious studies.
    Flicktion: perspektiv på flickan i fiktionen2013Collection (editor) (Other academic)
  • 719.
    Söderberg, Janna
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Bindningar och lösningar: En studie kring tematiken bunden/löst i Lars Ahlins roman Fromma mord2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Lars Ahlins’ Fromma mord (Pious murder) is an incredibly complex novel. Is it even possible to say what the deepest sense is about? Erik A Nielsen and Gunnar D. Hansson has presented reasonable interpretations in their analysis of Fromma mord. However, they have not necessarily right to all points, hence it is possible to draw other conclusions. When I chose to explore the characters' strategies to liberate their ties, a relationship between the novels’ micro- and macro level was revealed, that had not been presented previously. The two issues underlying the basis for this essay are: 1) What are the different solutions Lilly, Agnes, Evangeline, Aron and Brinkman seek to be liberated from their ties? 2) Who is liberated and why? The method used for this analysis is a hermeneutic close reading of the novel Fromma mord. The results found were that the characters who were able to assert their needs and get others to cooperate with their strategies - had the best chance of becoming free. However, the most important condition for becoming liberated was that they could offload the money that tied them to Brinkman. Arons’ death was the last step that made a new future possible for Agnes, Roland, Lilly and Sven. The struggle of the characters at the novels’ micro level, was linked to the struggle between God and the devil at the novels’ macro level, through the allegorical dimension of the characters Aron and Brinkman. The essence of the whole novel is that all men are prisoners and that there is a battle going on, where even God is involved risking His own life.

  • 720.
    Tagaro Andersson, Anna
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Jag uppfinner en plats i dikten där vi kan vara tillsammans: En litterär studie i förlusten av ett modersmål2018Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The objective of this thesis is to examine how the bereavement of a mother tongue in various ways affects a person and how literature discusses this experience. How does literature reflect it and is it possible to identify any specific and recurring themes? Are there any similarities between the experience of migration and the experience of colonialism? What purpose does writing serve in this and how to describe the impact of language? Hopefully this thesis will contribute to a better understanding of the situation for newly arrived people and for persons living in Sweden with Swedish as a second language.

    The thesis has a postcolonial perspective as the focus is fiction dealing with a relocation from east to west. Earlier research and writings that has inspired is in particular the works by the two postcolonial theorists Franz Fanon and Sara Ahmed. The main source material for the study is literary works, e.g. the works of Jila Mossaed, Theodor Kallifatides, Athena Farrokhzad, Burcu Sahin and Yoko Tawada. The thesis is intentionally written in the form of an essay, suggesting the power of language and storytelling. The main objective of the thesis is to describe, rather than to arrive at a conclusion. One main focus is the author’s personal relation to the subject and to the Philippines and its colonial past.

    The literary works addressed in this study suggests that literature dealing with migration and language bereavement mainly focuses on a discussion about the relation between the native tongue and the new language, the relation between the metaphysical body and the new geographical location, about feelings of speechlessness and alienation that becomes physical. All these concurrent themes can be used as tools to define an experience that in many aspects is inconceivable. The thesis also identifies similarities between colonialism and migration, as both raise the question of inherit right to a place and a lifelong search for a place to call home. In this effort, writing is important and may function as an emancipatory lever to create new places.

  • 721. Tarkovskij, Andrej
    et al.
    Burman, Christo
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Apokalypsen som vision2010 (ed. 1)Book (Other (popular science, discussion, etc.))
    Abstract [en]

    The aim of this book is to discuss and exemplify the phenomenon of the Apocalypse in the works and thoughts of Andrei Tarkovsky (1932-1986).

    After an introduction in the first chapter, the first of the analytical chapters presents the life and works of Andrei Tarkovsky and looks at the apocalyptic motif in his oeuvre, as well as his thoughts and film aesthetics. The chapter also examines the term Apocalypse, which has accumulated a variety of meanings through the centuries, and the history of apocalyptic and post-apocalyptic fiction, mainly literature and film.

    The second analytical chapter focuses on Tarkovsky's film "Andrei Rublev" (1966), its historical context and narrative, and presents a substantially new reading of key scenes - especially the epilogue which shows details of several icons by S:t Andrei Rublev. The chapter also includes an introduction to icons and a short biography of S:t Andrei Rublev, in order to be able to relate the film to traditions in Russian art, aesthetics and intellectual history.

    Apart from the analytical chapters by Christo Burman mentioned above, the book contains Tarkovsky's essay on the Apocalypse from the 1984 lecture in St James's Church, London, an interview with the director on the subject of religion and belief (previously published in "Nytt Liv" 1985), a detailed filmography and the largest Swedish bibliography to date of material on Andrei Tarkovsky.

  • 722.
    Taylor, Marie-Anne Francoise
    Umeå University, Faculty of Arts, Department of language studies.
    The Function of Religion in Jane Eyre from a Feminist Viewpoint.2015Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This study is a literary analysis of Charlotte Brontë’s Jane Eyre, which focuses on how female and male characters approach religion. A stark contrast is presented between the two approaches - differing according to gender - which point to two different forms of religion. The novel highlights one form, the religion of the heart, as the superior form as it empowers women to achieve spiritual, mental and physical independence. The analytical approach is based upon Sandra Gilbert and Susan Gubar’s theory of imprisonment/escape as well as Carol Gilligan’s discussion of ethic of care and ethic of justice. Through these theories my study shows that the function of religion in the novel is not to discredit it, but to bring to the fore the disadvantages and benefits of religion. In the character Jane a biblical feminism is displayed which challenges the novel's patriarchal society.

  • 723.
    Tedebrand, Lars-Göran
    Umeå University, Faculty of Arts, Department of historical, philosophical and religious studies.
    Recension av Johan Lupander & Jan-Christian Lupander. Karelska näset 1944. Nordens öde avgörs. Norstedts 2012.2013In: OKNYTT. Tidskrift för Johan Nordlander-sällskapet, ISSN 0349-1706, no 1-2, p. 93-97Article, book review (Other academic)
  • 724. Thorup Thomsen, Bjarne
    Eyvind Johnson’s Hybrid North: Dynamics of Place and Time in Travelogues and Memory Sketches 1943–19632014In: Journal of Northern Studies, ISSN 1654-5915, Vol. 8, no 1, p. 19-36Article in journal (Refereed)
    Abstract [en]

    The article explores the depiction and understanding of the Swedish North in memory sketches and travelogues, published between 1943 and 1963, by the author Eyvind Johnson, who was born in 1900 in Svartbjörnsbyn in Sweden’s northernmost county, Norrbotten, and went on to win the Nobel Prize for literature in 1974. The overarching argument of the article is that a creative interplay between places, "traffic," time and memory in Johnson’s writing shapes a hybrid picture of the Swedish North as a dynamic, inclusive and multidimensional domain, making Johnson’s articulations of the North of heightened relevance today. While frequently preoccupied with the past, Johnson’s representations of the North are always also, explicitly or implicitly, grounded in a contemporary political, economic or environmental context, be it world-war preparedness, welfare development, cold-war crisis, or increased utilisation of natural resources. The article begins by focusing on memory sketches that belong to official antho-logies celebrating milestones in the history of administrative structures and demarcations in the North. In these contexts, Johnson operates as an ambassador for the North, while providing incisive, at times critical, perspectives on past and present in the region. Drawing on theories of travel writing as a hybrid and "freer" form of writing, the article goes on to discuss how Johnson in travelogues such as Winter Journey in Norrbotten (1955) and "Summer Diary from Norrbotten" (1963) journeys into contemporary landscapes and townscapes that, at the same time, contain the traces or contours of his personal past. In these texts, Johnson acts both as a child of the North and as a special reporter approaching from the South in order to familiarise external audiences with the region. The article concludes by demonstrating how Johnson in Winter Journey uses contexts and concepts of travel to explore the relationship more broadly between his literary activity and the northern experience. In its finishing argument, the article suggests that notions of hybrid creativity and "transport" of motifs, material and perspectives are key to Johnson’s literary practice and "programme" in relation to the Swedish North.

  • 725.
    Tillas, Anna
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Ska jag dig likna vid en sommardag? Soll’ metaforas tu bei sommardag?: Shakespeare på svenska och transpiranto2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 726.
    Tormod, Mats
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Till en berättelse om tröst: Eyvind Johnson omläst2012Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation is devoted to the Swedish author and Nobel Laureate Eyvind Johnson. The study involves a rereading of his oeuvre and an attempt to reformulate the prevailing picture of the author and his works.

    The study begins by discussing the image of Johnson, as he portrays himself and as he is viewed and talked about by others: readers, critics and researchers. The discussion leads to an attempt to understand what Foucault calls the author-function, as a web of narrative, internal and external, that of the author, the readers and the critics.

    Something that Johnson calls “truth” is important for his oeuvre. This is linked to the author’s experience and a duty to present testimony about reality, what Johnson would call documents. This reasoning leads to a discussion of different readings and the potential of cognitive values in fiction, and to an exploration of large and small themes, the general and the particular. Autobiographical texts as well as private correspondence with colleagues and friends are discussed from this perspective.

    Through studies of forgotten and buried or vanished layers – a method that could be called archaeological – the dissertation examines texts in Johnson’s oeuvre that have received less attention, often neglected or ignored. Early short stories, unsuccessful novels and rejected manuscripts can allow recurrent motifs and themes to stand out more clearly and indicate new ways to read the major canonical works in his oeuvre as well. Such themes are found to be abandonment and homosociality, sexuality and misogyny. Important but hitherto often neglected motifs become keys that open the novels to new, closer interpretations.

    Central features in the study are analyses of the novels Krilon, Strändernas svall (Return to Ithaca, London/New York 1952) and Några steg mot tystnaden. These particularly concern betrayal and being let down, often staged in a gender context. The dissertation leads up to a discussion of what in Johnsons works is reflections on a male, and ultimately also a human predicament. Different concepts are tested: male tragedy, melancholy, but the analysis finally settles on the term male pessimism.

    It is not Prometheus that represents Johnson but Sisyphus. One must endure, and perhaps imagine oneself happy. 

  • 727.
    Tormod, Mats
    Umeå University, Faculty of Arts, Comparative Literature and Scandinavian Languages.
    Utanförskap och identitet: en studie av Eyvind Johnsons roman Herr Clerk, vår mästare2006Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Med utgångspunkt från en analys av Eyvind Johnsons tidiga roman Herr Clerk, vår mästare och dess olika versioner, diskuteras författarens förhållande till det självbiografiska berättandet, den möjliga eller omöjliga konstruktionen av ett jag i och utanför texten.

    Det utanförskap som tematiskt karaktäriserar delar av Johnsons författarskap har som regel förståtts ur ett klassperspektiv. I Uppsatsen föreslås en läsart som öppnar också för andra perspektiv, särskilt kön och sexualitet.

  • 728. Tumini, Angela
    et al.
    Isaksson, Malin
    Umeå University, Faculty of Arts, Department of language studies.
    The Girl with the Dragon Tattoo, Lisbet Salander: Unique yet Familiar Female Hero2018In: Questions of Cultural Value: The London Film & Media Reader 5 / [ed] Phillip Drummond, London: The London Symposium , 2018, p. 206-219Conference paper (Refereed)
  • 729.
    Vallsten, Diana
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Djävulen bär Prada – eller sneakers: Paradigmens utstyrsel och budskap i The Devil Wears Prada2017Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    I denna uppsats genomför jag en närläsning av Lauren Weisbergers roman The Devil Wears Prada. Syftet är att undersöka kulturella paradigm och koder; hur de upprätthålls eller bryts genom betydelsebildande handlingar samt hur de manifesteras i huvudkaraktärens kläder. Min utgångspunkt är att det i moderna berättelser finns moraliserande och fostrande budskap till kvinnor där den kvinnliga identiteten genomgående kopplas samman med det yttre, såsom kropp och kläder. Dessa förhållanden analyseras och synliggörs med hjälp av semiologiska verktyg och performativitetsteorin. Jag finner att huvudkaraktärens utveckling på jobbet och dess konsekvenser i privatlivet följs av en yttre förvandling, där kläderna fungerar symboliskt för rådande paradigm och huvudkaraktärens position till det feminina. Huvudkaraktärens utveckling slutar i en ”gyllene medelväg” där hon representerar ”den gyllene medelkvinnan”. Romanen skildrar fostrande både inom paradigmens ramar och mot skapandet av det egna subjektet, och rymmer därför inläsning av flera olika budskap. 

  • 730.
    Vembar, Harini
    Umeå University, Faculty of Arts, Department of language studies.
    "Inside the Fat Woman, Trying to Get out": Louise Glück's Lyric Poetry and the Aesthetics of Anorexia2017Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    In How to Disappear Completely, Kelsey Osgood asserts that modern accounts of anorexia are often written in first person and glamorize the illness. Moreover, these memoirs are often written from the perspective of a healed body and thus, the authenticity of these memoirs is questionable. Or as Strawson argues, "telling and retelling one’s past leads to changes, shifts away from the facts" (Strawson 447). This trend is clearly observed in most narratives of anorexia nervosa, wherein the past is reinvented and reshaped.

    The anorectic’s story then, is a misrepresentation of the illness experience as the narratives are a fabricated reconstruction of the past. Addressing this issue, scholars such as Lawrence J Kirmayer and Josie Billington propose that rather than the narrative form, the lyric poem is better suited to capture illness experiences as "lyric poetry tends to emphasize simultaneity, evoking a moment of consciousness." (L. J. Kirmayer 20) .

    Drawing from current theories in medical humanities, my thesis analyses the lyric poems of Louise Glück on anorexia nervosa and asks the following questions – Is there an anorexic aesthetic in lyric poetry? How does the lyric form contribute to our understanding of the illness and finally, is the lyric form better suited to convey, understand, and examine the illness?

  • 731.
    Vesterlund, Liselotte
    Umeå University, Faculty of Arts, Department of language studies.
    Queering the Detective Novel2013Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Agatha Christie's novels have previously been studied for their intricate puzzles and her many ways of concealing the murderer and misleading the reader. Her novels may be considered two-dimensional, middlebrow and domestic with their confined, often rural settings, stereotypic characters and an almost complete lack of sex and violence.Thus, the texts of Christie are not what come to mind when thinking of queer theory.However, this does not mean that her texts cannot be queered.This essay explores the queer elements of the texts and provides a queer reading based on queer theory and gender theory. It becomes apparent that the queerness of Christie’s detective novels is formed from her convention-breaking style, her eccentric detectives and stereotypic characters in combination with an abundance of narrative clues pointing towards a less ordered universe beneath the traditional surface of English society. Superficially, Christie’s detective novels may seem to re-establish the status quo in society, although a closer look will reveal that it is not so. Central to her narratives are the detectives, who are operating outside of the legal system, thus introducing social disorder by circumventing police, judge and executioner. Moreover, her stereotypic characters are all performers, presenting a persona, a disguise. This stereotyping is accomplished through irony and humour, in other words camp, with the detectives performing gender in an almost drag-like manner.This essay has merely glanced at ways of queering Christie’s detective novels and future studies could make a more in-depth study of ways in which Christie’s text can be queered, thereby changing our understanding of her texts.

  • 732.
    Wall, Malin
    Umeå University, Faculty of Arts, Department of language studies.
    "If it hurts, why don't you cry?": How the characters in the novel heal from the atrocities of slavery through the return of Beloved.2014Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 733.
    Widén Lilja, Carl
    Umeå University, Faculty of Arts, Department of language studies.
    "[F]rom dark to dark": Deconstruction and Abjection in Cormac McCarthy's The Road2012Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    This essay presents a reading of Cormac McCarthy’s The Road from a dual theoretical outlook. Jacques Derrida’s deconstruction and Julia Kristeva’s theory of abjection both employ the Platonic concept of khôra/chora as a ‘site’ that lies beyond language. Based on these theories, the essay explores how the post-apocalyptic narrative of The Road is aimed at the limits of language. The first section of the essay is focused on deconstruction, which is enacted by way of thematic criticism. The narrative is interpreted in the light of a series of central deconstructive concepts. The post-apocalyptic world filled with ashes provides a metaphor for the Derridean view of language as a structure of cinders – ashes – that are held in the ‘receptacle’ of khôra. Both tropes of absence, cinders and khôra make up the structure of language that is characterized by expectation; it is, Derrida has claimed, a messianic structure that awaits the coming of something wholly other beyond language. Answering the expectation inherent in the ashen structure, the boy of the narrative emerges as a messianic figure who is wholly other, as is seen in his morality that differs from that of the survivors of the apocalypse, as well as that of the pre-apocalyptic society. In the second section of the essay, the narrative is explored from the perspective of Julia Kristeva’s theories of abjection, especially as interpreted by Barbara Creed in the analysis of horror texts. It is argued that the horrors of The Road are represented in different figurations of the maternal. For the protagonists, literal and figurative wombs are sources of abject horror, and the main maternal figure of the narrative, the wife/mother of the protagonists, is conflated in the unnamed man’s dreams with the abject monster in the cave-dream in the opening of the narrative.  

  • 734.
    Wikström, Jenny
    Åbo Akademi.
    Fotografiet bleknar, hon försvinner: materia, begär och Gilles Deleuzes litteraturfilosofi i Henry Parlands Sönder2013Book (Other academic)
  • 735.
    Wikström, Jenny Jarlsdotter
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Det perikapitalistiska landskapet: Svampar befolkar ruinerna i Anna Tsings manual för en ny kapitalismkritik2017In: Sensorium Journal, ISSN 2002-3030, Vol. 2Article, book review (Other academic)
  • 736. Wischmann, Antje
    Performing Space—A Modernist Hembygd : An Exploration of Sara Lidman’s Works2014In: Journal of Northern Studies, ISSN 1654-5915, Vol. 8, no 1, p. 37-66Article in journal (Refereed)
    Abstract [de]

    Dieser Beitrag über das ‚modernistische Heimatdorf’ in Sara Lidmans Werk bzw. ‚die Heimat des Lidmanschen Werkes im literarischen Modernismus‘ baut auf der Erfahrung eines Aufenthaltes in Missenträsk auf (März 2013). Im Geburtshaus der Dichterin habe ich mich von den konkreten und textlichen Spuren des Ortes leiten lassen, eine Auswahl von Werken gelesen und mich, als deutsche Literaturwissenschaftlerin und Touristin, einem biographischen und atmosphärischen Experiment ausgesetzt. Vor diesem Hintergrund setzt sich die Werkauswahl aus den beiden ersten Romanen (1953, 1955) und dem zweiten Teil der Romanserie Jernbanan (1983–1999) zusammen, die einen starken regionalen Bezug aufweisen. Hinzu kamen einer der sogenannten Afrika-Romane, Jag och min son (1961), und das Protokoll-Buch Gruva (1968), die den dörflichen Horizont zwar klar überschreiten, aber dennoch gemeinsame thematische Komponenten und verwandte erzähltechnische Gestaltungsmittel aufweisen.

    Die mehrfache Fokalisierung ist eines der Verfahren Lidmans, die für einen eigenartigen Übergang zwischen der Wahrnehmungsposition von impliziter Erzählinstanz und den jeweils involvierten Figuren sorgt. Auf diese Weise wird das ‚biograpische Interesse‘ der Lesenden immer wieder geweckt, die häufig eine Sprachrohrfigur vorzufinden meinen, aber niemals Klarheit über die jeweilige Parteinahme gewinnen können. Zugleich wird eine geschlechtsspezifische Zuordnung der Perspektiven verunsichert, denn der weiblich und der männlich konnotierte Blick können gleichzeitig zur Anwendung kommen.

    Trotz meiner biographischen Neugier, die auf die atmosphärische Wirkung von Missenträsk zurückgeht, liegt der Schwerpunkt der vorliegenden Analyse auf der sprachlichen Konstruktion des Heimatdorfes. Diese Verankerung in der mündlichen Sprache (als sprachlich erzeugter Ort) weist ebenso deutlich eine eigene Historizität auf wie der regional-, kultur-und mediengeschichtliche Wandel Norrlands. Nimmt man eine distan-zierte, ethnographische Haltung ein, wie sie Lidman selbst in der Serie Jernbanan nahelegt, ergibt sich eine Neubewertung der Kombinationen von historischen, auch dialektalen sprachlichen Registern: Dieses Verfahren zielt darauf ab, dass die Lesenden im performativen Nachvollzug die Kon-flikte zwischen den staatlichen Institutionen und Akteuren und den neuen Siedlern in Norrland erfahren können. Diese in der gesprochenen Sprache der Lokalbevölkerung aufgeführten sozialen und psychischen Konflikte hinterlassen Spuren in den Träumen, Gedanken, Dialogen, Lektüren und Texten. Der historische Ort erscheint vornehmlich als ein Konglomerat, das die mündliche Rede von Zeitzeugen hervorgebracht hat.

    Die Erzählinstanz nimmt sich der vielstimmigen Figurenrede an und dokumentiert den historischen Sprachgebrauch, unabhängig davon, ob ein realistischer oder phantastischer Code zur Geltung kommt. Häufig taucht das Motiv einer verzerrten Nachahmung auf. Dies kann als programmatischer Hinweis auf eine Ästhetik einer formalen, hier performativen und narrativen Mimesis gedeutet werden, die besonders klar den Nexus von sprachlichen und sozialen Handlungen herausstellt. Sprechen ist Handeln. Das Glossar, das den ländlichen Dialekt und Soziolekt ins Hochschwedische überträgt, unterstreicht ebenfalls das sprachliche Handlungspotential, das unmittelbare soziale und politische Effekte herbeiführen kann. In der Serie Jernbanan werden die stilistischen Kollisionen zugespitzt, wobei lautliche und syntaktische Mittel hinzutreten. Dies ist als prosalyrisches Verfahren gedeutet worden, kann aber auch der nachdrücklichen Betonung der inszenierten mündlichen Rede in ihrem Vollzug dienen.

  • 737.
    Åstrand, Rickard
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Att ställa sin estetik på intet: En studie av modernistisk prosaestetik i Thorsten Jonssons roman Konvoj2018Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The focus of this essay lies on examining the modernistic aesthetics of prose in Thorsten Jonsson’s novel Konvoj (1947). When Walter Benjamin wrote ”The Work of Art in the Age of Mechanical Reproduction” he proved that new technological inventions affected the reception of art. By studying Konvoj in light of Benjamin’s theory, this study indicates that the technology of modernity affects the narrative and the use of metaphors in the novel. In addition I want to investigate how Konvoj can be studied through the theories of Marshall Berman, Theodor W. Adorno and Anthony Giddens, and this by envisioning the modernistic prose as a response to the 19th century modernity. This study illustrates that the style and the narrative aspects of the novel can be understood through modernity, and that the plot (and the characters) are all affected by it. The protagonist of the novel, Antoni Borowski, becomes an object when he is caught in a situation he can’t control, but also a subject when caught in situations he is capable of taking control of. The analysis shows that Konvoj is not only an innovative and an experimental novel in terms of its narrative, but also a novel in which the distinction between nature and culture affects the protagonist Borowski with confusion and alienation.

  • 738.
    Åstrand, Rickard
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Han fattas mig: En studie av poetisk sorgeframställning hos Bodil Malmsten och Elisabeth Rynell2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This essay examines how grief is created and expressed in the poetry collections Det här är hjärtat by Bodil Malmsten and Nattliga samtal by Elisabeth Rynell. Based on a theory that emotions are created in a contact between subject and object, it appears in the survey that narrator in each collection of poems expressing and handles grief differently. The narrator in Det här är hjärtat is static and will never come out of grief while the narrator in Nattliga samtal is dynamic and moves on from sorrow.

  • 739.
    Åström, Berit
    Umeå University, Faculty of Arts, Department of language studies.
    "Let's get those Winchesters pregnant": Male pregnancy in Supernatural fan fiction2010In: Transformative Works and Cultures, ISSN ISSN 1941-2258, Vol. 4Article in journal (Refereed)
    Abstract [en]

    This article investigates mpreg slash fiction—same-sex relationships featuring male pregnancy—based on the television series Supernatural, looking at issues of gender and genre. It has been argued that slash writing is a highly subversive and resisting activity, appropriating someone else's characters and rewriting the romance script to suit different tastes than those prescribed by patriarchy. Yet fan fic texts are very diverse and it is difficult, if not impossible, to draw any general conclusions from them. The theme of male pregnancy has the potential to produce narratives that challenge our notions of gender, identity, sexual and social practices, as well as parenthood. Although the fan fiction I have analyzed all deals with these notions in various ways, the focus lies elsewhere. The authors of the texts focus more on exploring Sam and Dean as fathers and homemakers, on writing about family life, with all its traditional trappings. When the authors bring pregnancy into the equation, they draw on narrative and social conventions that follow this experience, resulting in conventional stories set in a very unconventional universe

  • 740.
    Åström, Berit
    Umeå University, Faculty of Arts, Department of language studies.
    Post-feminist fatherhood and the marginalization of the mother in Cormac McCarthy's the road2018In: Women - A Cultural Review, ISSN 0957-4042, E-ISSN 1470-1367, Vol. 29, no 1, p. 112-128Article in journal (Refereed)
    Abstract [en]

    Critics have tended to dismiss feminist analyses of Cormac McCarthy's works as misguided, labelling investigations of potential narrative misogyny in his novels as irrelevant. In this article, the author argues that such investigations are, on the contrary, highly relevant in the current climate of mother-blaming. The author specifically explains how McCarthy’s 2006 dystopian novel The Road uses post-feminist fatherhood to valorize the father and vilify the mother, thus participating in a continuing cultural trend of privileging fathers over mothers. The Road invokes traditional cultural expectations of motherhood and fatherhood, presenting the mother as unable and unwilling to care for the boy, in stark contrast to the very competent and able father. Many literary analyses of this highly acclaimed novel have unquestioningly accepted the post-feminist marginalization of the mother, and critics have elaborated on and developed the mother-blaming in the novel in a move that the author terms ‘critical co-writing’. Critical co-writing occurs when critics ally themselves with an author, rather than retaining a critical distance, and represent the author's ideas without problematizing them. In the case of The Road, many critics build on post-feminist cues in the novel, adding their own, unreflected, understandings of motherhood and fatherhood. In so doing, they reinterpret and rewrite the novel into an even more forceful presentation of flawed mothering. In a critical discussion of these readings, the author demonstrates how these critics transform the novel's implicit criticism of the mother character into explicit condemnation.

  • 741.
    Åström, Berit
    Umeå University, Faculty of Arts, Department of language studies.
    Referred pain: privileging male emotions in narrative instances of female physical suffering2011In: Journal of Gender Studies, ISSN 0958-9236, E-ISSN 1465-3869, Vol. 20, no 2, p. 125-137Article in journal (Refereed)
    Abstract [en]

    This article analyses literary patterns of female subordination, and focuses in particular on what the author terms "referred pain." By juxtaposing two early modern texts, William Shakespeare's Titus Andronicus and Aphra Behn's Oroonoko, with two modern visual texts, John Woo's Mission Impossible 2 and Baz Lurhman's Moulin Rouge, the author discusses the recurring trope of privileging male emotional suffering over female physical suffering, and suggests that one reason for the continuing popularity of this can be sought in the kinship system and its exchange of women. The article argues for the application of a transhistorical perspective when studying literature, as a means of revealing patterns that may otherwise go unnoticed.

  • 742.
    Åström, Berit
    Umeå University, Faculty of Arts, Department of language studies.
    "Sucking the Corrupte Mylke of an Infected Nurse": regulating the dangerous maternal body2015In: Journal of Gender Studies, ISSN 0958-9236, E-ISSN 1465-3869, Vol. 24, no 5, p. 574-586Article in journal (Refereed)
    Abstract [en]

    Drawing on medieval medical encyclopaedias, early modern and Victorian advice books, as well as twentieth scientific advice to mothers, and linking them to present-day mothering discourse in the media, this article discusses cultural attitudes towards breast-milk and nursing mothers. The texts present a paradox in that while breast-milk is claimed as the best food for an infant, and mothers who choose not to nurse are vilified, it is simultaneously discussed as a potential poison and corrupting agent. I argue that the fear of breast-milk is a symptom of a cultural anxiety that periodically resurfaces, constructing the maternal body as threat to the infant, a threat that must be controlled and contained.

  • 743.
    Åström, Berit
    Umeå University, Faculty of Arts, Department of language studies.
    The Politics of Tradition: Examining the History of the Old English poems The Wife's Lament and Wulf and Eadwacer2008Book (Other academic)
    Abstract [en]

    Book Description:

    In recent years, Anglo-Saxonists have widened the scope of their studies to include not only various aspects of Anglo-Saxon society and literature, but also their own discipline. Studying the scholarship on The Wife's Lament and Wulf and Eadwacer, Åström examines the roles of these scholars in the critical history of the two poems. These poems are two of the most haunting, and at the same time cryptic, texts of the entire Old English corpus. Because of these characteristics, the research they inspire is wide-ranging, imaginative and provocative. The study focuses mainly on two aspects of scholarly research: the emergence of a professional identity among Anglo-Saxonist scholars and their choice of either a metaphoric or metonymic approach to the material. A final chapter charts the concomitant changes within Old English feminist studies. The study summarises the approaches to points of ambiguity in the poems and provides a comprehensive bibliography of twentieth century scholarship on the two texts, which should make it not only a concise introduction to the field of Old English studies, but also a useful work of reference for anyone wishing to pursue further research on the poems.

  • 744.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Arbetarlitteraturen och gestaltningsproblemet: exemplet Karl Östman2011In: Från Nexø till Alakoski: aspekter på nordisk arbetarlitteratur / [ed] Bibi Johnson, Magnus Nilsson, Birthe Sjöberg, Jimmy Vulovic, Lund: Litteraturvetenskap, Språk och litteraturcentrum, Lunds universitet , 2011, p. 35-45Chapter in book (Other academic)
  • 745.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Att pröva bilderna-Vadan och varthän?2008In: Våra favoriter bland Viktor Rydbergs dikter / [ed] Birthe Sjöberg, Lund: Språk och litteraturcentrum, Lunds universitet , 2008, p. 6-Chapter in book (Other (popular science, discussion, etc.))
  • 746.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    "Att sjunga opp landet": Norrland och gestaltningsproblemet2010In: Regionernas bilder: estetiska uttryck från och om periferin / [ed] Heidi Hansson, Maria Lindgren Leavenworth, Lennart Pettersson, Umeå: Institutionen för språkstudier , 2010, 1, p. 29-38Chapter in book (Other academic)
  • 747.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Berättelserna och populärkulturen2008In: Ungdomskulturer - äger eller suger?: möjliga möten inom svenskämnet / [ed] Madeleine Ellvin och Lena Holmbom, Stockholm: Natur och kultur, 2008, p. 93-106Chapter in book (Other academic)
  • 748.
    Öhman, Anders
    Umeå University, Faculty of Arts, Comparative Literature and Scandinavian Languages.
    Bilden och rummet: Reflexioner över Bachtins kronotop-begrepp2006In: Dialogens tenker: Nordiske perspektiver på Bakhtin, Spartacus forlag, Oslo , 2006, p. 359-Chapter in book (Other academic)
  • 749.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Den historiska romanen och äventyret2016In: Veritas. Viktor Rydberg-sällskapets tidskrift, ISSN 0284-6462, no 31, p. 39-52Article in journal (Other academic)
  • 750.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Det "egentliga" Norrland: att se och att se tillbaka2017In: Brännpunkt Norrland: perspektiv på en region i förändring / [ed] Anders Öhman & Bo Nilsson, Umeå: Bokförlaget h:ström - Text & Kultur, 2017, p. 119-139Chapter in book (Other academic)
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