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  • 701.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Berättelserna och populärkulturen2008In: Ungdomskulturer - äger eller suger?: möjliga möten inom svenskämnet / [ed] Madeleine Ellvin och Lena Holmbom, Stockholm: Natur och kultur, 2008, p. 93-106Chapter in book (Other academic)
  • 702.
    Öhman, Anders
    Umeå University, Faculty of Arts, Comparative Literature and Scandinavian Languages.
    Bilden och rummet: Reflexioner över Bachtins kronotop-begrepp2006In: Dialogens tenker: Nordiske perspektiver på Bakhtin, Spartacus forlag, Oslo , 2006, p. 359-Chapter in book (Other academic)
  • 703.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Den historiska romanen och äventyret2016In: Veritas. Viktor Rydberg-sällskapets tidskrift, ISSN 0284-6462, no 31, p. 39-52Article in journal (Other academic)
  • 704.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Det "egentliga" Norrland: att se och att se tillbaka2017In: Brännpunkt Norrland: perspektiv på en region i förändring / [ed] Anders Öhman & Bo Nilsson, Umeå: Bokförlaget h:ström - Text & Kultur, 2017, p. 119-139Chapter in book (Other academic)
  • 705.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Digital och traditionell läsning: hypertexter, modernism, inlevelse2017In: Digital humaniora: humaniora i en digital tid / [ed] Per-Olof Erixon & Julia Pennlert, Göteborg: Daidalos, 2017, 1, p. 189-206Chapter in book (Other academic)
  • 706.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Doxa eller debatt: recension av Hanne-Lore Anderssons avhandling Doxa eller debatt2009In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 1, p. 96-99Article, book review (Other academic)
  • 707.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Felski och den postkritiska läsningen: reflektion2017In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 1, p. 15-16Article in journal (Other academic)
  • 708.
    Öhman, Anders
    Umeå University, Faculty of Arts, Comparative Literature and Scandinavian Languages.
    Hjoggböle2006In: Provins, ISSN 0280-9974, no 3Article in journal (Other (popular science, discussion, etc.))
  • 709.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    "Instängdhet, skvaller och idyll": Lars Widding och Umeå2013In: Umeå 1314-2014: 100 berättelser om 700 år / [ed] Lars-Gunnar Olsson & Susanne Haugen; Lars-Erik Edlund & Lars-Göran Tedebrand, Umeå; Skellefteå: Artos & Norma, 2013, p. 192-196Chapter in book (Other (popular science, discussion, etc.))
  • 710.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Jaget, rättegången och det kärleksfulla seendet2008In: Tänd eld!: essäer om Agnes von Krusenstjernas författarskap / [ed] Jenny Björklund & Anna Williams, Stockholm: Norstedts Förlag, 2008, 1, p. 189-219Chapter in book (Other academic)
  • 711.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Kurt Salomonson: Äventyret och arbetarlitteraturen2016In: "inte kan jag berätta allas historia?": föreställningar om nordisk arbetarlitteratu / [ed] Beata Agrell, Åsa Arping, Magnus Gustafson, Christer Ekholm, Göteborg: Göteborgs universitet , 2016, p. 99-112Chapter in book (Refereed)
    Abstract [en]

    This article refects upon the role of adventure, both as a compositional feature and as an ideology, in the Swedish author Kurt Salomonson’s novels. Salomonson is usually labelled a working-class author, and this often tends to implicate a realistic style of writing. The article, however, argues that some of his novels use the genre of the adventure novel in order to launch his theme of taking risks, so as to change one’s social position and to investigate contemporary society. According to Mikhail Bakhtin, the hero of the adventure novel is not biographically determined. His or her actions are not governed by their biography or social position. The adventurer as a character and the genre of the adventure novel are used to look into the different social layers of society, as well as into the world of the workers. This perspective opens up for a more nuanced conception of working-class literature.

  • 712.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Litteraturdidaktik, fiktioner och intriger2015 (ed. 1)Book (Other academic)
  • 713.
    Öhman, Anders
    Umeå University, Faculty of Arts, Comparative Literature and Scandinavian Languages. CSVOV, Centre for the Study of science and Values.
    Norrland and the question of cultural identity2007In: Centring on the peripheries: studies in Scandinavian, Scottish, Gaelic and Greenlandic literature / [ed] Bjarne Thorup Thomsen, Norwich: Norvik Press, 2007, p. 59-67Chapter in book (Other academic)
  • 714.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Norrland som identitet och periferi2016In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 3-4, p. 25-34Article in journal (Refereed)
    Abstract [en]

    Norrland as Identity and Periphery

    In this article I discuss the attempt, on the part of Swedish authors Pelle Molin, Olof Högberg and Gustav Hedenvind-Eriksson, to construct a Norrlandic identity around the turn of the twentieth century. Although Norrland is a part of Sweden, it has often been looked upon as something "other". Historically, there is a long tradition of viewing Norrland as a periphery, and as the great unknown. From the seventeenth and eighteenth centuries, when Norrland first became a concept to the rest of Sweden, it was as region lacking an identity of its own. Norrland was regarded as an object for the central power of Sweden, a view that might be labelled "colonial". Norrland was fundamentally conceived of as exotic "nature" – that is, as the opposite of culture – due to the fact that it supplied the natural resources which helped to create wealth in Sweden: the forests, the ore fields, and hydropower. The end of the 19th century and the beginning of the 20th witnessed attempts to construct another Norrland, with a history and a cultural identity of its own. It is particularly in fiction that this different Norrland begins to come into being.

  • 715.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Olof Högbergs Den stora vreden och skapandet av Norrland2015In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 136, p. 260-286Article in journal (Refereed)
    Abstract [en]

    In this article I analyse Olof Högberg’s novel Den stora vreden [The Great Wrath], published in Sweden in 1906. The novel has been regarded as one of the first novels from the northern part of Sweden. I argue that Högberg used the novel in order to invent a cultural identity for Norrland, in much the same way as contemporary postcolonial literature does. Högberg, and other authors from the northern parts of Sweden in the early 20th century, reacted against the exploitation of the north by companies from the south of Sweden. The north had abundant natural resources: big forests, ore fields and great rivers, but was regarded as a wilderness or a wasteland with few inhabitants. In opposition to this view, Högberg wanted to incorporate stories, tales and legends from the north into his novel in order to show that the Norrlandic people had a history; they had an origin and a cultural identity. But Högberg also wanted to create an imagined community, a nation of Norrland, with his novel. To achieve this, he turned to the genre of the adventure novel. His main characters were representatives of different groups in Norrland. There was Svarte-Mickel, representing the common man; there was Emanuel Bredman, a representative of the indigenous Sami people; and there was Mäster-Sara, a representative of the strong woman of the north. The heroes followed the pattern of the adventure novel. They all had to leave their homes and go into the world, but returned in order to resurrect the nation of Norrland. In this way Högberg’s novel was about inventing Norrland as a nation.

  • 716.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Recension av Arctic Discourses. red. Anka Ryall, Johan Schimanski & Henning Howlid Waerp2011In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 132, p. 333-335Article, book review (Other academic)
  • 717.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Recension av Isabella Josefsson, Pelle Molins brev2012In: OKNYTT. Tidskrift för Johan Nordlander-sällskapet, ISSN 0349-1706, Vol. 33, no 1-2, p. 80-84Article, book review (Other academic)
  • 718.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Sestaviti vse skupaj: O romanu Knjiznica kapitana Nema Pera Olova Enquista2008In: Knjiznica kaptitana nema / [ed] Per Olof Enquist, Ljublana: Beletrina, Študentska založba , 2008, p. 224-237Chapter in book (Other academic)
  • 719.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Vägen från Hjoggböle: Om Kurt Salomonson och Per Olov Enquist2010In: Replikens platser: festskrift till Dag Nordmark / [ed] Helene Blomqvist, Jonas Ingvarsson, Margaretha Ullström, Karlstad: Karlstad University Press, 2010, p. 13-29Chapter in book (Other academic)
  • 720.
    Öhman, Anders
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Äventyret och historien2009In: Kulturhjälten: Viktor Rydbergs humanism, Stockholm: Atlantis bokförlag , 2009, p. 271-284Chapter in book (Other academic)
  • 721.
    Öhman, Anders
    Umeå University, Faculty of Arts, Comparative Literature and Scandinavian Languages.
    Äventyrets tid: den sociala äventyrsromanen i Sverige 1841-18591990Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The subject of this thesis is the social-adventure novel which was popular in the 1840s and early 1850s in Sweden. In contrast to literary critics who have tended to regard the thrilling plot of the genre as merely a way of creating effects, I try to analyze the plot as a bearer of both meaning and ideology. Inspired by the Russian scholar Mikhail Bakhtin, I define the plot in the genre as an adventure-plot, with links back to the novel of Antiquity.

    In an introductory chapter I discuss theories of genres which resembles the social- adventure novel. I conclude the chapter with a brief discussion of the differences between the adventure novel and the biographical novel. In chapter 2 I look into the reception of the social-adventure novel by contemporary critics.

    In the first case-study, I examine Samvetet eller Stockholms mysterier, 1850, (The Conscience or the Mysteries of Stockholm), by C. F. Ridderstad. By means of the ad­venture-plot we are introduced to everyday life in Stockholm in the middle of the cen­tury. But the adventure-plot also had other possibilities. It could be used to examine the various competitive moral and ideological views that were current at the time. In the second case-study, I analyze a variant of the social-adventure novel which deals with the development of the individual.

    The need to examine ideology and its values is essential in the historical-adventu­re novel. This case-study contains readings of novels by Ridderstad, J. A. Kiellman- Göranson and C. J. L. Almqvist. The function of the plot in the historical-adventure novel is to test the "natural" qualities of the heroes; to examine the ideology of the vil­lain; and finally to claim that history in the end depends upon the (im) moral actions of the individual. This is created through the mixture in the novels of historical time and adventure-time.

    The thesis ends with an analysis of a novel by Viktor Rydberg, Den siste athenaren, 1859, (The Last Athenian). In this novel there is also an adventure plot, but no ad- venture-time. The reason for this is that Rydberg only uses the adventure plot for his own monologic view of history and the destiny of mankind. Rydberg's novel marks an ending. It stands as the final expression of that period which began in the 1830s, in which the novel emerged as a leading genre in Swedish literature.

  • 722.
    Öhman, Anders
    et al.
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Jönsson, Maria
    Umeå University, Faculty of Arts, Department of culture and media studies.
    Inledning2015In: Litteratur och läsning: Litteraturdidaktikens nya möjligheter / [ed] Maria Jönsson, Anders Öhman, Lund: Studentlitteratur, 2015, p. 9-18Chapter in book (Other academic)
  • 723.
    Österberg, Elisabeth
    Umeå University, Faculty of Arts, Department of language studies.
    Adapting the Men in Jane Eyre: A Comparative Analysis of Two Movie Adaptations (from 1943 and 2011) of the novel Jane Eyre by Charlotte Brontë, with a Focus on the Male Characters2018Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This is a comparative analysis of two film adaptations (from 1943 and 2011) of Charlotte Brontë’s  Jane Eyre, with a focus on the male characters. My aim is to study how patriarchal control is adapted for the screen, compared to the original novel. The focus is on the characters John Reed, Mr. Brocklehurst, Mr. Rochester and St. John Rivers. The analysis is about how the filmmakers depict the essence of the characters, why they chose to do so and what determinants influenced the two films; furthermore, how this affects Jane’s character and her pursuit for independence. The thesis of this essay is that there is a difference in the interpretation of the male characters in the two films compared to the novel Jane Eyre and this affects Jane’s pursuit for independence. My conclusion is that although the films differ in narration and filming technique, the strongest impact on the discourse is the changed script due to politics and production code.

  • 724. Österlund, Mia
    et al.
    Söderberg, Eva
    Formark, Bodil
    Umeå University, Faculty of Arts, Department of historical, philosophical and religious studies.
    Litteratur och konst som flickforskningens teoretiska språngbräda2013In: Flicktion: perspektiv på flickan i fiktionen / [ed] Eva Söderberg, Mia Österlund och Bodil Formark, Malmö: Universus Academic Press , 2013, p. 11-25Chapter in book (Other academic)
12131415 701 - 724 of 724
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