This document discusses compositional ideas and computer music techniques employed by the composer, resulting in the stereo fixed-format electronic work "Sight Unseen". The design and use of new tools for working with granular synthesis should be of particular interest. The use of the typewriter recordings, and the human voice, notably the way in which speech is obscured via computer manipulation is also another important aspect of the composition discussed in this document. The treatment of voice recordings addresses themes of misinformation and information literacy, which is explored in the music with some depth.