Critics have tended to dismiss feminist analyses of Cormac McCarthy's works as misguided, labelling investigations of potential narrative misogyny in his novels as irrelevant. In this article I argue that such investigations are, on the contrary, highly relevant in the current climate of mother-blaming. I specifically explain how McCarthy's 2006 dystopian novel The Road uses postfeminist fatherhood to valorize the father and vilify the mother, thus participating in a continuing cultural trend of privileging fathers over mothers. The Road invokes traditional cultural expectations of motherhood and fatherhood, presenting the mother as unable and unwilling to care for the boy, in stark contrast to the very competent and able father.
Many literary analyses of this highly acclaimed novel have unquestioningly accepted the postfeminist marginalization of the mother and critics have elaborated on and developed the mother-blaming in the novel in a move I term critical co-writing. Co-writing occurs when critics ally themselves with an author, rather than retaining a critical distance, and re-present the author's ideas without problematizing them. In the case of The Road, many critics build on postfeminist cues in the novel, adding their own, unreflected, understandings of motherhood and fatherhood. In so doing, they reinterpret and rewrite the novel into an even more forceful presentation of flawed mothering. In a critical discussion of these readings, I demonstrate how these critics transform the novel's implicit criticism of the mother character into explicit condemnation.