Carrying the nuclear home
2018 (Engelska)Ingår i: Second suns: Julian Charriere / [ed] Nadim Samman, Germany: Hatje Cantz Verlag, 2018, s. 118-123Kapitel i bok, del av antologi (Övrigt vetenskapligt)
Abstract [en]
Walking around the perimeter of the Atomic Weapons Establishment (AWE) at Aldermaston, England, along with a group of artists and researchers—we peer through the fence, at industrial facilities shielding the construction of nuclear weapons. From this site, just an hour's drive from London, weapons are transported by road to Her Majesty's Naval Base on the Clyde, in Scotland, where they function as Britain's Trident nuclear 'deterrent'. Time is confused, here, oscillating between the Cold War, the banal reality of the nuclear economy, and a potentially apocalyptic future.
There's nothing romantically sublime about hanging around in the wet English countryside with a radiation monitor. This is a suburban landscape. Yet, behind the fence, plutonium is being milled into components for warheads capable of realizing even greater megatons of nuclear spectacle than demonstrated in the mid-twentieth century, at the Marshall Islands, and Semipalatinsk. The women at the Peace Camp explain that AWE is currently applying to the Environment Agency to increase its radioactive emissions to air.
Ort, förlag, år, upplaga, sidor
Germany: Hatje Cantz Verlag, 2018. s. 118-123
Nyckelord [en]
nuclear weapons testing, atomic testing, photography, nuclear culture, art
Nationell ämneskategori
Fri konst
Forskningsämne
tillämpad kärnfysik
Identifikatorer
URN: urn:nbn:se:umu:diva-189787ISBN: 9783775744775 (tryckt)OAI: oai:DiVA.org:umu-189787DiVA, id: diva2:1613114
Projekt
Nuclear Culture
Anmärkning
"This book is published in conjuction with Julian Charrière's solo exhibition "As We Used to Float - GASAG Kunstpreis 2018" at Berlinische Galerie Museum of Modern Art, Photography and Architecture, Berlin, September 27, 2018 - April 8, 2019."
2021-11-212021-11-212025-02-21Bibliografiskt granskad