In the novels Los inadaptados [The non- adapted; 1909] and La malcasada [The badly married woman; 1923], Carmen de Burgos recreated the intimate spaces of her childhood in southern Spain while depicting sexual violence. This chapter focuses on Burgos’ realistic representation of the experiences of the rape victim through fictionalizing the intimate spaces of her past and through her two fictitious doubles in the novels. Both are young women named Dolores, who share some characteristics with the author but also differ from her in social class or origin. In her recreation of childhood spaces, Burgos also includes elements from her later political activism. Burgos’ use of the intimate spaces of her own past, and a fragmented doubling of the self, to bring experiences of sexual violence into the public space, is here compared to the collective narrative strategies of the recent #metoo and #cuéntalo movements. There, as well as in Burgos’ novels, a multitude of voices retrieving painful memories of the intimate sphere is used to break the traditional silencing of the victims of sexual violence.