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Greenhouse doppelgänger deposed: an indexical prototype about parastructures, anarchives, and the social (hyperobjective) pedestal
KTH, Stockholm, Sweden.
2018 (Engelska)Ingår i: Architecture in effect: vol. 1. Rethinking the social in architecture: making effects / [ed] Sten Gromark; Jennifer Mack; Roemer van Toorn, New York: ACTAR, 2018, s. 380-423Kapitel i bok, del av antologi (Refereegranskat) [Forskning på konstnärlig grund]
Abstract [en]

Greenhouse is an opaque manifold of meanings. The opacity is not just the result of a layering that occurs when considering its many definitions. It is more so the result of the suppressed colonial violence that is implicit in its technological instrumentalization. This mythical violence, of willfully transplanting the exotic, is at the heart of allother compound terms and subsets of ‘greenhouse’. I have been working on how this opacity obscures a range of forces that shape the environment. More specifically, I amexploring how these opaque forces affect, and may be perceived through, the forms and languages of sculptural and spatial production beyond prescribed visual or imagined outcomes. The work you will encounter here is then a probe to test how the violent opacity of greenhouse may be demystified by shaping an index as potential format for dematerialized display.

Ort, förlag, år, upplaga, sidor
New York: ACTAR, 2018. s. 380-423
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Annan teknik Arkitektur Övrig annan samhällsvetenskap
Forskningsämne
Konst, teknik och design
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URN: urn:nbn:se:umu:diva-216019ISBN: 9781940291994 (tryckt)OAI: oai:DiVA.org:umu-216019DiVA, id: diva2:1808417
Tillgänglig från: 2023-10-31 Skapad: 2023-10-31 Senast uppdaterad: 2023-11-29Bibliografiskt granskad

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Berríos-Negrón, Luis

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