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Introduction
Anglia Ruskin University, United Kingdom.
Umeå University, Faculty of Arts, Department of language studies.
Umeå University, Faculty of Arts, Department of language studies.ORCID iD: 0000-0001-7243-0059
2013 (English)In: Rape in Stieg Larsson's Millennium trilogy and beyond: contemporary Scandinavian and Anglophone crime fiction / [ed] Berit Åström; Katarina Gregersdotter; Tanya Horeck, Basingstoke: Palgrave Macmillan, 2013, p. 1-18Chapter in book (Refereed)
Abstract [en]

The long-awaited Hollywood remake of The Girl with the Dragon Tattoo (2011), by director David Fincher, came with warnings from its lead actor, Daniel Craig, that it contained very violent material, and was for adult eyes only. The film’s reviewers duly noted its graphic and ‘slick’ violence (Scott 2011; Phillips 2011) but it is rather surprising how the rape and revenge scenes — which are central to the film and to the Millennium trilogy as a whole — are elided in the film’s critical reception in North America and the UK. Sexual violence is not seriously discussed, debated, or indeed in some cases even mentioned, in the film’s reviews, possibly because at this stage in the cultural retelling of the bestselling Millennium trilogy, the story is so familiar.

Place, publisher, year, edition, pages
Basingstoke: Palgrave Macmillan, 2013. p. 1-18
National Category
General Literature Studies Studies on Film
Identifiers
URN: urn:nbn:se:umu:diva-223593DOI: 10.1057/9781137291639_1Scopus ID: 2-s2.0-84996656552ISBN: 9780230308404 (print)ISBN: 9781137291639 (electronic)ISBN: 9781349338986 (print)OAI: oai:DiVA.org:umu-223593DiVA, id: diva2:1853242
Available from: 2024-04-22 Created: 2024-04-22 Last updated: 2024-04-22Bibliographically approved

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Gregersdotter, KatarinaÅström, Berit

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CiteExportLink to record
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Cite
Citation style
  • apa
  • ieee
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf