Omtänk investigates time and flow. As the digital use explodes, fragments of images passing the brain like a flickering visual noise. As a contrast to this there is a growing desire to slow down. There is a connection between slowness and memories, speed and forgetting. With the 100 weaves I want to create an analogue flow that is neither complete nor perfect but created by hand. When the speed of the process is reduced, there is time to reflect and remember. The project explores natural dye together with memories as aquarelle paintings and embroidery from artistic grandparents, musical traces through mixed tapes in the 90s, or wool taken from sheep’s during a trek in Wales. The theme Omtänk means, doing something different, finding new insights and methods that solve existing problems. Omtänk wants to create cracks in the system that open up for reflection to penetrate.