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  • 1.
    Ambrosiani, Per
    Umeå University, Faculty of Arts, Department of language studies.
    Johan Gabriel Sparwenfelds kyrilliska och glagolitiska 1600-talstryck utgivna av Sacra Congregatio de Propaganda Fide i Rom2014In: Slovo: Journal of Slavic Languages, Literatures and Cultures , E-ISSN 2001-7359, Vol. 55, p. 9-17Article in journal (Refereed)
    Abstract [en]

    This article describes four volumes comprising more than twenty titles printed by the Sacra Congregatio de Propaganda Fide in Rome during the seventeenth century. The volumes, originally owned by Johan Gabriel Sparwenfeld (1655–1727), were donated to Uppsala University Library in the beginning of the eighteenth century and are still included in the collection of this library. The titles include alphabets and other works in Armenian, Arabic, Georgian, Hebrew, Persian, etc., as well as five Slavic publications printed with Cyrillic and Glagolitic letters: Azbukividnêk slovinskiĵ (1629), Ispoviedaonik sabran iz pravoslavniech naučitelia (1630), Ispravnik za erei ispovidnici (1635), Ispovedanie pravoslavnoe very (1648) and, perhaps the most spectacular, a copy of Filip Stanislavov’s Abagar (1651) in the form of a scroll.

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  • 2.
    Rassokhina, Elena
    Umeå University, Faculty of Arts, Department of language studies.
    Translating Culture-Specific Items: the Legal Terminology of Shakespeare's Sonnet 46 in Russian Translations2016In: Slovo: Journal of Slavic Languages, Literatures and Cultures , E-ISSN 2001-7359, Vol. 57, p. 60-77Article in journal (Refereed)
    Abstract [en]

    A discussion of how to translate words with cultural implications from the source language into the target language text has been ongoing for a long time. It is well established within Shakespeare commentary that the culture-specific items used by Shakespeare in the Sonnets reflect the range of social institutions in Elizabethan England, for example, the legal system. Legal terminology is used especially frequently by Shakespeare in the sonnet cycle and plays an important role in its imagery. In translations of the sonnets, this particular feature presents Russian translators with specific difficulties. This paper aims to examine those difficulties and looks at the translation strategies applied within eleven Russian translations of Sonnet 46, which employs a great amount of legal terminology.

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